臺灣博碩士論文加值系統

奏鳴曲可以說是十八世紀音樂曲種的代名詞，尤其在海頓、莫札特、貝多芬的發揚光大之下，成為了古典樂派具代表性的樂種。在十九世紀甚至二十世紀，奏鳴曲已經不再盛行的創作環境下，為何史特拉汶斯基仍然挑選奏鳴曲來作為素材?據史氏的助手敘述，從眾多草稿的標記來看，譜面上的指法似乎不單純只是給予演奏者的提示，是否作曲家對此還別有用心？

最後，此首奏鳴曲被創作的時間點，是處於一個經過了普法戰爭、一次世界大戰後所造成的環境氛圍。因此欲探討在音樂風格的流變上，是否因為經歷這些戰爭後，逐漸從極端個人主義的浪漫色彩，達到另一個較為回到古典時期、且更為集體化的思考行為模式。

While talking about classical music genre, sonata has been the representative of the 18th century for the greatest works of Haydn, Mozart and Beethoven. However, since it is no longer the most prevailing music genre in the 19th and 20th centuries, why Stravinsky still uses the genre of sonata as his main composing element? According to the marks from Stravinsky’s drafts and the statement from his assistant, the fingerings on the music book are not merely prompts for pianist to follow, but what are his intentions beyond this?

Furthermore, the social environment and atmosphere while composing the sonata is the postwar period of Franco-Prussian War and World War I. Therefore, the discussion is about whether the composing style gradually changed, from the extreme individualism and romanticism back to the classic collectivism behavioral model due to the experience of the two major wars.

演奏會曲目與輔助文件摘要 i
Recital Program and Paper Abstract ii
謝誌 iii
陳品帆鋼琴演奏會錄音 iv
目錄 v

第一章：導論 1
第二章：曲式：傳承大師的典範？ 3
第一節：1924年的鋼琴奏鳴曲？ 3
第二節：樂曲分析 6
第三章：技巧：強制指法的練習曲？ 15
第一節：強制指法？ 15
第二節： Leschetizky教學法 18
第三節：史氏新古典時期的輔助者Isidor Philipp 20
第四章：作曲者與演奏者的角力以及父子情結 22
結論：理解與詮釋的角度 27

引用文獻 30

引用文獻

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Mangsen, Sandra, et al. “Sonata.” Grove Music Online. Oxford Music Online. Oxford University Press, accessed May 27, 2015,
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192-202. Cambridge: Cambridge University Press, 2003.

Prentner, Marie. Leschetizky’s Fundamental Principles of Piano Technique. New York: Dover Publications, 2005.

Stravinsky, Igor. “Some Ideas About My Octuor.” Reprinted in Eric Walter White, Stravinsky: The Composer and His Works, 528-31.

Berkeley: University of California Press, 1966.

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———. “Speed Bumps.” 19th-Century Music 29-2 (2005): 185–207.

錄音資料

Stravinsky, Igor. The Composer Plays. Nimbus 0710357881329. ℗ 1925.

Stravinsky, Soulima. Soulima Stravinsky plays Igor Stravinsky. Centaur 044747218823. ℗ 1960.

Yarden, Einav. Oscillations. Challenge 0608917259926. ℗ 2013.

Yudina, Maria. The Legacy of Maria Yudina, Vol. 2. Vista Vera ‎4603140000708. ℗ 1970.