臺灣博碩士論文加值系統

在資本主義控制人們生活以前,<<娃娃屋>>(A Doll's House)中娜拉
(Nora)所面臨的個人身份的認同問題並不那麼棘手.然而當資本主義徹底
滲透了人們的情感後,就格不列爾(Gabriel)而言,個人身份的認同與逃避
都顯得多餘.因為格不列爾(Gabriel)看出了死亡的陰影在資本主義社會中
無所不在,即使是婚姻關係也不例外.堯斯(Jauss)的預期面向(Horizon
of Expectations)的理論應用於本篇論文,即在於婚姻對於不同時代的人
們有不同的意義.在娃娃屋(A Doll's House)初試啼聲之時,資本主義尚未
壟斷人們的生活.婚姻關係濃縮了個人身份的認同問題.在<<都柏林人>>(
Dubliners)諸篇問世之際,資本主義 不入地掌控了人們的生活,死亡的陰
影無所不在,連婚姻關係也不例外.

Before capitalism commands its absolute dominance over our
life, identity problem would rarely be as thorny as Nora's
case. But when capitalism takes over the rule of human
feelings, the search of identity and an escape from emptiness
would be superfluous as in Gabriel's vision. Because Gabriel
has seen the imminence of death in hisalistic society, and he
sees that even marriage is also under the spell of it. That is
Jauss's "Horizon of Expectations" is appropriated in this
thesis: the significance of marriage is different to every
age. As Jauss's dialectics of question and answer suggests,
the interpretation of a text is the concretization of the
question to which the text itself is the answer. At the time
of the emergence of A Doll's House when capitalism has not
fully developed, marriage is a concernidentity and emptiness.
Since the time of those Dubliners when capitalsim has begun to
manipulate our life, the imminence of death has tightened, and
never loosened itson everything, marriage included.