臺灣博碩士論文加值系統

　　散拍音樂（ragtime）約起源於1890年，當時一度成為美國主要的流行音樂，但隨著稍後崛起的爵士樂，散拍音樂便逐漸沒落。歷經一段時間的沉潛後，散拍音樂於50到70年代又再度蓬勃發展而達到顛峰。許多作曲家都以此風格作為主要創作，而這也深深影響了美國音樂的發展。本論文將威廉‧波康（William Bolcom，b. 1938- ）《三首幽靈的散拍音樂》（Three Ghost Rags）中的三首曲子，做曲式、樂段主題特色分析，嘗試了解此作品的詮釋方法。另也將作曲家的生平、散拍音樂起源與發展的文獻做整理。期望藉由研究此作品，對波康及散拍樂能有概略的認識，並提供演奏者們詮釋散拍樂作品的參考依據。
　　本論文共四章，第一章旨在介紹威廉‧波康的生平、第二章為散拍音樂的復興、第三章為《三首幽靈的散拍音樂》分析與詮釋 、第四章則為結論。




畢業音樂會曲目：

貝多芬：第二十八號A大調鋼琴奏鳴曲，作品101

德布西：映像第二冊
　　　《林間鐘聲》
　　　《月落古廟》
　　　《金魚》

舒曼：作品2《蝴蝶》

波康：三首幽靈的散拍音樂
　　《優雅的幽靈》
　　《調皮鬼》
　　《夢影》

　　Ragtime, as a musical genre, enjoyed its first popularity peak as early as 1890s. Its role in American major popular music was gradually replaced by jazz. Not many musical genres experienced its revival as ragtime did, which took place between the 1950s and 1970s. During that period of time, some significant ragtime composers emerged, one of the most important being William Bolcom (b. 1938- ). In the following pages, the Three Ghost Rags by William Bolcom will be analyzed regarding its form and development of themes. In addition, I will explore both aspects of the composer, as well as the origin and development of ragtime. I hope that this dissertation will serves as a useful reference for anyone interested in ragtime or William Bolcom.
　　This dissertation consists of four chapters. Chapter 1 contains a brief biography of composer William Bolcom. Chapter 2 focuses on the origin and revival of ragtime. In Chapter 3, an analysis and interpretation of Three Ghost Rags is presented. Finally, chapter 4 offers a conclusion.




Graduate Recital Program:

Ludwig van Beethoven (1770-1827): Piano Sonata No.28 in A major, Op. 101
I. Etwas lebhaft und mit der innigsten Empfindung. (Allegretto, ma non troppo)
II. Lebhaft. Marschmäßig.(Vivace alla marcia)
III. Langsam und sehnsuchtsvoll. (Adagio, ma non troppo, con affetto)
IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit.(Allegro)

Robert Schumann (1810-1856): Papillons Op.2

Claude Debussy (1862-1918): Images II
Cloches à travers les Feuilles
Et la Lune descend sur le Tample qui fut
Poissons d'or

William Bolcom (b. 1938-): Three Ghost Rags
Graceful Ghost Rag
The Poltergeist
Dream Shadows

緒論 1
第一章　威廉．波康的生平 3
第二章　散拍音樂的復興 7
第一節　定義與起源 7
第二節　特色 12
第三節　衰退與復興 18
第三章　《三首幽靈的散拍音樂》（Three Ghost Rags）分析與詮釋 21
第一節　＜優雅的幽靈散拍＞（Graceful Ghost Rag） 21
第二節　＜調皮鬼＞（Poltergeist） 30
第三節　＜夢影＞（Dream Shadows） 41
第四章　結論 50
參考書目

專書、論文、期刊

Berlin, Edward A. King of Ragtime: Scott Joplin and His Era. New York: Oxford University, 1994.
Berlin, Edward A. Ragtime: A Musical and Cultural History. London: University of California, 1980.
Blesh, Rudi, Janis Harriet. They All Played Ragtime. New York: Oak Publications, 1971.
Bolcom, William. “Ragtime”. The New Grove Dictionary of Music and Musicians, Vol. XV, Stanley Sadie ed. London: Macmillan Publishers Limited, 1980.
Gaines, James R. “Songs and Dance” The Lives of the Piano. New York: Holt, Rinehart and Winston, 1981.
Hasse, John Edward. Ragtime: Its History, Composers, and Music. New York: Schirmer Books, 1985.
Jasen, David A., Tichenor, Trebor Jay. Rags and Ragtime: A musical History. New York: Seabury Press, 1978.
Kimball, Robert, Bolcom, William. Reminiscing with Sissle and Blake. New York: Viking Press, 1973.
Lomax, Alan. Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz". New York: Duell, Sloan, and Pearse, 1950.
Rochberg, George. The Aesthetics of Survival: A Compser's View of Twentieth-Century Music, Ann Arbor: University of Michigan, 1984.
Yu, Yeung. A Style Analysis of William Bolcom's Complete Rags for Piano. D.M.A. thesis, University of Cincinnati, 2007.
Walker, William Thomas. “A Survey of American Popular Song with Bolcom and Morris”. North Carolina: Winston-Salem, 2005.
游詠晴　撰。《威廉‧波爾肯雙鋼琴作品〈回憶－三首傳統拉丁美洲舞曲〉之探討》。高雄市：國立中山大學音樂學系研究所碩士論文，2008。
陳慈儀　撰。《威廉．包康〈寫給鋼琴之十二首新練習曲〉第一首至第六首之演奏詮釋探討》。嘉義市：國立嘉義大學音樂與表演藝術研究所碩士論文，2011。


樂譜

Bolcom, William. William Bolcom Piano Rags. USA: Hal Leonard, 1991.
Bolcom, William. Complete Rags for Piano. USA: Hal Leonard, 1999.
Krell, William. Mississippi Rag. USA: S. Brainard's Sons, 1897.
Morath, Max. One Hundred Ragtime Classics. USA: Donn Printing, 1963.
Northrup, Theodore H. Louisiana Rag. USA: Thompson Music Company, 1897.
Turpin, Tom. Harlem Rag. USA: Jos. W. Stern & Co, 1897.


網路資源

Bolcom, William. http: //williambolcom.com (Accessed 2012 / 02 / 23)
Berlin, Edward A. “Scott Joplin”. Grove Music Online. http://www.oxfordmusiconline.com (Accessed 2012 / 03 / 12), 2001.
Berlin, Edward A. “Ragtime”. Grove Music Online. http://www.oxfordmusiconline.com (Accessed 2012 / 02 / 08), 2001.
“Classic Ragtime Piano”. http://www.ragtimepiano.ca/ (Accessed 2012 / 10 / 14)
Cummings, Robert. http://www.allmusic.com/artist/joan-morris-mn0000022454 (Accessed 2012/ 06 / 30), 2012.
“William Bolcom - Writing Rags”. http://www.youtube.com/watch?v=WoGnZC-KZ94&feature=relmfu (Accessed 2012 / 10 / 14)


影音資料

Bolcom, William, Morris, Joan. After the Ball-A Treasury of Turn-of-the-Century Popular Songs. New York: Elektra Nonesuch, 1974.
Bolcom, William. Milhaud: Piano Music. New York: Nonesuch. (Catalog: 71316), 1992.
Bolcom, William, Morris, Joan. Gershwin: Piano Music and Songs. New York: Nonesuch. (Catalog: 79151), 1992.