臺灣博碩士論文加值系統

拉赫曼尼諾夫為二十世紀俄國重要作曲家，亦為技巧高超的鋼琴巨匠，由於不凡的人生際遇與性格，使其作品散發出濃厚的鄉愁情懷與俄國風情。拉赫曼尼諾夫於一九三一年所完成的《柯賴里主題變奏曲》為其創作生涯中最後一首鋼琴獨奏曲，無論在樂曲風格亦或創作手法皆已臻成熟，成為晚期最具代表性的作品之一。此樂曲是根據葡萄牙傳統舞蹈「佛利亞」之旋律為主題創作而成，拉赫曼尼諾夫以慣用的炫技風格及多元的創作元素，使各變奏呈現多樣化之面貌，而帶給演奏者無限的挑戰空間。
本文主要分為兩大部分，第一部份探討拉赫曼尼諾夫之生平背景與音樂創作風格，藉以了解影響拉赫曼尼諾夫創作風格形成之因素；第二部份則深入探討《柯賴里主題變奏曲》，包含其創作背景並分析其曲式架構、創作手法、變奏方式等等，藉由素材的分析與歸納，更深刻了解此曲之音樂內涵。

Sergei Rachmaninoff was a major composer in the twentieth century and also a great piano virtuoso. With his unique life experience and personality, Rachmaninoff’s music reveals both deep nostalgia mood and Russian style. Variations on a Theme of Corelli, composed in 1931, was Rachmaninoff’s final piano solo work. His writing style and compositional technique have reached maturity in this piece, which is one of the most representative works during his late period. The Corelli Variations were based on the melody from traditional Portugal dance La Folia. Rachmaninoff employed the virtuoso piano techniques and different musical elements to create diversity for each variation. To all pianists, this work definitely is a big challenge .
This lecture paper contains two main sections. The first section focuses on the life background and musical style of Rachmaninoff. The second section discusses Corelli variations, including its compositional background, formal structure and variation technique.

前言------------------------------------------------------------- 1

拉赫曼尼諾夫的生平與音樂創作風格
生平------------------------------------------------------------- 3
創作風格------------------------------------------------------- 9

《柯賴里主題變奏曲，作品四十二》
創作背景------------------------------------------------------- 18
創作手法------------------------------------------------------- 23

結語------------------------------------------------------------- 38
參考書目------------------------------------------------------- 41
附錄------------------------------------------------------------- 45

西文書目
Burge, David. Twentieth-Century Piano Music. New York: A Division of Macmillan, Inc., 1990.
Bertensson , Sergei and Leyda, Jay. Sergei Rachmaninoff: A Lifetime in Music. Bloomington: Indiana University Press, 2001.
Citkowitz, Israel. “Orpheus with His Lute”, Tempo, New Series, No.22, Rachmaninoff Number( Winter, 1951-1952): 8-11.
Dahlhaus, Carl. Between Romanticism and Modernism. University of California Press, 1980.
Frolova-Walker, Marina. Russian Music and Nationalism from Glinka to Stalin. Yale University Press, 2007.
Fritz, Thomas Lee. The Development of Russian Piano Music: as Seen in the Literature of Mussorgsky, Rachmaninov, Scriabin and Prokofiev. Ph. D. diss., University Southern California, 1959. Los Angeles, UMI, 1996.
Flanagan, William. “Sergei Rachmaninoff: A Twentieth-Century Composer”, Tempo, New Series, No.22, Rachmaninoff Number ( Winter, 1951-1952): 4-8。
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, 1965.
Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and Its Forerunners. London: Prentice Hall International, 1996.
Harrison, Max. Rachmaninoff: Life, Works, Recordings. New York: Continuum, c2005.
Hodges, Simon. “The Midas Touch”, International Piano (Mar./ Apr., 2004): 26-33.
Kang, Heejung B.A., M.M. Rachmaninoff’s “Rhapsody on a Theme by Paganini, Op.43”: Analysis and Discourse .D. M. A., University of North Texas, 2004.
Martyn, Barrie. Rachmaninoff: Composer, Pianist, Conductor. Vermont: Gower Publishing Company, 1990.
Morgan, Robert P. Twentieth-century Music. New York: W.W. Norton & Company, 1991.
Norris, Geoffrey. The Master Musicians: Rachmaninoff. New York: Schirmer Books: Maxwell Macmillan International, 1994.
Norris, Geoffrey. “Rakhmaninov’s Apprenticeship”, The Musical Times, Vol. 124, No.1688, Russian Music(Oct., 1983): 602-605.
Niels, Elger. “From the Couch”, International Piano ( Nov./ Dec., 2003): 32-37.
Ridenour, Robert C. Nationalism, Modernism, and Personal Rivalry in Nineteenth-Century Russian Music. UMI Research Press, 1981.
Sinclair, A. J. “Gypsy and Oriental Music”, The Journal of American Folklore, Vol.20, No.76( Jan.-Mar., 1907): 16-32.
Schonberg, Harold C. The Lives of the Great Composers. New York: W. W. Norton & Company, 1997.
Sokasits, Jonathan F. The Keyboard Style of Sergei Rachmaninoff as Seen Through His Transcriptions for Piano Solo. The University of Wisconsin-Madison, 1993.
Seroff, Victor I. Rachmaninoff. London: Cassell & Company, 1951.
Threlfall, Robert and Norris, Geoffrey. A Catalogue of the Compositions of S. Rachmaninoff. London: Scolar Press, 1982.
Threlfall, Robert. “Tempo and Rachmaninoff’s ‘Corelli’ variations.” Tempo: A QuarterlyRreview of Modern Music, 59(Jan, 2005).
Witten, David. Nineteenth-Century Piano Music. New York: Garland Publishing, Inc., 1997.
Ysac, Albert. A Study, Analysis and Performance of the Two Sets of Piano Solo Variations by Sergei Rachmaninoff: 1. Variations on a theme of Chopin, Op.22. 2. Variations on a theme of Corelli, Op.42. Ed. D. diss., Columbia University Teachers College, 1978.
Yasser, Joseph. “Progressive Tendencies in Rachmaninoff’s Music”, Tempo, New Series, No.22, Rachmaninoff Number (Winter, 1951-1952): 11-25。
Zenkin, Konstantin. “The Liszt Tradition at the Moscow Conservatoire”, Studia Musicologica Academiae Hungaricae, T.42, Fasc. 1/2, Franz Liszt and Advanced Musical Education in Europe: International Conference (2001): 93-108.
Zhang, Ying. A Stylistic, Contextual, and Musical Analysis of Rachmaninoff’s Rhapsody on a Theme of Paganini, Op.43. D. M. A., Rice University, 2008.
The New Grove Dictionary of Music and Musicians（2001）.S. V. “Rachmaninoff, Serge” by Geoffrey Norris.
The New Grove Dictionary of Music and Musicians（2001）.S. V. “Variation” by Elaine Sisman.
Grove Music Online. S. V. “Folia” by Judith Nagley.
Grove Music Online. S. V. “Folia” by Giuseppe Gerbino, Alexander Seilbiger.

中文書目
羅伯特．華克著。 《偉大作曲家羣像—拉赫曼尼諾夫》。何貴鳳譯。台北：智庫文化，民國84年。
焦元浦。 《經典CD縱橫觀：典型影響與典型轉移》。台北：聯經，民國94年。
中堂高志著。 《古典音樂家漫談》，白岩譯。台北：世界文物出版社，民國85年。
哈洛德‧荀白格著。 《不朽的鋼琴家》，顧連理，吳佩華譯。台北：世界文物出版社，民國87年。
派翠克‧皮考特著。 《拉赫曼尼諾夫：管絃樂》，王次炤，常罡譯。台北：世界文物出版社，民國84年。
胡金山。 《音樂大師：普羅高菲夫、艾爾加、札爾托克、拉赫曼尼諾夫、蕭士塔高維契》。台北：巨英國際，民國86年。
童思寧。 《拉赫曼尼諾夫：柯賴里主題變奏曲，作品42》。碩士論文，國立台北藝術大學音樂研究所，民國91年。
林欣儀。 《拉赫瑪尼諾夫鋼琴作品--「柯賴里主題變奏曲」之音樂分析與演奏探討》。碩士論文，東吳大學音樂學系研究所，民國91年。
陳眉如。 《布拉姆斯〈海頓主題變奏曲〉作品五十六b探討》。 國立中山大學音樂研究所，碩士論文，民國95年。
林易臻。 《舒曼〈交響練習曲作品十三〉之研究》。碩士論文，國立中山大學音樂研究所，民國96年。



網路資源
http://www.arstrio.com.tw/musicians/Fritz-Kreisler.php
http://nrch.cca.gov.tw/ccahome/music/music_meta.jsp?xml_id=0005960967
http://imslp.org/index.php?title=Category:Composers&from=R

樂譜
Rachmaninoff, “The Piano Works of Rachmaninoff: Variations on a Theme of Chopin, Op.22 & Variations on a Theme of Corelli, Op.42 (Piano Solo).” USA: Alfred Publishing Co., Inc.
Serge Rachmaninoff, “Complete Preludes and Etudes-Tableaux.” New York: Dover Publications, Inc.