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Discussion of Creation “Conceptual Scenery”
Abstract:
The subject, “Conceptual Scenery”, had not been set up in advance until the researcher’s creations had been in quantity. After that, the way in which the researcher created started to be clarified, so it is significant to understand the researcher’s paths of creating to originate the motivation and the mental organization.
In the researcher’s position, the thesis analyses the researcher’s themes, techniques and principles in the process of inventing; according to them, the next stage of creation is brought forward. The thesis presents the theory and the practice of the serial works “Conceptual Scenery,” including six chapters. Firstly, they narrate the creating motivation and research field. Secondly, the proceeding of creation is treated in the researcher’s opinion. Thirdly, the expression of the researcher’s thoughts and the hunting for the flexibility are theoretically mentioned. Fourthly, the performances and the interpretations on the landscape picture from the East and the West are discussed. Fifthly, the researcher’s observation on nature produces “semi-abstract” landscape picture. Finally, the last part describes the researcher’s innovation from the predecessors’ and masters’ experiences and theories in the western art history.
Conditions and elements in the subject convey the objective and subjective feelings. Contents, forms, techniques and materials in the process instruct what were employed, how were done and if the works did communicate the researcher’s image effectively. At last, instructions on the paintings prove the above theories. By so doing, the researcher expect his future works to blossom like plants absorbing nutrients.
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