臺灣博碩士論文加值系統

本文為分析與詮釋波蘭作曲家潘德瑞基於1983年完成的中提琴協奏曲，並藉由觀測潘德瑞基於1984年所寫的《為中提琴的裝飾奏》來輔助詮釋上的論點。先從潘德瑞基的求學歷程與人生經驗著手，歸納與敘述其創作風格之演變與作品背景等。藉由樂曲之架構與創作元素分析求得合理的詮釋方式，筆者期望能完整理解與傳達作曲家之理念。

The research subject of this thesis is the viola concerto by the Poland composer Krzysztof Penderecki, written in 1983. The paper also mentioned the other work “Viola Cadenza” by Krzysztof Penderecki in 1984, which uses common basics and shares the connection with the concerto.
By tracing the composer’s musical studies and life experiences, much can be understood about his compositional characteristic, the various stages of his musical styles and the principles that he holds for music writings. The quest of a truthful performance of the concerto is to be based on the interpretation and analysis of its structure, the resolution of the technical difficulties and the understanding of the composer’s music language in this work. Through the research, hoping to find and achieve a total expression of the composer’s thoughts conveyed in the music.

演奏會曲目與輔助文件摘要…………………………………………………………….i
Recital Program and Abstract……………………………………………………………...ii
謝誌……………………………………………..………………………………………..iii
陳筱茵中提琴畢業演奏會CDs…..………………………………………...……..............iv
目錄 ……………………………………………………………………………..............v
表目錄 …………………………………………………………………………………..vi
譜例目錄 ………………………………………………………………………………..vii
輔助文件：潘德瑞基中提琴協奏曲──詮釋與分析
第一章 研究動機與目的 ………………..……………………………..……………...1
第二章 作曲家生平與其時代背景
第一節 潘德瑞基之生平與音樂創作簡述……………………………………..….3
第二節 二十世紀後半葉之波蘭音樂發展 ……………………………………….7
第三章 作品風格演變及《中提琴協奏曲》與《為獨奏中提琴的裝飾奏》之創作關係
第一節 潘德瑞基創作手法之演變與作品分格劃分 ……………………….........9
第二節 《中提琴協奏曲》與《為獨奏中提琴裝飾奏》之關聯…………….…...12
第四章《中提琴協奏曲》之作品結構與創作元素分析...……………..……………...14
第一節 段落A之分析 ……………………………………………………...……..15
第二節 段落B之分析 ……………………………………………………….........28
第三節 段落A'之分析 …………………………………………………………....44
第四節 段落C之分析 …………………………………………………………….51
第五節 段落A''之分析 …………………………………………………………...57
第六節 比較《中提琴協奏曲》與《為獨奏中提琴的裝飾奏》
之音樂架構與元素………………………………………………..….…...58
第五章《中提琴協奏曲》之演奏詮釋
第一節 段落A之詮釋 ………………..……………………………………..…….65
第二節 段落B之詮釋 …………………..…………………………………….…..79
第三節 段落A'之詮釋 …………………...………………………………….……90
第四節 段落C之詮釋 ……………………...……………………………….….....93
第五節 段落A''之詮釋 ……………………...………………………………........97
第六章 結語 …………………..………………..…..…………………………..….......98
參考文獻 …………………………………………………………………………….....99

中文論文
張家馨。〈潘德瑞基《中提琴協奏曲》之作品研究及詮釋〉。台北市：國立台灣師範大學音樂學系碩士論文，2007年。

中文書籍
姚恒璐。《現代音樂分析方法教程》。長沙市 ：湖南文藝， 2003。

西文論文
Chang, I-Ting. "Krzysztof Penderecki's Concerto for Viola and Orchestra: An
Analysis and Performer's Guide," PhD diss., Boston University, 2005.
Reiter, Erica Amelia. "Krzysztof Penderecki's Cadenza for Viola Solo as a Derivative
of the Concerto for Viola and Orchestra: A Numerical Analysis and a Performer's
Guide," DMA diss., University of Arizona, 1997.
Sandor, Ashley. “Extended techniques for Extended techniques for string instruments as applied to selected twentieth-century cello repertoire.”Phd diss., University of Cincinnati, 2004.

西文書籍
Brindle, Reginald Smith. The new music：The avant-guard since 1945.New
York:Oxford University Press. 1987.
Bylander, Cindy. Krzysztof Penderecki: A Bio-Bibliography. London: Praeger
Publishers, 2004.
Jacobson, Bernard. A Polish Renaissance. London: Phaidon Press Limited, 1996.
Maurice W. Riley. The history of Viola. Ann Arbor: Braun-Brumfield, 1991.
Rappoport-GelfandLidia, Lidia. Musical life in Poland: the postwar years 1945-1977.
New York: Gordon and Breach Science Publishers, 1991.
Robinson, Ray, ed. Studies in Penderecki: Volume 1. New Jersey: Prestige
Publications Inc., 1998.

網路資源
Bylander, Cindy. Krzysztof Pendereckia bio-bibliography. London: Praeger, 2004.
http://140.113.39.244:2048/login?url=http://www.myilibrary.com?id=111037
Hightower, Laura. Contemporary musicians: Volume 30: profiles of the people in
music. Detroit, Mich.: Gale Group, 2001.
http://140.113.39.244:2048/login?url=http://www.myilibrary.com?id=111037
Thomas, Adrian. “Penderecki, Krzysztof ,” in Grove Music Online.
Oxford Music Online,
http://www.oxfordmusiconline.com/subscriber/article/grove/music/21246?q=penderecki&search=quick&pos=1&_start=1#firsthit
(accessed October 9, 2010)
樂譜資料
Krzysztof Penderecki: Concerto per Viola ed Orchestra. Studien – und Dirigierpartitur (1983). ”Mainz: Schott Musik International, 1987.
________. “Concerto per Viola (Violoncello / Clarinetto) ed Orchestra: Piano reduction.”
Mainz: Schott Musik International, 1987.
________.“Cadenza per Viola Sola.” Mainz: Schott Musik International, 1986.
________. “Concerto per Violoncello ed Orchestra no.2: Piano reduction.” Mainz: Schott Musik International, 1983.

影音資料
Pendereck, Hindemith, Britten. Kim Kashkashian (viola) and Dennis Russell Davies (conductor). CD, ECM, 439 611-2, 1993.
Penderecki. Tabea Zimmermann (viola) and Agnieszka Duczmal (conductor). CD, Wergo, WER6017250, 1989.
Penderecki a Celebration. Krzysztof Penderecki (conductor).Tabea Zimmermann (viola), etc. DVD, RM Arts, ID9328RADVD, 1994