一 原始史料
(一)報紙、雜誌
《申報》(上海)，1914-1929。
《時報》(上海)，1914-1927。
《新聞報》(上海)，1921-1929。
《民國日報》(上海)，1924.11-1925.5；1926.7-1926.10；1928.2-1929.1。
《中國早期電影畫刊》（第一冊至第五冊；第七冊）（北京：全國圖書館文獻縮微複製中心，2004）。
《早期中文報刊創刊號》（第二冊），（北京：全國圖書館文獻縮微複製中心，2003）。
(二)其他史料
司馬遷，《史記》。台北：洪氏出版社，1975。
何兆璋，〈“明星” 雜憶〉，《上海電影史料》編輯組，《上海電影史料》（第一輯）（上海：上海市電影局史志辦公室，1992），1-8。
胡蝶口述、劉慧琴整理，《胡蝶回憶錄》。台北：聯經出版公司，1986。
陶菊隱，〈我所了解的新聞報〉，《新聞研究資料》(北京：新華出版社)，第六輯(1981），97-112。
程步高，《影壇憶舊》。北京：中國電影出版社，1983。
義勤，〈被人淡忘的老《時報》〉，《20世紀上海文史資料文庫》(第6冊）(上海：上海書店，1999），17-22。
鄭君里，〈電影〉，收入李樸園等著，《近代中國藝術發展史》（上海：上海書店，1989）。
鄭逸梅，《書報話舊》。北京：中華書店，2005。
魯迅，《二心集》，收入《魯迅全集》(第四卷)。北京：北京人民文學出版社，2005。
(三)英文史料
Bakshy, Alexander. “The Circus (1928),” in Focus on Chaplin, edited by Donald W. McCaffrey, 130-132. London: Prentice Hall International, 1971.
Chaplin, Charlie. My Autobiography. N.Y.: Penguin Books,1992.
--------. “Development of the Comic Story and the Tramp Character,” in Focus on Chaplin, edited by Donald W. McCaffrey, 45-47. London: Prentice Hall of International, 1971.
--------. “A Rejection of the Talkies,” in Focus on Chaplin, edited by Donald W. McCaffrey, 63-65. London: Prentice Hall International, 1971.
Delluc, Louis. “Max Linder’s and Elsie Codd’s Views on the Working Method,” in Focus on Chaplin, edited by Donald W. McCaffrey, 55-62. London: Prentice Hall International, 1971.
Farmer, Harcourt. “Is the Charlie Chaplin Vogue Passing?” in Focus on Chaplin, edited by Donald W. McCaffrey, 71-73. London: Prentice Hall International, 1971.
Hackett, Francis. “The Kid (1921),” in Donald W. McCaffrey ed., Focus on Chaplin (London: Prentice Hall International, 1971), 104-107.
Sherwood, Robert E. “The Pilgrim (1923),” in Donald W. McCaffrey ed., Focus on Chaplin (London: Prentice Hall International, 1971), 107-109.
Wood, Charles W. “With the Bunk Left Out,” in Donald W. McCaffrey ed., Focus on Chaplin (London: Prentice Hall International, 1971), 110-112.
二 二手研究
（一）中文
（日）山本喜久男著、郭二民等譯，《日美歐比較電影史－外國電影對日本電影的影響》。北京：中國電影出版社，1991。
（日）武田雅哉著、任鈞華譯，《飛翔吧！大清帝國：近代中國的幻想科學》(台北：遠流出版社，2008。
（法）巴贊著、吳蕙儀譯，《巴贊論卓別林》。上海：上海人民出版社，2008。
么書儀，《程長庚、譚鑫培、梅蘭芳－清代至民初京師戲曲的輝煌》。北京：北京大學出版社，2009。
王儒年，《欲望的想像：1920-1930年代《申報》廣告的文化史研究》。上海：上海人民出版社，2007。
仲和，〈《影戲雜誌》－中國電影第一刊〉，《大眾電影》，第17期（2003），45。
余漢東，《中國戲曲表演藝術辭典》。台北：國家出版社，2001。
吳同賓、周亞勛主編，《京劇知識詞典》（增訂版）。天津：天津人民出版社，2007。
李少白、邢祖元、程季華，《中國電影發展史》。北京：中國電影出版社，1998。
李楠，《晚清民國時期上海小報》。北京：人民文學出版社，2006。
李道新，〈中國的好萊塢夢想－中國早期電影接受史裡的好萊塢〉，《上海大學學報》，第13卷第2期(2006)：35-40。
－－－，〈作為類型的中國早期喜劇片（下）〉，《海南師範學院學報》，第3期第17卷(2004)：100-103。
－－－，〈作為類型的中國早期喜劇片（上）〉，《海南師範學院學報》，第2期第17卷(2004)：101-105。
杜雲之，《中華民國電影史》。台北：行政院文化建設委員會，1988。
汪仲賢文、許曉霞圖，《上海俗語圖說》。上海：上海大學出版社，1935(2004年重印)。
汪朝光，〈二十世紀上半葉的美國電影與上海〉，《電影藝術》，第6期(2006)？，37-41。
－－－，〈民國年間美國電影在華市場研究〉，《電影研究》，第1期（1998）：57-64。
－－－，〈民國電影檢查制度之濫觴〉，《近代史研究》，第3期（2001）：203-226。
－－－，〈早期上海電影業與上海近代化進程〉，《檔案與史學》，第6期(2001)：28-35。
－－－，〈泛政治化的觀照－中國影評中的美國電影（1895-1949）〉，《美國研究》（北京），第2期（1996）：78-92。
－－－，〈影藝的政治：一九三O年代中期中央電影檢查委員會研究〉，《歷史研究》，第2期（2006）：62-78。
洪煜，《近代上海小報與市民文化研究(1897-1937)》。上海：上海世紀出版集團，2007。
洪煜，《近代上海小報與市民文化研究（1897-1937）》。上海：上海書店出版社，2007。
胡平生，《抗戰前十年間的上海娛樂社會(1927-1937)－以影劇為中心的探索》。台北：台灣學生書局，2002。
胡克，〈卓別林喜劇電影對中國早期電影觀念的影響〉，《當代電影》，第5期（2006）：109-113。
胡菊彬、酈蘇元，《中國無聲電影史》。北京：中國電影出版社，1996。
秦紹德，《上海近代報刊史論》。上海：復旦大學出版社，1993。
秦喜清，《歐美電影與中國早期電影，1920-1930》。北京：中國電影出版社，2008。
張英進，〈中國電影中的民族性與國家話語〉，收入氏著，《審視中國－從學科史的角度觀察中國電影與文學研究》（南京：南京大學出版社，2006），79-89。
－－－，〈審視中國：20世紀中國電影研究在西方的發展〉，收入氏著，《審視中國－從學科史的角度觀察中國電影與文學研究》（南京：南京大學出版社，2006），3-37。
－－－，〈閱讀早期電影理論：集體感官機制與白話現代主義〉，收入氏著，《審視中國－從學科史的角度觀察中國電影與文學研究》（南京：南京大學出版社，2006），124-135。
張真，〈《銀幕艷史》－女明星作為中國早期電影文化的現代性體現〉，《上海大學學報》（社會科學版），第13卷第1期（2006）：61-70。
張偉，〈電影與傳媒－以近代上海電影雜誌為例〉，《近代城市發展與社會轉型－上海檔案史料研究》（第四輯）（上海：上海三聯書店，2006），138-153。
張健，《中國喜劇觀念的現代生成》。北京：北京大學出版社，2005。
張駿祥、程季華主編，《中國電影大辭典》。上海：上海辭書出版社，1995。
陳建華，〈殷明珠與「明星」由來〉，《書城》，第1期（2009）：58-67。
－－－，〈格里菲斯與中國早期電影〉，《當代電影》，第5期（2006）：113-119。
馮并，《中國文藝副刊史》。北京：華文出版社，2001。
黃克武，〈從《申報》醫藥廣告看民初上海的醫療文化與社會生活，1912-1926〉，《中央研究院近代史研究所集刊》，十七期下冊(1988.12）：141-194。黃相文，《好萊塢電影與中國－30年代的電影文化想像》。中國文化大學史學研究所碩士論文，2002。黃德泉，〈電影初到上海考〉，《電影藝術》，第3期(2007)：102-109。
葉曉青，〈上海洋場文人的格調〉，收入汪暉、余國良主編，《上海：城市、社會與文化》（香港：香港中文大學出版社，1998），127-131。
熊月之，〈鄉村裡的都市與都市裡的鄉村－論近代上海民眾文化的特點〉，收入姜進主編，《都市文化中的現代中國》（上海：華東師範大學出版社，2007），11-27。
熊月之主編，《上海名人名事名物大觀》。上海：上海人民出版社，2005。
熊月之主編、張敏著，《上海通史：晚清文化》。上海：上海人民出版社，1999。
熊月之主編、許敏著，《上海通史：民國文化》。上海：上海人民出版社，1999。
蕭知緯、尹鴻著，何美譯，〈好萊塢在中國：1897-1950年〉，《當代電影》，第6期(2005)，65-94。
饒曙光，〈蔡楚生對喜劇的理解及其創作〉，《電影新作》，第2期（2006）：26-29。
－－－，《中國喜劇電影史》。北京：中國電影出版社，2005。
（二）英文
Abel, Richard, Giorgio Bertellini and Rob King, eds. Early Cinema and the “National”. New Barnet: John Libbey Publishing, 2008.
Abel, Richard. Encyclopedia of Early Cinema. London: Routledge, 2005.
--------. “The Cinema of Attractions in France, 1896-1904,” in The Silent Cinema Reader, edited by Lee Grieveson and Peter Kramer, 63-75. London: Routlegde, 2004.
--------. “The Perils of Pathe, or the Americanization of Early American Cinema,” in Cinema and the Invention of Modern Life, edited by Leo Charney and Vanessa R. Schwartz, 183-223. Berkeley: University of California Press, 1995.
Agee, James. “Comedy’s Greatest Era,” in James Agee, Film Writing and Selected Journalism, 1-33. N.Y.: The Library of America, 2005.
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London: Verso, 1991.
Atwood, Joyce, ed. The American Movie Industry: The Business of Motion Pictures. Carbondale: Southern Illinois University Press, 1982.
Auerbach, Jonathan. “Nationalizing Attractions,” in Early Cinema and the “National,” edited by Richard Abel, Giorgio Bertellini and Rob King, 17-21. New Barnet: John Libbey Publishing, 2008.
Balio, Tino, ed. The American Film Industry. Madison: The University of Wisconsin Press, 1976.
Bao, Weihong. “From Peal White to White Rose Woo: Tracing the Vernacular Body of Nuexia in Chinese Silent Cinema, 1927-1931.” Camera Obscura, vol.20 no.3 (2005): 192-231.
Bazin, Andre. “Charlie Chaplin,” in The Essential Chaplin: Perspectives on the Life and Art of the Great Comedian, edited by Richard Schickel, 85-94. Chicago: Ivan R. Dee, 2006.
Benshoff, Harry M., and Sean Griffin. American on Film: Representing Race, Class, Gender, and Sexuality at the Movies. Malden: Blackwell Publishing, 2004.
Bergere, Maire-Clarie. “Civil Society and Urban Change in Republican China,” The China Quarterly, no.150 (1997): 309-328.
Berry, Chris. “If China Can Say No, Can China Make Movies? Or, Do Movies Make China? Rethinking National Cinema and National Agency,” in Modern China Literary and Cultural Studies in the Age of Theory: Reimagining A Field, edited by Rey Chow, 159-180. Durham: Duke University Press, 2000.
Bonnell, Victoria E. and Lynn Hunt. “Introduction,” in Beyond the Cultural Turn: New Directions in the Study of Society and Culture, edited by Victoria E. Bonnell and Lynn Hunt, 1-32. Berkeley: University of California Press, 1999.
Bordwell, David, Kristin Thompson, and Janet Staiger. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. N.Y.: Columbia University Press, 1985.
Butler, Jeremy G. “The Star System and Hollywood,” in American Cinema and Hollywood: Critical Approaches, edited by John Hill and Pamela Church Gibson, 116-127. Oxford: Oxford University Press, 2000.
Butsch, Richard. “Class and Audience Effects: A History of Research on Movies, Radio, and Television,” Journal of Popular Film and Television vol.29 no.3 (2001): 112-120.
--------. The Making of American Audiences: From Stage to Television, 1750-1990. Cambridge: Cambridge University Press, 2000.
Charney, Leo, and Vanessa R. Schwartz, eds. Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995.
Chow, Rey. “Introduction: On Chineseness as a Theoretical Problem,” in Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining A Filed, edited by Rey Chow, 1-25. Durham: Duke University Press, 2000.
Churchill, Winston.“Everybody’s Language,” in The Essential Chaplin: Perspectives on the Life and Art of the Great Comedian, edited by Richard Schickel, 205-214. Chicago: Ivan R. Dee, 2006.
Cochran, Sherman.“Marketing Medicine and Advertising Dreams in China, 1900-1950,” in Becoming Chinese: Passages to Modernity and Beyond, edited by Wen-hsin Yeh, 62-97. Berkeley: University of California Press, 2000.
Cousins, Mack. The Story of Film. London: Pavillion Books, 2004. (譯本：楊松鋒譯，《電影的故事》。台北：聯經出版公司，2005。)
Chen, Xihe. “Shadowplay: Chinese Film Aesthetics and Their Philosophical and Cultural Fundamentals,” in Chinese Film Theory: A Guide to the New Era, edited by George S. Semsel, Xia Hong, and Hou Jianping, 192-204. N.Y.: Praeger, 1990.
de Costa, Raphaelle Beauregarda and Melvyn Stokes. “The Reception of American Films in France, c. 1910-20,” in Hollywood Abroad: Audience and Cultural Exchange, edited by Richard Maltby and Melvyn Stokes, 21-34. London: BFI, 2004.
deCordova, Richard. Picture Personalities: The Emergence of the Star System in America. Chicago: University of Illinois Press, 2001.
--------. “The Emergence of the Star System in America,” in Stardom: Industry of Desire, edited by Christine Gledhill, 17-29. London: Routlegde, 1991.
Desser, David and Garth S. Jowett, eds. Hollywood Goes Shopping. Minneapolis: University of Minnesota Press, 2000.
Donald, James and Michael Renov, eds. The Sage Handbook of Film Studies. London: Sage, 2008.
Dong, Xinyu. “The Laborer at Play: Laborer’s Love, the Operational Aesthetic, and the Comedy of Inventions,” Modern Chinese Literature and Culture, vol.20,no.2 (2008): 1-39.
Dyer, Richard. “Introduction to Film Studies,” in Film Studies: Critical Approaches, edited by John Hill and Pamela Church Gibson, 2-8. Oxford: Oxford University Press, 2000.
--------. Stars. New ed. London: British Film Institute, 1998.
Duara, Prasenjit. “Transnationalism and the Challenge to National Histories,” in Rethinking American History in a Global Age, edited by Thomas Bender, 25-46. Berkeley: University of California Press, 2000.
Elsaesser, Thomas and Adam Barker, eds. Early Cinema: Space, Frame, Narrative. London: BFI Publishing, 1997.
Esherick, Joseph W., ed. Remaking the Chinese City: Modernity and National Identity, 1900-1950. Honolulu: University of Hawai’i Press, 2000.
Everson, William K. American Silent Film. N.Y.: Da Capo, 1998.
Ezra, Elizabeth and Terry Rowden, “General Introduction: What is Transnational Cinema ? ” in Transnational Cinema: the Film Reader, edited by Elizabeth Ezra and Terry Rowden, 1-12. London: Routledge, 2006.
Farquhar, Mary and Yingjin Zhang, “Introduction: Chinese Stars,” Journal of Chinese Cinemas, vol.2 no.2 (2008): 85-89.
Flom, Eric L. Chaplin in the Sound Era: An Analysis of the Seven Talkies. Jefferson: McFarland & Company, 1997.
Fu, Poshek. “Selling Fantasies at War: Production and Pomotion Practices of the Shanghai Cinema, 1937-1941,” in Inventing Nanjing Road: Commercial Culture in Shanghai, 1900-1945, edited by Sherman Cochran, 187-205. Ithaca: Cornell University Press, 1999.
Gehring, Wes D. “Film Comedy,” in Humor in America: A Research Guide to Genres and Topics, edited by Lawrence E. Mintz, 67-89. N.Y.: Greenwood Press,1988.
Geraghty, Christine. “Re-examing Stardom: Questions of Texts, Bodies and Performance,” in Reinventing Film Studies, edited by Christine Gledhill and Linda Williams, 183-201. London: Arnold, 2000.
Gerth, Karl. China Made: Consumer Culture and the Creation of the Nation. Cambridge: Harvard University Press, 2003.
Gledhill, Christine, ed. Stardom: Industry of Desire. London: Routledge, 1991.
--------. “Introduction,” in Stardom: Industry of Desire, edited by Christine Gledhill, xiii-xx. London: Routlegde, 1991.
Golden, Eve. Golden Images: 41 Essays on Silent Film Stars. Jefferson: McFarland & Company, 2001.
Gomery Douglas. “Economic Struggle and Hollywood Imperialism: Europe Converts to Sound,” Yale French Studies, no.60(1980): 80-93.
Gorman, Lyn and David McLean. Media and Society in the Twentieth Century: A Historical Introduction. Malden: Blackwell Publishing, 2003.
Grieveson, Lee and Peter Kramer. “Introduction,” in The Silent Cinema Reader, edited by Lee Grieveson and Peter Kramer, 1-9. London: Routledge, 2004.
Gripsprud Jostein and Erlend Lavik. “Film Audience,” in James Donald and Michael Renov eds., The Sage Handbook of Film Studies, edited by James Donald and Michael Renov, 455-470. London: Sage, 2008.
Gunning, Tom. “Early Cinema as Global Cinema: The Encyclopedic Ambition,” in Early Cinema and the “National”, edited by Richard Abel, Giorgio Bertellini and Rob King, 11-16. New Barnet: John Libbey Publishing, 2008.
--------. “‘Now You See It, Now You Don’t ’: The Temporality of the Cinema of Attractions,” in The Silent Cinema Reader, edited by Lee Grieveson and Peter Kramer, 41-50. London: Routlegde, 2004.
--------. “The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde,” in Early Cinema: Space, Frame, Narrative, edited by Thomas Elsaesser and Adam Barker, 56-62. London: BFI Publishing, 1997.
Harrington, C. Lee, and Denise D. Bielby, eds., Popular Culture: Production and Consumption. Malden: Blackwell, 2001.
Harris, Kristine. “The New Women Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai,” in Transnational Chinese Cinemas: Identity, Nationhood, Gender, edited by Sheldon Hsiao-peng Lu, 277-302. Honolulu: University of Hawai’i Press, 1997.
Hayward, Susan. Cinema Studies: The Key Concepts. Third ed. London: Routledge, 2000.
Herzog, Charlotte Cornelia, and Jane Marie Gaines, “‘Puffed Sleeves Before Tea-time’: Joan Crawford, Adrian and Women Audiences,” in Stardom: Industry of Desire, edited by Christine Gledhill, 74-91. London: Routledge, 1991.
Higson, Andrew, and Richard Maltby. “‘Film Europe’ and ‘Film America’: An Introduction,” in “Film Europe” and “Film America”: Cinema, Commerce and Cultural Exchange, 1920-1939, edited by Andrew Higson and Richard Maltby, 1-31. Devon: University of Exeter Press, 1999.
Higson, Andrew. “The Limiting Imagination of National Cinema,” in Cinema and Nation, edited by Mette Hjort and Scott MacKenzie, 63-74. London: Routledge, 2000.
--------. “The Concept of National Cinema,” Screen, vol.30 no.4 (1989): 36-46.
Hill, John, and Pamela Church Gibson eds. American Cinema and Hollywood: Critical Approaches. Oxford: Oxford University Press, 2000.
--------. Film Studies: Critical Approaches. Oxford: Oxford University Press, 2000.
Hills, Matt. “‘Starring…Dyer? ’ Revisiting Star Studies and Contemporary Celebrity Culture,” Westminster Papers in Communication and Culture 2 (2) (2006): 6-21.
Hjort, Mette, and Scott MacKenzie, eds. Cinema and Nation. London: Routledge, 2000.
Hsu, Immanuel C. Y. The Rise of Modern China. 6th ed. N.Y.: Oxford University Press, 2000.
Hu, Jubin. Projecting a Nation: Chinese National Cinema before 1949. Hong Kong: Hong Kong University Press, 2003.
Huff, Theodore. Charlie Chaplin. N.Y.: Arno Press & The New York Times, 1972.
Jenkins, Henry, and Kristine Brunovska Karnick. “Introduction: Acting Funny,” in Classical Hollywood Comedy, edited by Kristine Brunovska Karnick and Henry Jenkins, 149-167. London: Routledge, 1995.
--------. “Introduction: Comedy and the Social World,” in Classical Hollywood Comedy, edited by Kristine Brunovska Karnick and Henry Jenkins, 268-281. N.Y.: Routlegde, 1995.
--------. “Introduction: Golden Eras and Blind Spots—Genre, History and Comedy,” in Classical Hollywood Comedy , edited by Kristine Brunovska Karnick and Henry Jenkins, 1-13. London: Routledge, 1995.
Judge, Joan. Print and Politics: “Shibao” and the Culture of Reform in Late Qing China. Stanford: Stanford University Press, 1996.
Kamin, Dan. The Comedy of Charlie Chaplin: Artistry in Motion. Lanham: The Scarecrow Press, 2008.
Keeler, Amanda R. “Seeing the World While Staying at Home: Slapstick, Modernity and American-ness,” in Early Cinema and the “National”, edited by Richard Abel, Giorgio Bertellini and Rob King, 229-235. New Barnet: John Libbey Publishing, 2008.
Kerr, Walter. The Silent Clowns. N.Y.: Da Capo, 1990.
Kindem, Gorham. “Hollywood’s Movie Star System: A Historical Overview,” in The American Movie Industry: The Business of Motion Pictures, edited by Joyce Atwood, 79-93. Carbondale: Southern Illinois University Press,1982.
King, Rob. ‘‘‘A Purely American Product’: Tramp Comedy and White Working-Class Formation in the 1910s,” in Early Cinema and the “National”, edited by Richard Abel, Giorgio Bertellini and Rob King, 236-247. New Barnet: John Libbey Publishing, 2008.
Kolker, Robert P. “The Film Text and Film Form,” in Film Studies: Critical Approaches, edited by John Hill and Pamela Church Gibson, 9-21. Oxford: Oxford University Press, 2000.
Kroes, Rob. “American Empire and Cultural Imperialism: A View from the Receiving End,” Diplomatic History vol.23 n. 3(1999): 463-477.
--------. “Americanization: What Are We Talking About ?” in American Literary Studies: A Methodological Reader, edited by Michael A. Elliot and Claudia Stokes, 318-337. N.Y.: New York University Press, 2003.
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