臺灣博碩士論文加值系統

「阿貝鳩尼」琴（Arpeggione）是一八二三年由維也納樂器製造者約翰‧喬治‧史塔非（Johann Georg Staufer）所製造出一種以吉他的外形，結合大提琴拉奏方式的「吉他型大提琴」，然其生命短暫，前後不出十年便消逝於樂壇。本研究以舒伯特（Franz Peter Schubert）於一八二四年為「阿貝鳩尼」與鋼琴所寫的A大調奏鳴曲D821，來探討此樂器之歷史背景及此曲之創作手法，並針對大提琴改編版本的演奏詮釋與拉奏技巧作深入探究。舒伯特這首迷人的樂曲在「阿貝鳩尼」琴消失後，相繼出現了各種樂器的改編版本，而西班牙大提琴家卡沙多（Gasper Cassadó）則將此曲改寫成大提琴協奏曲，意圖使其更合乎大提琴的演奏語法，也讓這首作品以另一番風貌呈現。

The arpeggione is an instrument invented and built in1823 by the Viennese instrument maker Johann Georg Staufer. This instrument has the shape of guitar but bowed like a cello, thus it’s called the “guitar violoncello”. During its short life lasted for no more than a decade, we are fortunate there survived an “Arpeggione Sonata, D821” composed by Franz Schubert in 1824. This thesis discusses on the style of this composition and the historical background of arpeggione, with more focus on the interpretation and technique in the arrangement for cello. After arpeggione had vanished from the musical scene, several arrangements for different instruments of this work had published. The Spanish cellist Gasper Cassadó even expanded this work as a cello concerto, which is more suitable for cello playing. From these aspects, we can build up a more insight into this charming piece.

目錄
前言1
第一章 背景探討
第一節 阿貝鳩尼琴的歷史 3
第二節 舒伯特的「阿貝鳩尼」琶音6
第二章 創作手法與技巧詮釋
第一節 創作背景10
第二節 樂曲寫作手法11
第三節 演奏詮釋及技巧探討 21
第四節 力度記號探討28
第三章 版本比較
第一節各種樂器改編版本之比較 32
第二節大提琴版本比較33
第三節卡沙多改編的「阿貝鳩尼」協奏曲37
結論41
附錄一 舒伯特生平事蹟及作品表43
附錄二卡沙多「阿貝鳩尼」協奏曲之裝飾奏 46
參考書目48

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