臺灣博碩士論文加值系統

藝術傳達我的情感，記錄我的生活，且緊密的使我與這土地有所聯繫。對我而言，若無藝術，存在之於我的苦悶，我不知從何宣洩。佛教經典楞嚴經裡提到一句話－入流亡所，那是觀音聽海潮時所悟出的道理。入流是指進與出，亡所是指無所駐留。遭逢困挫是人無法避免的，面對困挫對我而言，我所需學習的，是如何讓困挫的苦悶不於心中有所駐留。藝術之於我的意義價值就在於此，它讓因潮水聲而波動的心境，能隨著潮退後與其共同消失。這是我所追求的存在狀態，所以，我以入流亡所作為我創作自述的題目。
此創作自述，是友人龔義昭與我的訪談對話記錄。龔義昭針對我的藝術創作提出了諸多問題，內容含括了我對藝術、創作及生活等各層面的辨證思考，可說是我從事藝術十多年來的一次階段性的總結。
依問題屬性及對話內容，我將其分為九個主題，分別為：《關於藝術的主體性與自治性》、《藝術作為表現》、《關於藝術－生活的辯證、恐懼之於藝術》、《關於繪畫的進程及其操作》、《藝術－勞動、現實的出口或停駐》、《虛無－入流亡所》、《創作的過程及其言說》、《創作之於現實－記錄自己的模樣，不承載，將厚擠平》等。以此自述，作為對自身藝術觀的整理，並以其為我對藝術的期許與備忘。

Art conveys my emotions, records my life, and associates me closely with this land. To me, without art, I have no way to unbosom my depression. In Surangama Sutra, “Ru Liu Wang Suo” was mentioned. “Ru Liu” means entry and exit, and “Wang Suo” means an area where no one could station. Then enlightenment occurred to Bodhisattva in listening to sea tide. Predicament is unavoidable to people. Personally, in face of predicament, I need to learn how to discharge the burden of predicament from my inner self. It is where the significance of art lies. It allows the unsettled state of mind in sound of tide to vanish in ebb. It is the state of existence that I strive for; thus, “Ru Liu Wang Suo” is the thesis for my art statement.
The art statement is a record of dialogue between Yi-shao Gong, a friend of mine, and I. Yi-shao Gong raised a number of questions on my art creation; the subject matter covers dialectical thinking on art, creation, and life. It was indeed a one-time summary over my ten years art experience at this stage.
Based on the types of questions and conversation content, the art statement was divided into 9 themes, which are “The Principal and Autonomy of Art”, “Art Expression”, “Dialectic on Art-Life, and Fear in Art”, “The Course and Manipulation of Painting”, “Art-Work, the Outlet or Halt of Reality”, “Nihility — ‘Ru Liu Wang Suo’”, “The Process and Narration of Art Creation”, and “Reality in Art Creation — Record of Self Image, not to Bear Weight, Flatten the Thickness”. The statement is a summary of my artistic perception and expectation toward art.

前言 p.1
一、關於藝術的主體性與自治性 p.2
二、藝術作為表現 p.5
三、關於藝術－生活的辯證 p.7
四、恐懼之於藝術 p.9
五、關於繪畫的進程及其操作 p.13
六、藝術─勞動、現實的出口或停駐 p.17
七、虛無─入流亡所 p.22
八、創作的過程及其言說 p.25
九、創作之於現實─記錄自己模樣，不承載，將「厚」擠平 p.29
顏頂生簡歷 p.34
附圖 p.35