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Release—Chen-Yen Tsai Print Creation
Graduate：Chen-Yen Tsai Adviser：Yue-Shang Hwang
Graduate Program in Fine Arts，
Tainan University of Technology
ABSTRACT
From the dialogue and thinking of the research creation, the researchers are continuously in the search of the answer of creation. It is made through the creation of etcher and then uses the work to present the results of the study.
People are searching for themselves, and they are searching for themselves in the art world through stories, life, fantasy, and experience. As an indigenous people have the solitary color of the mountains, he or she may feel surrounded by the solitude in coming to the city. As we talk to and share with others, this suggests that there are many selves in the heart, which begins with the dialogue that I intend to suggest. Thinking is the thinking path produced by the continuous creation. The research motiv of the study intends to suggest a thinking towards the thinking of the art of the self. In the process of the study, we can see the tolerance of the epoch toward the art of the self. The framework and purpose of the research demonstrates the results obtained through the continuous creation.
Chapter Two examines the relevant theory and practice of arts through the abstract painting and Jean Dubuffet; examines the abstract linkage with paintings, Willem de Kooning, and works. It is made through continuous creation that researches the works of the self, and it reflects a kind of art linkage of the return. It is, too, a yelling of “Who I am” in the art world.
Chapter Three studies the context and the idea in order to speak through the work. From the thinking and accumulation of the study of the work to the color representation of the research work, the study extends a self-interpretation of the work.
Chapter Four studies the analysis and interpretation of the works, which are the learning spirit of the creator’s practice.
Chapter Five examines the analysis of the works, which serves as the answer of the continuous creation.
From the dialogue and thinking of the research creation, the researchers are continuously in the search of the answer of creation. The end of the study is to discover the self of this moment, that is, the existence in the field of arts. This is what the researcher repeatedly intends to study and prove.
Keywords: abstract painting, Jean Dubuffet, iconology, Willem de Kooning
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