臺灣博碩士論文加值系統

服裝與人類社會的發展總是連在一起,不可分的。每一人類社會對應其歷史,地理,社會習慣的具體條件與文化特徵都會表現在其服裝上。服裝發展歷史具有傳統與流行的結合與平行發展的存在, 其中民族文化特徵常被應用來設計於流行服飾之款式。目前在越南,將文化特色運用於服裝的，大部分集中於傳統長袍服裝與禮服,很少看到運用在年輕服裝部分。因此,本設計目的是为了將越南的年輕流行服裝創造成一種獨特的風格,此研究主要有五個项目: (1) 從“單柱腳的寺亭”與“穿四片衣襟服裝的女生”—越南文化傳統的形象,選出要長久保存並傳承的越南影像特徵與應用於圖案設計; (2) 設計新圖案與配顏色; (3) 選擇符合現代印花技術與布料，並設計成服裝款式; (4) 測驗,評估樣本並完成製作系列時尚的年輕服裝.

The development of human society always associates with the development of fashion. The costume of an ethnic group shows the characteristic features of its culture matching with the specific conditions of its history, geography, and social habits. The historical development of fashion always accompanied with the development and combination between modern fashion and traditional one, in which the images of cultural features are applied to modern costume designs.
In Viet Nam, images of cultural features are now used mainly in designs of Ao Dai -the national and traditional long dress for women and festival costumes. They are rarely used in fashion designs for the Vietnamese youth. Therefore, this research is to study how to apply cultural images to design new fashion styles for the Vietnamese youth. It is comprised of 5 objectives: (1) Choosing cultural images for design pattern: “One-pillar Pagoda” and “Vietnamese girl in four-panel traditional dress”; (2) Selecting design colors for the collection; (3) Selecting fabrics that is trendy and suitable to modern printing technology and (4) Testing, reviewing, evaluating samples, and completing the collection.

Table of Contents
摘要 i
ABSTRACT ii
ACKNOWLEDGMENTS iii
TABLE OF CONTENTS iv
LIST OF FIGURES vi
CHAPTER 1 INTRODUCTION 1
1.1. The motivation of the research 1
1.2. Research Processes 3
1.3. Scope and the limitations of the research 3
1.4. Definition of terms 4
CHAPTER 2 LITERATURE REVIEWS 5
2.1. The relationship between culture and fashion 5
2.2. The cultural patterns in Vietnamese fashion 6
2.3. The application of Vietnam today 9
2.4. “One-pillar Pagoda” and “Four-panel dress” in Vietnamese culture 13
2.4.1. One-pillar Pagoda 13
2.4.2. Four-panel dress 14
2.5. The summary of chapter 2 17
CHAPTER 3 DESIGN METHODOLOGY 20
3.1. Research Process 20
3.2. Research Flowchart 26
3.3. How to express the cultural images through young Vietnamese fashion 26
3.3.1. Creating new ideas for Vietnamese applied to fashion 26
3.3.2. The methods of designing pattern and figure for the collection 29
3.3.3. The technique is applied in this Collection 30

CHAPTER 4 DESIGN RESULTS 42
4.1. Design Ideas 42
4.2. Sketches 44
4.3. Fabric Design 51
4.4. Sample analysis 53
4.4.1. Design Style 1 53
4.4.2. Design Style 2 56
4.4.3. Design Style 3 59
4.4.4. Design Style 4 62
4.4.5. Design Style 5 65
4.4.6. Design Style 6 68
4.4.7. Design Style 7 71
4.5. Accessories 74
4.6. Collection 76
4.7. Fashion show and Exhibition at Shu-Te University
CHAPTER 5 CONCLUSION 83
5.1. Conclusion 85
5.2. The benefits of fabric printing technique used in topic 86
5.3. Further developments 86
REFERENCE 88

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