臺灣博碩士論文加值系統

近代的俄國音樂家中，梅特涅並未在國際樂壇獲得明顯的地位。他出生於俄國，雖然身兼鋼琴家與作曲家的身份，但鮮少公開演奏，全心致力於鋼琴作品的創作，而其創作技巧亦受到部分作曲家高度的認同。他一生崇拜貝多芬，所創作的鋼琴曲多數承襲著傳統曲式，不同於當代盛行的國民樂派曲風或現代樂派手法；也因此，在當時並未受到應有的肯定。

梅特涅在一九三一年創作的《風暴奏鳴曲》以單樂章奏鳴曲的型式呈現，全曲架構工整，除了呈示部─發展部─再現部之外，更在發展部加入賦格、再現部加入裝飾奏，使此作品獨具一格，加上節奏感鮮明、技巧豐富，曲風有別於梅特涅以往的抒情風格作品。

全論文共分四章，第一章為緒論，說明研究動機與目的、研究範圍和文獻評述；第二章為作品風格淵源及背景概述，簡述梅特涅的生平、創作概述及此曲創作背景；第三章為《風暴奏鳴曲》樂曲分析，了解本曲的樂曲架構、樂曲素材，來做深入探討，第四章為結論，綜合筆者研究此樂曲的分析結果。

Among modern Russian musicians, Medtner did not acquire apparent status in the international music status. Although Medtner, born in Russia, had identities of both pianist and composer, he hardly performed in public. Instead, Medtner was devoted to composing pianistic pieces and received high praise from some composers. He worshiped L. v. Beethoven all his life, and his pianistic compositions had usually followed traditional forms which was different from either Nationalism composing techniques or Modernism prevailing at that time. Therefore, Medtner was unable to be widely recognized then.

Medtner’s “Grozovaya Sonata”, composed in 1931, is presented in Sonata form of single movement. This piece has a neat structure and is divided in three main parts: Exposition – Development – Recapitulation. Moreover, there are some specialties such as fugue added in the Development and cadenza inserted in the Recapitulation. With strong rhythm and rich techniques, its musical style is much different from other lyric pieces Medtner had ever made.

This thesis is divided in four chapters. Chapter I is the introduction which presents research motivation, extent, and literature review. Chapter II shows the origin of musical style and brief background, which briefly introduces the lifetime of Medtner, situation of composing, and the background of this piece. Chapter III is the form analysis of “Grozovaya Sonata”, which looks in depth at the structure, materials, and form of this piece. Chapter IV is the conclusion which sums up all the researcher’s discoveries and analyses.

目錄
中文摘要-----------------------------------------------------------------------------------------i
英文摘要----------------------------------------------------------------------------------------ii
目錄----------------------------------------------------------------------------------------------iii
表格目錄---------------------------------------------------------------------------------------iv
譜例目錄----------------------------------------------------------------------------------------v
第一章 緒論
第一節 研究動機與目的----------------------------------------------------------------1

第二節 研究範圍-------------------------------------------------------------------------2

第三節 研究方法-------------------------------------------------------------------------2

第四節 文獻評述-----------------------------------------------------------------------3-4
第二章 梅特涅生平、風格淵源及創作背景慨述
第一節 尼可萊‧梅特涅（Nicolai Medtner）生平--------------------------------5-11

第二節 梅特涅創作特色概述-----------------------------------------------------12-13

第三節 鋼琴奏鳴曲作品五十三第二號創作背景---------------------------------14
第三章 《風暴奏鳴曲》樂曲分析
第一節 樂曲素材歸納分析探討--------------------------------------------------15-17

第二節 樂曲分析--------------------------------------------------------------------18-54

第四章 結論-----------------------------------------------------------------------------55-56
參考書目--------------------------------------------------------------------------------------57

參考書目
(一) 中文類：
葉慧菁。〈梅特納鋼琴奏鳴曲《回憶》之寫作探討與演奏詮釋〉。私立東吳大學，
碩士論文，民97。

(二) 外文類
Antokoletz, Elliott. Twentieth-Century Music. New Jersey: Prentice Hall, 1992.
Barrie, Martyn. Nicolas Medtner: His Life and Music. London: Scolar Press, 1995.
Hecht, Roger and Alexander Morin. “MEDTNER”. America Record Guide 65 (2002): 136.
Holt, Richard. Medtner and his life. London: Van Wyck, 1948.
Kafarova, Saida. “An Introduction to Nikolai Medtner and Performance Analysis in Dialogue Form of His Works for Two Pianos-Russian Round Dance and Knight Errant.” D.M.A., The University of Texas, 2003.
Loftis, Bobby Hughes. “The Piano Sonatas of Medtner.” Ph.D diss., West Virginia University, 1970.
Medtner, Nicolai. The Muse and the Fashion, trans. Alfred J, Swan. Haverford: Haverford Bookstore, 1951.
Newman, Ernest. “Medtner”. The Musical Times 21 (1915): 34.
Pitts, James L. “Symmetrical Features of Medtner’s Language: The Grzovaya Sonata, Opus 53 No. 2.” D.M.A., The university of North Taxes, 1999.
Simms, Bryan. Music of the Twentieth Century: Style and Structure. New York: Schirmer Books, 1986.
Mahanor, Tali. “The International Medtner Foundation” ,
< http://www.medtner.com > (Accessed Jan. 2010).
Holt, Richard. “The Gramophone”, < http://www.medtner.org.uk > (Accessed Feb. 2010).