外文部分：
馬格利特相關書籍
Blavier, André, ed. Réne Magritte：écrits complets. Paris：Flammarion, 2001.
Boberts-Jones, Philippe. Magritte：poète visible. Bruxelles：Laconti, 1972.
Calvocoressi, Richard. Magritte. London：Phaidon, 1984.
Clurman, Irene. Surrealisme and the painting of Matta and Magritte. Califonia：Stanford University, 1970.
Four modern masters：De Chirico, Ernst, Magritte, and Miro. Alta.：Glenhow Musuem, 1981.
Gablik, Suzi. Magritte. New York：Thames and Hudson, 1985.
Gimferrer, Pere. Magritte. New York : Rizzoli, 1987.
Gohr, Siegfried. Magritte. San francisco：San Francisco Morden Musuem, 2000.
Hammacher, Abraham Marie. René Magritte. trans. by James Brockway. New York：Abradale Press, 1995.
Larkin, David. ed. René Magritte 1898-1967. New York：Ballantine Books, 1972.
Magritte, René. Magritte/Torczyner letters between friend. trans.by Miller, Richard. New York: Harry N. Abrams, 1994.
Magritte, René. Réstrospective Magritte(1898-1967) dans les collections privées. Bruxelles：Galerie Isy Brachot, 1988.
Meuris, Jacques. René Magritte. New York：The Overlook Press, 1992.
Noël, Bernard. Magritte. New York : Crown Publishers, 1977.
Ollinger-zinque, Gisèle, and Leen, Frederick. eds. Magritte 1898-1967. Ghent：Ludion Press, 1998.
Ottinger, Didier, ed. René Magritte. Montreal：Montreal Musuem of Fine Arts, 1996.
Paquet, Marcel. René Magritte1898-1967：thought rendered visible. New York：Taschen, 2000.
Pergnier, Maurice. Du sémantique au poétique avec Baudelaire, Cocteau, Magritte. Paris：Harmattan, 1997.
Scheede, Uwe M. René Magritte. New York：Barron’s Education Series, 1982.
Scutenaire, Louis. René Magritte. Bruxelles：Libraire Sélection, 1948.
Soby, James Thrall. Magritte. New York：MOMA, 1965.
Spitz, Ellen Handler. Musuem of the mind：Magritte’s Labyrinth art and other essays in the arts. New Haven：Yale University Press,1994.
Sylvester, David. Magritte. Houston：Menil Foundation, 1992.
Sylvester, David. Magritte New York：Praeger, 1969.
Sylvester, David, and Whitfield, Sarah. eds. René Magritte catalogue raisonnéⅠ: Oil painting 1916-1930. London：Menil Foundation and Philip Wilson, 1992.
Sylvester, David, and Whitfield, Sarah, eds. René Magritte catalogue raisonnéⅡ: Oil painting and objec, 1930-1948. London：Menil Foundation and Philip Wilson, 1993.
Sylvester, David, and Whitfield, Sarah, eds. René Magritte catalogue raisonnéⅢ: Oil painting, object and Bronzes 1949-1967. London：Menil Foundation and Philip Wilson, 1993.
Sylvester, David, and Whitfield, Sarah, eds. René Magritte catalogue raisonné Ⅳ: Gouaches, Temperas, Watercolours and Papiers Collés 1918-1967. London：Menil Foundation and Philip Wilson, 1994.
Sylvester, David, ed. René Magritte catalogue raisonnéⅤ. London：Menil Foundation and Philip Wilson, 1997.
Sylvester, David. Magritte：the silence of world. New York：H. N. Abrams, 1992.
Torczyner, Harry. Magritte : Ideas and Images . Paris：Draeger, 1982.
Van den Bussche,W., comp. René Magrittre and the comtenporary art. Brussel：SABAM, 1998.
Waldberg, Patrick. Magritte. Brussels：A.de Rache, 1965.
Whitfield, Sarah. Magritte. London : The South Bank Centre, 1992.
超現實主義與達達相關書籍
Adamowicz, Elza. Surrealist collage in text and image. London：Cambridge University Press, 1998.
Ades, Dawn, ed. Surrealist Art: the Bergman collection. London：Thames and Hudson Ltd., 1997.
Alexandrian, Sarane. Surrealism Art. London：Thames and Hudson Ltd, 1997 .
Aragon, Louis. Les Collages. Paris：Hermann, 1965.
Balakian, Anna. André Betron: magus of Surrealism. New york：Oxford University Press, 1971.
Balakian, Anna. Surrealism : the road to the absolute. London：The University of Chicago Press, Ltd, 1986.
Baldacci, Paolo. De Chirico：the metaphysical period 1888-1919. Canada：Little, Brown & Company, 1997.
Bandier, Nobert. Sociologie du Surréalisme. Paris：La Dispute, 1999.
Bohn, Willard. The rise of Surreailsm. New York：State University of New York Press, 2002.
Borràs, Lluïsa Maria. Picabia. London：Thames& Hudson, 1985.
Breton, André. Manifestes du Surréalisme. Paris：Gallimard, 1977.
Breton, André. Manifestoes of Surrealism. Trans. Richard Seaver.＆Helen R. Lane. USA：The University of Michigan Press, 1972.
Camfield, William. A. Max Ernst：Dada and the Dawn of Surrealism. Munich：Prestel, 1993.
Caws, Mary Ann, ed. Surrealist Painters and Poets: an anthology. London：The MIT Press, 2001.
Centre Georges Pompidou. Paris-New York. Paris：Gallimard, 1991.
Chénieux-Gendron, Jacqueline. Surrealism. Trans. Vivian Folkenflik. New York：Columbia University Press, 1990.
Dachy, Marc. Dada movement 1916-1923. New York：Rizzoli, 1990.
Fer, Briony., Batchelor, David., Wood, Paul. Realism, Rationalism, Surrealism：Art between the Wars. New Haven &London：Yale University Press, 1993.
Foster, Hal. Compulsive Beauty. London：The MIT Press, 1993.
Foster, Stephen C. ed. Dada/Dimensions. Michigan：UMI Research Press, 1985 .
Foster, Stephen C., and Kuenzli, R. E. Dada Spectrum：the dialectics of revolt. Iowa：Coda Press, 1979.
Foucault, Michel. This is not a pipe. Trans. James Harkness Berkerly：University of California Press, 1983.
Freeman, Judi, ed. The dada & surrealist word-image. London：The MIT Press, 1989.
Gale, Matthew. Dada & Surrealism. London：Phaidon, 1997.
Hedges, Inez. Languages of revolt：Dada and surrealist literature and film. USA：Duke University Press, 1983.
Huelsenbeck, Richard, ed. Dada Almanach. Trans. Malcolm Green, Derk Wynand, Terry Hale.et al. London：Altas Press,1993.
Hugnet, G. Dictionnaire du dadaïsme 1916-1922. Paris：Jean Claude Simoën, 1976.
Krauss, Rosalind E., ed. L’Amour Fou :photography & Surrealism. Washington：The Corcoran Gallery of Art, 1985.
Lascault, G. Sur la Planète Max Ernst. Paris：Maeght Editeur, 1991.
Levy, Silvano. Surrealism：surrealist visuality. Staffordshire：Keele University Press, 1996.
Lippard, R. Lucy. ed. Surrealists on art. New Jersey：Prentice-Hall, 1970.
Matthews, J.H. Eight Painters：the surrealist context. New York：Syracuse University Press, 1982.
Matthews, J.H. The Imagery of Surrealism. New York：Syracuse University Press, 1977.
Motherwell, Robert, ed. The dada painters and poets：an anthology. Cambridge : Belknap Press of Harvard University Press, 1988.
Musée Royal des Beaux-Arts de Belgique. Tendances surrealists en belgique：choix d’oeuvres appartenant à nos collections. Bruxelle：Musée Royal des Beaux-Arts de Belgique, 1970.
Nadeau, Maurice. The History of Surrealism. Trans. Richard Howard. Cambridge：The Belknap Press of Harvard University Press, 1995.
Naumann, F. M. New York Dada 1915-23. New York：Harry N. Abrams. Inc, 1994.
Neff, Terry Ann R., ed. In the Mind’s Eye Dada and Surrealism. New York：Abbeville Press, 1985.
Passeron, René. Histoire de la peinture surréaliste. Paris：Le Livre de Poche, 1968.
Peterson, Elmer, ed. Paris Dada：the barbarians storm the gates. New York：G. K. Hall& CO.,2001.
Quinn, E. Max Ernst. Barcelone：Ediciones Poligrafa, S.A, 1983.
Raymond, Marcel. De Baudelaire au Surréalisme. Paris：José Corti, 1940.
Richter, Hans. DaDa: art and anti-art. Trans. David Britt. London：Thames and Hudson.,1997.
Rosemont, Franklin, ed. André Breton：What is surrealism？ New York：Pathfinder, 1978.
Rubin, W. S. Dada/Surrealism, and their heritage. New York：MOMA, 1977.
Rudolf, E. K. New York Dada. New York：Willis Locker&Owens, 1986.
Sanouillet, Michel. Dada à Paris1. Nice：Centre du ΧΧ Siècle, 1965.
Sanouillet, Michel. Dada à Paris2. Nice：Centre du ΧΧ Siècle, 1980.
Sanouillet, Michel. Francis Picabia et “391”. Paris：ERIC LOSFELD,1966.
Spector, Jack J. Surrealist art & writing 1919/39. New York：Cambridge University Press, 1997.
Spies, Werner. ed. Max Ernst：A Retrospective. Munich：Prestel, 1991.
Spies, Werner. Max Ernst Collages：the invention of the surrealist universe. London : Thames and Hudson, 1991.
Spies, Werner. Max Ernst•loplop. London：Thames and Hudson Ltd, 1982.
Stokes, Charlotte, and Foster, Stephen C., eds. Dada Cologne•Hanover. New York：G. K. Hall& CO.,1997.
Tendances surrealists en Belgique. Bruxelles：Musée Royaux des Beaux-Arts de Belgique, 1970.
Vilar, Clara Távora, ed. Francis Picabia: anthology. Trans. Jamese Ormiston, Centro Cultural de Belém.,1997.
Waldberg, Patrick. Surrealism. London：Thames and Hudson Ltd.,1997.
Waldberg, Patrick, Lebel, R., and Sanouillet, Michel. Dada Surrealism. Paris : Rive Gauche, 1981.
藝術理論相關書籍
Ades, Dawn. Photomontage.New York：Thames and Hudson, 1986.
Bablet, D., ed. Collage et Montage au Théâtre et dans les autres Arts durant les Années Vingt. Lausanne：La Cité, 1978.
Bradford, Richard. Roman Jakobson: life, language, art. London and New York：Routledge., 1995.
Chandler, Daniel. Semiotics:the basics. London and New York：Routledge, 2002.
Chipp, Herschel B. Theories of Modern Art. California：University of California Press,1968.
Eaton, Marcia Muelder. Basic Issues in Aesthetics. California：Wadsworth Publishing Company, 1988.
Edgar, Andrew, and Sedgwick, Peter. Cultural Theory: the key thinkers. London and New York：Routledge., 2002.
Fer, Briony, Batchelor, David, and Wood, Paul. Realisim, Rationalism, Surrealism : Art between the Wars. London：Yale University Press, 1993.
Fernie, Eric, ed. Art and its methods：acritical anthology. London：Phaidon,1995.
Fineberg, Jonathen. Art Since 1940. London：Laurence King, 2000.
Foster, Hal, ed. The anti-aesthetic：essays on postmodern culture. Seattle, Washington：Bay Press,1983.
Foster, Hal. Recordings：art, spectacle,cultural politics. New York：The New Press, 1985.
Gombrich, E. H. Art and illusion. New York：Princeton University Press, 2000.
Goodman, Nelson. Languages of Art: an approach to a theory of symbols. U.S.A：Hackett Publishing Company, Inc.,1976.
Hamilton, George Heard. Painting and sculpture in Europe 1880-1940. London：Yale University Press, 1993.
Harisson, Charles, and Wood, Paul, eds. Art in Theory1900-1990: an anthology of changing ideas. Oxford：Blackwell.,1993.
Hawkes, Terence. Structuralism and Semiotics. Berkeley：University of California Press, 1977.
Janis, Harriet. & Blesh, Rudi. Collage: personalities, concepts, technique. Philadelphia：Chilton Book Company, 1967.
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. London：The MIT Press, 1986.
Lynton, Nobert. The Story of Modern Art. London：Phaidon, 1998.
Orban, Clara. The Culture of Fragments: words and images in futurism and surrealism. Amsterdam：Rodopi B.V., 1997.
Preziosi, Donald, ed. The Art of Art History: a critical anthology. New York：Oxford University Press.,1998.
Rosenblum, Robert. Cubism& twntyeth-century art. NY：Harry N. Abrams, Inc, 2001.
Stangos, Nikos, ed. Concepts of Modern Art: from Fauvism to Post modernism. London：Thames and Hudson Ltd., 1997.
Stiles, Kristine, and Selz, Peter, ed. Theories and Documents of Contemporary Art. Berkerly：University California Press, 1996.
Waldman, Diane. Collage, Assemblage, and the Found Object. New York：Harry N. Abrams, Inc., 1992.
專書與期刊論文
Ades, Dawn. “Between Dada and Surrealism: Painting in the Mouvement flou.” In the Mind’s Eye Dada and Surrealism. New York：Abbeville Press, 1985. 23-41.
Bohn, Willard. “Giorgio de Chirico and the solitude of the sign.” The Rise of Surrealism. New York：State University of New York Press, 2002. 73-119.
Bohn, Willard. “Picabia’s ‘Machenical Expression’and the demise of object.” Art Bulletin.Vol.67, No.4, 1985, pp.673-677.
Cueff, Alain. “Magritte Unattached” Magritte, ed. Didier Ottinger. Montreal：Montreal Musuem of Fine Arts, 1996, 59-66.
Dubnick, Randa. “Visible poetry: metaphor and metonymy in the paintings of René Magritte.” Contemporary Literature. Vol.21, No.3, 1980, pp.407-19.
Durham, Scott. “From Magritte to Klossowski：the simularum, between painting and narrative.” October. 64, 1993, pp.17-33.
Gaggi, Silvio. “The tie that binds：Arnolfini’s Wedding and ideology.” Word & Image. Vol.8, No.4, 1992, pp.334-350.
Gedo, Mary Mathews. “Meditation on Madness:the art of René Magritte.” In the Mind’s Eye Dada and Surrealism. New York：Abbeville Press, 1985. 63-89.
Homer, I. Willaim. “Picabia’s Jeune fille Américaine dans l’état de nudité and her friends.” Art Bulletin. Vol.57, No.1, 1975, pp.110-115.
Hopkins, David. “Questioning Dada’s potency：Picabia’s ‘La Sainte Vierge’and the dialogue with Duchamp.” Art History. Vol.15, No.3, 1992, pp317-333.
Lacan, Jacque. “The Mirror-Phase as Formation of the Function of I” Art in Theory1900-1990: an anthology of changing ideas, eds. Harisson Charles, and Paul Wood. Oxford：Blackwell, 1993, 609-613.
Jones, Amelia. “Equivocal Masculinity：New York Dada in the context of World WarⅠ.” Art History. Vol.25, No.2, 2002, pp.162-205.
Lapa, Pedro. “Francis Picabia, kaleidoscope language machine.” Francis Picabia: anthology. ed. Calra Távora Vilar, Trans. Jamese Ormiston, Centro Cultural de Belém,1997, pp.10-45.
Leen, Frederik. “A Razor is a Razor.” Magritte 1898-1967. Ghent：Ludion Press., 1998, 25-33.
Levy, Silvano. “Magritte and words.” Journal of European Studies. Vol.22, No.88, 1992, pp.313-21.
Lipinski, Lisa Kim. “When the trees of Language are shaken by rizomes’in René Magritte’s ‘Les mots et les images’.” Word& Image.Vol.11, No.3,1995, pp.216-224.
Lipinski, Lisa Kim. René Magritte and Simulation：Effects Beyond His Wildest Dreams. UMI company, 2000 .
Ottinger, Didier. “The Spiritual Exercises of René Magritte” Magritte, ed. Didier Ottinger. Montreal：Montreal Musuem of Fine Arts, 1996, 13-30.
Pergnier, Maurice. “L’enigme et le mystère Magritte: La Grand Famille.” Du Sémantique au Poétique avec Baudelaire, Cocteau, Magritte. Paris：Harmattan, 1997. 109-126.
Pierre, Arnauld. “Dada stands its ground：Francis Picabia versus the return to order.” Paris Dada：the barbarians storm the gates. New York：G. K. Hall& CO., 2001. 132-156.
Serckx, Pierre. “Magritte: the Image as Mechanism.” Magritte, ed. Didier Ottinger. Montreal：Montreal Musuem of Fine Arts, 1996, 31-58.
Stokes, Charlotte. “Dadamax: Ernst in the Context of Cologne Dada.” Dada/ Dimensions. Michigan：UMI Research Press, 1985. 109-130.
Wargo, Eric. “Infinite Recess：perspective and play in Magritte’s La Condition Humaine.” Art History.Vol.25 No.1 ,2002, pp.47-67.
Welchman, C. John. “ After the Wagnerian Bouillabaisse: Critical Theory and the Dada and Surrealist Word-Image” The Dada &Surrealis Word-Image, ed. Judi Freeman. London：The MIT Press, 1989.
中文部分：
專書
Bobert Hughes 著 張心龍 譯。《新世界的震撼》。台北市：遠流，1998。
Eddie Wolfram 著 傅嘉輝 譯。《拼貼藝術之歷史》。台北市：遠流，1994。
Hans Richter 著 吳瑪悧 譯。《達達－藝術和反藝術》。台北市：藝術家，1988。
Herschel B. Chipp 著 余珊珊 譯。《現代藝術理論Ⅰ》。台北市：遠流，2000。
Herschel B. Chipp 著 余珊珊 譯。《現代藝術理論Ⅱ》。台北市：遠流，2000。
Jean Baudrillard 等著 路況 譯。《藝術與哲學》。台北市：遠流，1998。
Jean Baudrillard 著 洪凌 譯。《擬仿物與擬像》。台北市：時報文化，1998。
Jean-Luc Chalumeau 著 王玉齡 譯。《藝術解讀》。台北市：遠流，2000。
Jeffrey C. Alexander, Steven Seidman 主編 吳潛誠 總編校。《文化與社會》。台北：立緒文化，2001。
John Berger 著 劉惠媛 譯。《影像的閱讀》。台北市：遠流，1991。
Jonathan Culler 著 張景智 譯。《索緒爾》。台北市：桂冠，1992。
Michael Payne 著 李學 譯。《閱讀理論》。台北市：書林，1996。
Pere Gimferrer著 符泉生譯。〈馬格利特〉，《西洋近現代巨匠畫集》，第100集。台北：錦繡出版社，1992。
Peter Bürger 著 蔡佩君、徐明松 譯。《前衛藝術理論》。台北市：時報出版社，1998。
Renato Poggioli 著 張心龍 譯。《前衛藝術的理論》。台北市：遠流，1996。
Rosalind E. Krauss 著 連德誠 譯。《前衛的原創性》。台北市：遠流，1995。
Suzi Gablik 著 項幼榕 譯。《馬格利特》。台北市：遠流，1999。
Terence Hawkcs 著，陳永寬 譯。《結構主義與符號學》。台北：南方，1988。
台北市立美術館。《歷史、神話、影響 達達國際研討會論文集》。台北：市立美術館，1988。
台北市立美術館。《達達的世界》。台北：市立美術館，1988。
台北市立美術館。《達達與現代藝術》。台北：市立美術館，1988。
呂正惠 主編。《文學的後設思考》。台北：正中書局，1991。
唐曉蘭。《觀念藝術的淵源與發展》。台北市：遠流，2000。
李明明。《形象與語言》。台北市：三民書局，1992。
Hal Foster 主編 呂建中 譯。《反美學》。台北：立緒文化，2001。
柳鳴九 主編。《未來主義、超現實主義、魔幻現實主義》。台北市：淑馨，1999。
羅婷。《克里斯多娃》。台北市：生智文化，2002。
陸揚。《後現代性的文本闡釋：福柯與德里達》。上海：三聯書局，2000。
中文期刊
王潔，《馬格利特的文字畫（1927-1930）及其作品之辯證性結構之研究》，中央大學藝術學研究所碩士論文，2001。林俐凱，《透視的錯位與對位：以奇里柯與馬格利特之拼貼式物象為例的符號詩學》，台南藝術學院藝術史與藝術評論研究所論文，2001。簡瑞碧，《傅柯與馬格利特符號理論研究》（Michel Foucault''''s Theory of Signs
in Relation to the Works of René Magritte），清華大學外國語文學系碩士論文，1997。
Michel Sanouillet〈達達對超現實主義：一個冷靜的方式〉。《歷史、神話、
影響 達達國際研討會論文集》，台北：台北市立美術館，1988。
吳介禎。〈當傅柯遇到馬格利特〉。《雄師美術》，期298，98-102，1995。台北：雄獅圖書。
李明明。〈馬格里特式幽默的剖析〉。《藝術學》，期3，165-184，1989。中壢：中央大學文學院。陳偉斌。〈隱形人現身－馬格利特回顧展〉。《雄師美術》，期265，60-72，1993。台北：雄獅圖書。
陳傳興。〈詩是一根煙斗－由傅柯「相擬」（Simulacre）論說起〉。《藝術學》，期3，185-204，1989。中壢：中央大學文學院。
網路資料
http://www.magritte.com
http://www.artcyclopedia.com/artists/magritte_rene.html
http://www.lib.uiowa.edu/dada/dadaists.html
http://www.maxernst.com