臺灣博碩士論文加值系統

本論文旨在探討在安‧瑞德克莉夫的《義大利人》和李昂的《殺夫》中所呈現加諸在女性身上的社會期許與父權社會中的幽禁。在本論文的介紹裡，將會討論英國文學中的哥德小說傳統以及中國文學中的志怪傳統。在第一章裡，藉著檢視《義大利人》與《殺夫》中的哥德式場景，我將呈現女性在父權社會中所體驗的種種無形監禁。由第二章裡男女哥德式關係的討論，我將探索男性是如何運用性、飢餓、死亡與經濟的力量來制約控制女性。女人與女人之間的關係是第三章的重點，在此將分析母親的缺席是如何影響女主角，以及女主角們又是如何被「代理母親」虐待與排擠。安‧瑞德克莉夫與李昂在她們作品中所要呈現的主旨是不管女性如何努力的爭取獨立、自由，她們終究仍被父權社會下的意識形態深深侷限。這也是本論文的結論。

This thesis aims to explore the social expectation and patriarchal confinement imposed upon women from the texts of Ann Radcliffe’s The Italian and Ang Li’s The Butcher’s Wife. In the introduction, the traditions of English Gothic and Chinese Gothic are discussed. In Chapter One, the gothic settings in The Italian and The Butcher’s Wife are examined to present the invisible imprisonment women experience in patriarchal society. In the second chapter, with the discussion of gothic relationship between men and women, the issue of how men manipulate women with the powers of sex, hunger, death, and economics will thus be explored. The gothic relationship between women will be the main focus of Chapter Three, in which the ideas of how absent mothers influence gothic heroines, and how gothic heroines are mistreated and are further excluded from the mainstream community by gothic mother substitutes will be analyzed. The concept that women are deeply confined and imprisoned within patriarchal ideology despite their efforts to strive for independence and freedom is not only the concern expressed by Ann Radcliffe and Ang Li, but is also the conclusion of this thesis.

Introduction
English and Chinese Gothic Traditions
1~24

Chapter 1
There Is No Place Like Home: Domestic Shelter vs. Social Confinement
25~55

Chapter 2
Butchers and Scapegoats: The Gothic Relationship between Men and Women in Patriarchal Society
56~87

Chapter 3
A Woman’s Enemy is Still Woman: The Gothic Relationship between Women and Women
88~110

Conclusion
In or Out? The Alternatives Offered to Heroines
111~126

Works Cited
127~129

Bibliography
130~136

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