|
Works Cited Adjarian, M. M. “Between and Beyond Boundaries in Wide Sargasso Sea.” College Literature Feb 1995: 22. Beckson, Karl and Arthur Ganz. Literary Terms: A Dictionary. 3rd ed. Rpt. Taipei: Bookman, 1996. Bender, Todd K. Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Brontë. New York and London: Garland Publishing, 1997. Burke, Kenneth. On Symbols and Society. Chicago and London: The U of Chicago P, 1989. Burns, Thomas J. “The Fated Modernist Heroine: Female Protagonists in Jane Eyre and Wide Sargasso Sea.” Victorian Web. 2004. 27 May 2010 <http://www.victorianweb.org/authors/bronte/cbronte/burns14.html >. Burrows, Victoria. Whiteness and Trauma—The Mother-Daughter Knot in the Fiction of Jean Rhys, Jamaica Kincaid and Toni Morrison. New York: Palgrave Macmillan, 2004. Carson, Rachel L. “The Sargasso Sea.” The Sea Around Us. Oxford: Oxford UP, 1951. Chadwick, Charles. Symbolism. London: Methuen, 1971. Chevalier, Jean and Alain Gheerbrant. Dictionary of Symbols. Trans. John Buchanan-Brown. London: Penguin, 1996. Ciolkowski, Laura E. “Navigating the Wide Sargasso Sea: Colonial History, English Fiction, and British Empire.” Twentieth Century Literature 43.3 (Fall 1997): 339-59. Coetzee, J. M. “Jerusalem Prize Acceptance Speech.” Doubling the Point: Essays and Interviews. Cambridge, MA & London: Harvard UP, 1992. Curtis, Jan. “The Secret of Wide Sargasso Sea.” Critique, Vol. 31, No. 3 (1990). 10 Apr. 2010 <http://www.questia.com/PM.qst?a=o&d=95171058>. Damrosch, Leopold. Symbol and Truth in Blake’s Myth. Princeton, New Jersey: Princeton UP, 1980. Day, Martin S. History of English Literature 1837 to the Present. New York: Doubleday & Company, 1964. D’Costa, Jean. “Jean Rhys.” Fifty Caribbean Writers: A Bio-bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. Westport: Greenwood P, 1986. 390-404. Emery, Mary Lou. “The Politics of Form: Jean Rhys's Social Vision in Voyage in the Dark and Wide Sargasso Sea.” Twentieth Century Literature, Vol. 28, No. 4 (1982): 418. JSTOR. 26 Apr. 2010 < http://www.jstor.org/stable/441252>. Erwin, Lee. “Like in a ‘Looking-Glass’: History and Narrative in Wide Sargasso Sea.” A Forum on Fiction, Vol.22, No.2 (1989): 143-158. JSTOR. 20 Apr. 2010 < http://www.jstor.org/pss/1345800>. Ewer, Mary Anita. A Survey of Mystical Symbolism. London: Society for Promoting Christian Knowledge, 1933. Fayad, Mona. “Unquiet Ghosts: The Struggle for Representation in Jean Rhys’s Wide Sargasso Sea.” Modern Fiction Studies 34.3 (Autumn 1988): 437-52. Gangl, Kaitlin. “Women Making Progress?: A Study of Wide Sargasso Sea as a Response to Jane Eyre.” MA Thesis, Colby College, 2007. Genthe, Henry. “The Sargasso Sea.” Smithsonian Nov. 1998: 29. Howells, Coral Ann. Jean Rhys. London: Harvester Wheatsheaf, 1991. Impelluso, Lucia. Nature and Its Symbols. Milan: Mondadori Electa S.p.A., 2003. Knapp, Bettina L. Women in Twentieth-century Literature: A Jungian View. University Park: U of Pennsylvania State P, 1987. Kubitschek, Missy Dehn. “Charting the Empty Spaces of Jean Rhys’s Wide Sargasso Sea.” Frontiers: A Journal of Women Studies, Vol. 9, No. 2 (1987): 23-28. JSTOR. 17 Apr. 2010 < http://www.jstor.org/stable/3346184>. Laurence, Anne. Women in England: 1500-1760, a Social History. New York: St. Martin's, 1994. Levine, Philippa. Victorian Feminism. Miami: The U of Florida P, 1994: 144. Lichter, Linda S. Simple Social Grace—The Lost Art of Gracious Victorian Living. New York: HarperCollins, 1998. Lodge, David. The Art of Fiction. London: Martin, Secker & Warburg Ltd., 1992. Luengo, Anthony E. “Wide Sargasso Sea and the Gothic Mode.” Journal of Postcolonial Writing 15 (1976): 229-45. Lukens, Rebecca J. and Ruth K. J. Cline. A Critical Handbook of Literature for Young Adults. California: Harper Collins, 1994. Lystra, Karen. Searching the Heart: Women, Men, and Romantic Love in Nineteenth-Century America. NY: Oxford, 1989. Mcpherson, Diane M. The Character Who Represents Herself: Self-portraiture and Metatexuality in the Fiction of Jean Rhys.--A Dissertation Presented to the Faculty of the Graduate School of Cornell University. Ann Arbor, Mich. : UMI, 1991. O’Conner, Teresa F. Jean Rhys: The West Indian Novels. New York: New York UP, 1986. Patmore, Coventry. The Angel in the House. London and Cambridge: Macmillan, 1866. Perkin, Joan. Victorian Women. New York: New York UP, 1993. Ramchand, Kenneth. An Introduction to the Study of West Indian Literature. Middlesex: Thomas Nelson and Sons Ltd., 1976. Rhys, Jean. Wide Sargasso Sea. Ed. Judith L. Raiskin. NY: Norton, 1999. ---. “Selected Letters.” Wide Sargasso Sea. Ed. Judith L. Raiskin. NY: Norton, 1999. Ripple, Zoe. “Wide Sargasso Sea and the blossoming of hate.” Victorian Web. 2004. 25 May 2010 <http://www.postcolonialweb.org/caribbean/dominica/rhys/ripple18.html >. Robert, Edgar V. Writing Themes about Literature. Englewood Cliffs, New Jersey: Prentice-Hall, 1991. Savory, Elaine. Jean Rhys. Cambridge: Cambridge UP, 1998. Shakespeare, William. Macbeth. Ed. Horace Howard Furness. London: J. B. Lippincott, 2001. Shanley, Mary Lyndon. Feminism, Marriage, and the Law in Victorian England, 1850-1895. Princeton: Princeton UP, 1989. Spivak, Gayatri Chakravorty. “Three Women’s Texts and a Critique of Imperialism.” Critical Inquiry 12.1. (Autumn, 1985): 243-261. Stetson, Dorothy. A Woman's Issue: The Politics of Family Law Reform in England. London: Greenwood, 1982. Styan, J. S. Modern drama in theory and practice 2. Cambridge: Cambridge UP, 1983. Su, John J. “Once I Would Have Gone Back… But Not Any Longer: Nostalgia and Narrative Ethics in Wide Sargasso Sea.” Critique 44.2 (Winter 2003): 157-74. Swisher, Clarice. Women of Victorian England. Michigan: Lucent Books, 2005. The Holy Bible--New International Version. International Bible Society, ed. Colorado: NIV, 1984. Tindall, William York. The Literary Symbol. Bloomington: Indiana UP, 1967. Whitehead, Alfred North. Symbolism: Its Meaning and Effect. New York: Fordham UP, 1995. Williams, Brenda. Victorian Britain. Norwich: Jarrold, 2005. Winterhalter, Teresa. “Narrative Technique and the Rage for Order in Wide Sargasso Sea.” Narrative 2.3 (Oct. 1994): 214-D29.
|