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參考書目
英文專書
1. Adler, Thomas P, American drama, 1940-1960 : a critical history, New York : Twayne Publishers ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, c1994.
2. Baldick, Chris, The concise Oxford dictionary of literary terms, Oxford [England] ; New York : Oxford University Press, 1990.
3.Bigsby, C. W. E, A critical introduction to twentieth-century American drama, Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1982-1985.
4. Bigsby, C. W. E, Modern American drama, 1945-1990, Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1992.
5. Bonin, Jane F, Prize-winning American drama: a bibliographical and descriptive guide, Metuchen, N.J., Scarecrow Press, 1973.pp97-100
6. Brod, Max. Franz Kafka: A Biography. New York: Schocken Books, 10, 1963.
7. Chadwick, Charles. Symbolism. London: Methuen, 1971.
8. Clive Bloom, American drama, Basingstoke, Hampshire ; London : Macmillan, 1995.
9.Cohn, Ruby, Dialogue in American drama, Bloomington, Indiana University Press ,1971.
10.Cuddon, J. A. ed., A dictionary of literary terms and literary theory , 3rd ed, Oxford [England] ; Cambridge, MA, USA : Blackwell Reference, 1991
11. Falk, Signi Lenea, Tennessee Williams, Boston : Twayne Publishers, 1978, 2d ed.
12. Felicia Hardison Londré, Tennessee Williams, New York : F. Ungar Pub. Co., ,1979.
13.Ferber, Michael, A Dictionary of Literary Symbols, Cambridge, UK ; New York : Cambridge University Press, 2004.
14.Firestone, Paul A, The Pulitzer Prize plays : the first fifty years, 1917-1967 : a dramatic reflection of American life, Milwaukee, WI : Limelight Editions, 2008.
15. Frye, Northrop, et al., eds. The Harper Handbook to Literature, 2nd edition, New York: Harper & Row Publishers, 1997.
16. Frye, Northrop, Sheridan Baker, George Perkins , The Harper Handbook to Literature--with a chronology of literature and world events by Barbara M. Perkins. New York: Harper & Row Publishers, 1985.
17. Gerald Weales. “Tennessee Williams” University of Minnesota Pamphlets on American Writers.
18. Griffin, Alice, Understanding Tennessee Williams, Columbia, S.C. : University of South Carolina Press, c1995.
19. Grigorian, Natasha. European Symbolism: in Search of Myth （1860-1910）. Oxford: Peter Lang, 2009.
20. Guerin, L. Wilfred, et al., Ed. A Handbook of Critical Approaches to Literature. 3rd ed. Oxford: Oxford University Press, 1992.,p77.
21. Hayman, Ronald, Tennessee Williams : everyone else is an audience , New Haven, Conn. : Yale University Press, c1993.
22. Holditch, W. Kenneth, Tennessee Williams and the South, Jackson : University Press of Mississippi, c2002.
23. Hurrell, D. John, Two Modern American Tragedies, Scribner, 1961.
24. Jackson, Esther M. (Esther Merle), The Broken world of Tennessee Williams, Madison : University of Wisconsin Press, 1965.
25. Kolin, C. Philip. Tennessee Williams: A guide to research and performance, Westport, Conn: Greenwood, 1998. 51-79
26. Lawall, Sarah, Genenral Editor. The Norton Anthology of World Masterpieces. Seventh Edition. New York: W.W. Norton & Company, 1998. 747-750.
27. Lawall, Sarah, Genenral Editor. The Norton Anthology of World Masterpieces. The Western Tradition. Seventh Edition. New York: W.W. Norton & Company, 1999. p840-843, p1303,p1315
28. Mallarme, Stephane. “The Evolution of Literature.” Mallarme: Selected Prose,Poems, Essays, and Letters. Trans By Bradford Cook. The Johns Hopkins Press, 1956. Reprinted in Critical Theory Since Plato. Ed. Hazard Adams.
29. Matthew C. Roudané, The Cambridge companion to Tennessee Williams, Cambridge, U.K. ; New York : Cambridge University Press, 1997.
30. Merriam-Webster. Merriam-Webster’s Dictionary of Synonyms— A dictionary of discriminated synonyms with antonyms and analogous and contrasted words. Springfield, Massachusetts, U.S.A.: Merriam-Webster, incorporated, 1984, pp414, 808.
31. Muller, Gilbert H. and John A. Williams. Ways In: Approaches to Reading and Writing about Literature. New York: McGraw-Hill, 1994.
32. Murphy, Brenda, Tennessee Williams and Elia Kazan : a collaboration in the theatre, Cambridge [England] ; New York : Cambridge University Press, 1992.
33. Porter, Thomas E, Myth and modern American drama, Detroit, Wayne State University Press, 1969.
34. Stanton, S. Stephen, Tennessee Williams-A Collection of Critical Essays, Prentice-Hall, 1997.
35.Tindall, William York. The Literary Symbol. Bloomington: Indiana University Press, 1967.
36. Tischler, Nancy Marie Patterson, Student companion to Tennessee Williams, Westport, Conn. : Greenwood Press, 2000.
37. Vossler, Karl. Die Romanische Welt. Munich: R. Piper & Co., 1965.
Wellek, René. A History of Modern Criticism: 1750-1950. London: Yale University Press, 1971, p433
38. West, T. G. Ed. And Trans. Symbolism: An Anthology. New York:Methuen & Co. Ltd, 1980, p20
39. Whitehead, Alfred North, Symbolism: Its Meaning and Effect. New York: Fordham University Press, 1955.
40. Williams, Tennessee. A Streetcar Named Desire. The Norton Anthology of American Literature. Ed. Nina Baym. Shorter 6th ed. New York: W.W. Norton & Company, 2003. 2282-2348.
41. Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870-1930. New York: W. W. Norton & Company, 1959.
42. X.J. Kennedy & Dana Gioia. Literature—An Introduction to Fiction, Poetry, and Drama. Seventh Edition. New York: An imprint of Addison Wesley Longman, Inc., 1999, pp217-219.
英文期刊論文
1. Eric Bentley, “Better than Europe?”, in In Search of Theater, New York: Alfred A. Knopf, 1953, pp84-88.
2. Frank Rich, “Alec Baldwin does Battle win the Ghosts,” New York Times, 13 April 1992, C11, 18, Esther Merle Jackson.
3. Harold Clurman, Review of A Streetcar Named Desire, in Lies Like Truth, New York: Macmillian, 1958, pp 72-80.
4. Hayman , Ronald. Tennessee Williams : Everyone Else Is an Audience. New Haven: Yale Up, 1993. pp110-117
5. Jones, Robert Emmet, “sociological analysis of Blanche DuBois in Tennessee Williams’ Early Heroines”, Modern Drama 2, December 1959, 211-219.
6. Leavitt, Richard F. ed. The World of Tennessee Williams. New York: Putnam’s ,1978.
7. Leonardo Quirino, “The Cards Indicate a Voyage on A Streetcar Named Desire”:p29-48, Tennessee Williams, 13 essays : selected from Tennessee Williams, a tribute, Ed. Jac Tharpe, Jackson: UP of Mississippi, 1980.
8. Ruizhen Lin. “Symbolism Applied to Eugene O'Neill's Anna Christie and Long Day's Journey Into Night”, National Kaohsiung Normal University, 2001.
9. Spoto, Donald. The kindnesss of Strangers: The life of Tennessee Williams. Boston: Little, Brown, 1985. pp146-156.
10. Taylor, Harry, “The Dilemma of Tennessee Williams”, Masses and Mainstream Ⅰ, April 1948, 51-58.
11. Tom Buckley. “Tennessee Williams Survives.” Interview with Tom Buckley. Atlantic Monthly(Nov. 1970): 98, 100-106, 108. Rpt., Conversations with Tennessee Williams. Ed.Albert J. Devlin. Jackson: UP of Mississippi, 1986. 161-83.
12. Yu-chun Tsai. “Symbolism in Isaac Bashevis Singer’s The Magician of Lublin”, National Kaohsiung Normal University, 2007.
中文專書
1.卡爾.榮格(Carl G. Jung)主編， 龔卓軍譯《 人及其象徵 : 榮格思想精華的總結 》， 台北市：立緖文化出版，1999。
2.史坦貝克著， 楊耐冬譯，《憤怒的葡萄》，台北市 : 志文，1986。
3.布羅凱特，胡耀恆譯，《世界戲劇藝術欣賞》，台北：志文，2001。
4.朱生豪譯，莎士比亞原著;《哈姆萊特》，臺北市 : 國家, 1996。
5.但丁著，《神曲》，台北市 : 遠景,1985，頁3。
6.何欣，《西洋文學史》，台北：五南圖書出版公司，1998，pp1397~1403。
7.何欣，《現代歐美文學概述上：象徵主義至二次大戰》，台北：書林出版有限公司，1996，p8~121
8.何欣，《現代歐美文學概述下：二次大戰後至六O年代》，台北：書林出版有限公司， 1996，p529~542
9.宋碧雲譯，愛笛絲.赫米爾敦(Edith Hamilton)著，《希臘羅馬神話故事》，臺北市 : 志文, 1998，頁286~290。
10.姚一葦，《藝術的奧祕》，臺北市 : 開明，1968。頁118~188。
11.張靜二，《西洋戲劇與戲劇家》，台北：翰蘆，1999。
12.傅東華譯述，荷馬(Homer)原著，《奧德賽》，臺北市 : 臺灣商務，1966，卷九，頁1~32。
13.斯劫．藍瑪合譯，《田納西威廉斯戲劇選》，台北：幼獅，1973 年。
14.游元弘,蔣美玲編譯，走進英倫詩鄉 : 浪漫四傑詩選，臺北市 : 書林, 2002。
15.黃甲年譯，小仲馬著，《茶花女》，[臺北市] : 新潮社文化出版 臺北縣中和市 : 紫辰社文化代理, 2007。
16.黃晨淳編著，《希臘羅馬神話故事》 (The myths of Greece & Rome)，臺中市 : 好讀, 2008。
17.董強，《梁宗岱—穿越象徵主義》，北京市： 文津出版社, 2005。頁85-112
18.董強，《插圖本法國文學史》，北京：北京大學出版社，2009。
19.賈克．馬奎著，袁汝儀校譯《美感經驗》，台灣：雄獅，2003。
20.雷內‧韋勒克著，梁伯傑譯，《文學理論》，台北：水牛圖書出版事業有限公司，1989，pp277~333。
21.趙沛林,陳亞珂譯，約翰.班揚(John Bunyan)作，《天路歷程》，臺北縣中和市 : 波希米亞文化出版 臺北縣中和市 : 旭昇總經銷，2004
22.劉克端譯，顏元叔主編，《威廉斯戲劇選集：慾望街車，奧斐阿斯下凡》，台北：驚聲文物，1970 年。
23.廚川白村著，陳曉南譯，《西洋近代文藝思潮》，台北：志文，1996。
24.熱拉爾‧詹斯布爾，《象徵主義在歐洲和法國》，北京：袖珍出版社，2004。頁10-11。
25.蔡美麗，《黑格爾》，台灣：左岸文化事業，2003。
26.顧乃春，《現代戲劇論集》，台北：心理，2007。
中文期刊論文
1.田俊武、張志，<田納西威廉斯劇作中的動物意象和動物主題>，中文電子期
刊服務，刊名:俄羅斯文藝，2005/12/25，2005卷四期，PP65~68
2. 吾文泉、徐錫祥，<論《慾望號街車》中的象徵主義和表現主義>，江蘇南通師範學院外文系，《外國文學研究》 1999年03期。
3. 呂季青，＜慾望街車的中譯與評析＞，台北：私立輔仁大學翻譯學研究所在
職專班碩士論文，2004，頁60～130。
4. 林瑞珍，<尤金‧歐尼爾之《安娜‧克莉絲堤》與《長夜漫漫路迢迢》兩劇中
之象徵主義>，高雄：國立高雄師範大學英語學系研究所碩士論文，
2001，頁1~19
5. 徐婉婷，〈以德布西藝術歌曲《風流慶典一》， 探討其音樂之象徵主義表現〉，
台南：國立台南藝術大學鋼琴伴奏合作藝術研究所碩士論文，2009，
頁3~9。
6. 蔡酉君，〈以撒. 辛格盧布林的魔術師中象徵技巧的研究〉，高雄：國立高雄師
範大學英語學系研究所碩士論文，2007，頁1~18。
網路資料
1.A Streetcar Named Desire Symbolism, Imagery & Allegory (March 2, 2011)
< http://www.shmoop.com/streetcar-named-desire/symbolism-imagery.html >
2.Sparknotes: A Streetcar Named Desire Themes, Motifs & Symbols( March 10, 2011)
< http://www.sparknotes.com/lit/streetcar/themes.html >
3.Bookstove, Symbolism in A Streetcar Named Desire (March 13, 2011)
< http://bookstove.com/classics/symbolism-in-streetcar-named-desire/ >
4. What’s-your- sign.com The doorway to signs and symbolic meanings. ( March3, 2011)
<http://www.whats-your-sign.com/animal-symbolism-moth.html>
New York Times, Questions without answers, By Tennessee Williams. (May 21, 2011)
<http://www.nytimes.com/books/00/12/31/specials/williams-questions.html>
4.Oxford Advanced Learner’s Dictionary (May 21, 2011 ) <http://www.oxfordadvancedlearnersdictionary.com/>
5. Longman Dictionary of Contemporary English <http://www.ldoceonline.com/>
6.Cambridge dictionaries online <http://dictionary.cambridge.org/>
7.Behind the name-the etymology and history of first names. <http://www.behindthename.com/>
8.Meaning-of-names.com. <http://www.meaning-of-names.com/>
9.ANCESTOR SEARCH—Free Dictionary of Surname Origins & Last Name Meanings.<http://www.searchforancestors.com/surnames/origin/>
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