臺灣博碩士論文加值系統

「《我有節奏》和聲進行」（Rhythm Changes）曲式是由二十世紀初美國作曲家喬治・蓋希文（George Gershwin）所做音樂劇《女孩瘋狂》（Girl Crazy）裡之曲目《我有節奏》“I Got Rhythm”而來，爵士音樂家保留其曲式與和絃進行，填上新的主題旋律，成為爵士標準曲目之重要曲式之一。「《我有節奏》和聲進行」（Rhythm Changes），本論文皆以原文“Rhythm Changes”通稱。
第一章介紹研究動機、目的、範圍和方法，第二章呈現Rhythm Changes 的時代背景與曲式特色，第三章對漢克·瓊斯（Hank Jones, 1918-2010）的生平稍作敘述，接著本文將針對爵士鋼琴家漢克・瓊斯所彈奏過Rhythm Changes曲目中，挑選《我有節奏》“I Got Rhythm”、《棉球尾巴》“Cotton Tail”與《藥頭穆斯》“Moose the Mooche”三首，採集其即興片段加以分析，將從即興旋律、替代和聲、節奏型態來探討漢克・瓊斯在Rhythm Changes中慣用的手法，最後一章為結論。
閱讀本文能知道何謂Rhythm Changes，藉由了解漢克·瓊斯的鋼琴語法，進而增進彈奏Rhythm Changes曲目的能力，並將這些元素模仿運用在即興語彙中，本文也將以爵士歷史背景為根基來加強解釋。

“Rhythm Changes” refer to the chord changes in the song “I Got Rhythm” composed by the American composer George Gershwin for the musical Girl Crazy in the early 20th century. Jazz musicians kept the chord progressions of the song but added new melodies, making Rhythm Changes one of the most important musical forms in the jazz repertoire.
The first chapter introduces the research motivation, purpose, scope, and method of this thesis. The second chapter presents the background of the development of Rhythm Changes. As this study focuses on Rhythm Changes played by jazz pianist Hank Jones (1918-2010), the third chapter provides a brief introduction to the life of Hank Jones, followed by transcriptions and analyses of his improvisations in the recordings and videos of “I Got Rhythm,” “Cotton Tail,” and “Moose the Mooche.” Through the lens of melody, harmony, and rhythm, the improvisational figures used by Hank Jones in Rhythm Changes will be discussed.
With a deeper understanding of Rhythm Changes provided by this thesis, jazz musicians can enhance their ability to play Rhythm Changes, gain insight into Hank Jones's piano improvisation phrases, as well as better articulate and imitate them in their solos. Throughout the thesis, the jazz historical background is used as a basis for strengthening the explanations.

目錄 i
表格目錄 ii
譜例目錄 iii
第一章 緒論 1
第一節 研究動機與目的 1
第二節 研究範圍與方法 3
第二章 「《我有節奏》和聲進行」曲式之時代背景與特色 4
第一節 「《我有節奏》和聲進行」之時代背景 4
第二節 「《我有節奏》和聲進行」曲式特色 7
第三章 漢克·瓊斯生平概述 17
第四章 漢克·瓊斯即興手法採譜與分析 20
第一節 《我有節奏》《棉球尾巴》《藥頭穆斯》曲譜介紹 21
第二節 採譜即興旋律分析 26
第三節 替代和聲探討 45
第四節 節奏型態分析 50
第五章 結論 54
參考文獻 56
附錄 1《我有節奏》鋼琴採譜譜例 59
附錄 2《棉球尾巴》鋼琴採譜譜例 63
附錄 3《藥頭慕斯》鋼琴採譜譜例 70

一. 中文書籍
吉塞普·維格納著，賴伶珠譯，《爵士樂》，台北：青林國際出版股份有限公司，2001
國家教育研究院編，學術名詞翻譯系列叢書《音樂名詞》（詞語篇）第四版，台北：國家教育研究院，2017

二. 外文書籍
Benward , Bruce, and Marilyn Saker, ed., Music in Theory and Practice. 8th ed. New York: McGraw-Hill, 2009.
Carrett, Charles H., ed. The Grove Dictionary Of American Music. 2nd ed. New York: Oxford University Press, 2013.
Chung, Brian, and Dennis Thurmond. Improvisation at the Piano. Los Angeles: Alfred Publishing, 2007.
Cook, Richard, and Brian Morton. The Penguin Guide to Jazz Recordings. 9th ed. London: Penguin Group, 2008.
Gilbert, Steven E. The Music of Gershwin. New Haven: Yale University Press, 1995.
Jaffe, Andy. Jazz Harmony. 2nd ed. Van Nuys: Advance Music, 1996.
---. Principles of Jazz Composition. Van Nuys: Advance Music, 2011.
Kernfeld, Barry, ed. The New Grove Dictionary of Jazz. 2nd ed. New York: Oxford University Press, 2002.
Larkin, Colin, ed. The Encyclopedia of Popular Music. 4th ed. Vol. 3 New York: Oxford University Press, 2006.
---, ed. The Encyclopedia of Popular Music. 4th ed. Vol. 4 New York: Oxford University Press, 2006
Levine, Mark. The Jazz Piano Book. Petaluma: Sher Music Co., 1989.
Martin, Henry, and Keith Waters, eds. Jazz the First 100 Years. 3rd ed. Boston: Schirmer, Cengage Learning, 2012.
Paul K, Saint-Amour, ed. Modernism & Copyright. New York: Oxford University Press, 2011.
Pollack, Howard. George Gershwin his Life and Work. Los Angeles: University of California Press, 2006.
Reeves, Scott D. Creative Improvisation. New Jersey: Prentice Hall, 2001.
Starr, Larry, and Christopher Waterman. American Popular Music. New York: Oxford University Press, 2007.
Tirro, Frank. Jazz: A History. 2nd ed. New York: Norton, 1993.
Woideck, Carl. Charlie Parker: His Music and Life. Ann Arbor: University of Michigan Press, 1998.

三. 樂譜
Leonard, Hal, ed. The Real Book: C Instruments Vol. I. Milwaukee: Hal Leonard Corporation, 2014.
---, ed. The Real Book: C Instruments Vol. II. Milwaukee: Hal Leonard Corporation, 2014.

四. 影音資料
Jones, Hank. perf. Bop Redux. Muse Records, 1977. CD
---. perf. Hank Jones Trio Featuring Shelly Manne - Live in Japan. All Art Jazz, 1979. CD

五. 網路資源
Dobbins, Bill, Barry Kernfeld, and Olly Wilson. Jones family. Oxford Music Online. 2003. Oxford University Press, accessed 18 April 2018 http://www.oxfordmusiconline.com/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-2000234300
Jones, Hank, perf.“I Got Rhythm”The Great Jazz Trio - Blue Note, Tokyo, Japan, Accessed 18 Feb 2009 https://youtu.be/c3LpzQJ31OQ