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This article will for that "To Say In Here," Malaysian Chinese Literature Theater series of performances ── "Taipei,I Sleep With You Tonight", " Readymade" these two work's central idea are both created by Malaysian Chinese poet Mu-Yen, theater performances and the creative process of performing a method ── "Taipei" as the theme of poetry. By two directors ── Ching-Cheng Tsai and Jyun-Yao Gao led five actors, the same with “Taipei” as the basis for collective creation and creation two different styles of performances in converted by the monuments “Qi-Dong Poetry Salon”
The production each of the two directors put forward the concept of performance, as the "poetic" approach into theater. Respectively, Ching-Cheng Tsai──”Movement Theater”, Jyun-Yao Gao──”Sense of Poetry Theater”. this article will discuss the two concepts, and by these two different ways develop work and performance style differences.
I used Jacques Lecoq “Le Corps poe’tique” into the concept of text and performance between the performers how to render poetic method, and by Suzuki Tadashi “Culture is the Body” view of life in the theater and performance concept "foot" as individuals find and thinking about how to convert text to show, and reference of performing method, recording rehearsal process of collective creation, live performances situation, and individual performances realized; discussion individual central idea of these two works, collective creative process and the methods of acting, and performing style of comparison between the two performances. Back view of learning from the past few years, this show will display the concept of creation and rehearsal process. The use of what they have learned in recent years and matched, the whole system performance as a learning experience and will gain feedback.
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