臺灣博碩士論文加值系統

本論文是根據納博科夫的名著洛莉塔，探討此書中引人爭議的戀童情結。 由洛莉塔的出版背景及大眾對本書的反應開頭，並將納博科夫的歷史做一概略的介紹。在真愛與激情的論題下，以佛洛伊德及拉崗關於自我的分裂、情感的轉移、和閹割情結的心理分析理論為主要架構。藉由此理論基礎，來分析亨伯特的戀童情結。此外，本文以納博科夫及其與亨伯特之重疊影像來探討他對於美的狂熱及其作者特質。另一方面，由納博科夫對佛洛伊德的憎惡切入，討論幻想與文學創作間的關係。並且以書中大量的對比角色為例，說明亨伯特對於洛莉塔及已故戀人安娜貝爾間情感的轉移和納伯科夫的讀者 / 作者 雙重認同。最後，以亨伯特的自戀情感和道德感為論述，說明書寫對納博科夫 / 亨伯特而言，如何將現實中的回憶轉化為不朽的永恆形象。

This thesis is based on the masterpiece of Vladimir Nabokov Lolita. First of all, the background of Lolita’s publication and the public’s correspondence of the book are introduced with a brief history of Vladimir Nabokov. Moreover, under the issue of love and passion, the thesis applies the psychoanalytic theories of Sigmund Freud and Jacques Lacan about the splitting egos, substitution, and castration fear as the main approach. Through this approach, Humbert Humbert’s passion of nymphets is analyzed. Also, Vladimir Nabokov’s dictatorial authorship and passion of beauty are also illustrated with the comparison of his double image Humbert in this book. Nabokov’s rejection of Freudian theory is another perception in this thesis to discuss the relation between his fantasy and creativity. Moreover, the rich doubling characters in Lolita and their relations are also proposed to illustrate Humbert’s substitution of desires and Nabokov’s own images as both the reader and the writer. Finally, corresponding to the opening question about whether Lolita is about love or desire, the discussion leads to Humbert’s narcisstic love and morality.

Contents
Chapter I.
Introduction: Lolita as a Love Story or Erotic Romance? 1
Chapter II.
Vladimir Nabokov the Writer and the Birth of Lolita. 7
Chapter III.
Freudian and Lacanian Approaches to Humbert''s Passion. 16
Chapter IV.
Nabokov''s Rejection of Freudian Theory & His Authorship. 36
Chapter V.
The Double Figures: Duality & Substitute. 47
Chapter VI.
Death: Ending or Beginning?--Creativity & Reality. 60

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