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Works Cited
Primary Sources Eliot, George. Middlemarch. 1871. Introd. Felicia Bonaparte. NY: Oxford UP, 1996.
Secondary Sources Adams, Harriet Farwell. “Dorothea and “Miss Brook” in Middlemarch”. Nineteen-Century Fiction. 39.1(1984): 69-90. Barrett, Dorothea. Vocation and Desire: George Eliot’s heroines. Landon: Routledge, 1989. Beckson, Karl, and Arthur Ganz, ed. . Literary Terms: A Dictoionary. Bookman Books: Taipei, 2001. Beer, Gillian. “Middlemarch and ‘The Woman Question’.” Middlemarch. Ed. John Peck. London: Macmillan Education, 1992. Goodheart, Eugene. “The licensed trespasser: The omniscient narrator in Middlemarch”. Sewanee Review. 107.4 (1999): 555-69. Gorsky, Susan Rubinow. Femininity to Feminism: woman and Literature in the Nineteenth Century. NY: Twayne Publishers, 1992. Hagan, John. “Middlemarch: Narrative Unity in the Story of Dorothea Brook”. Nineteenth-Century Fiction. 16.1 (1961): 17-31. Hertz, Neil. “Recognizing Casaubon”. George Eliot’s Middlemarch. Harold Bloom. Ed. NY: Chelsea House Publishers, 1987. Jones, R. T. . George Eliot. London: Cambridge UP, 1970. Luecke, Sr. Jane Marei. “Ladislaw and the Middlemarch Vision”. Nineteen-Century Fiction. 19.1(1964): 55-64. Marks, Clifford J. . “Middlemarch, Obligation and Dorothea’s Duplicity”. Rocky Mountain Review of Language and Literature. 54.2(2000): 25-41. Marotta, Kenny. “Middlemarch: The Home Epic”. Genre: Forms of Discourse and Culture. 15.4 (1982): 403-20. McSweeney, Kerry. “ ‘Middlemarch’: Art, Ideas, Aesthetics”. Middlemarch. Ed. John Peck. London: Macmillan Education, 1992. Mitchell, Sherry L.. “Saint Teresa and Dorothea Brooke: The Absent Road to Perfection in Middlemarch”. Victorian Newsletter. 92 (1997): 32-7. Moscovici, Claudia. “Allusive Mischaracterization in Middlemarch”. Nineteen-Century Literature. 49.4(1995): 513-32. Nazar, Hina. “Philosophy in the Bedroom: Middlemarch and the Scandal of Sympathy”. The Yale Journal of Criticism. 15. 2 (2002): 293-314. Nester, Paulline.George Eliot. NY: Palgrave, 2002. Reynolds, Kimberley, and Nicola Humble. Victorian Heroines. NY: New York UP, 1993. Rinchin, Abigail S. . “Beside the Reclining Statue: Ekphrasis, Narrative, and Desire in Middlemarch”. Publications of the Modern Language Association of America. 111. 5 (1996): 1121-32. Shanley, Mary Lyndon. Feminism, Marriage, and the Law in Victorian England. Princeton: Princeton UP, 1989. Thomas, Jeanie G. . “An Inconvenient Indefiniteness: George Eliot, Middlemarch, and Feminism”. University of Toronto Quarterly. 56.3 (1987): 392-415. Tucker, John L. . “George Eliot’s Reflexive Text: Three Tonalities in the Narrative Voice of Middlemarch.” Studies in English Literature(Rice). 31.4 (1991): 773-91. Tush, Susan Rowland. George and the Conventions of Popular women’s Fiction. NY: Peter Lang, 1993. Woolf, Virginia. The Common Reader. 1925. Introd. Andrew McNeillie. NY: First Harvest/HBJ Edition, 1984.
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