臺灣博碩士論文加值系統

德米特里．蕭斯塔科維奇（Dmitry Shostakovich, 1906-1975）為二十世紀俄國音樂家。西元一九五九年，他寫下了《第一號大提琴協奏曲》，靈感是來自同為俄國著名音樂家普羅科菲夫的《交響協奏曲》的作品。這首大提琴協奏曲為二十世紀重要的大提琴協奏曲作品之一，在大提琴曲目上佔有很重要的地位。作品題獻給，當時著名的俄國大提琴家，羅斯托洛維奇（Mstislav Rostropovich, 1927-2007）於列寧愛樂廳首演。
本文以探討蕭斯塔科維奇《第一號大提琴協奏曲》作品為主，內容包含簡述蕭斯塔科維奇之生平與音樂風格，以及《第一號大提琴協奏曲》的樂曲分析與詮釋，探討蕭斯塔科維奇如何處理，其兩首大提琴協奏曲中的裝飾奏樂段，探討《第一號大提琴協奏曲》中，較困難的演奏技巧片段及練習方式。藉由此研究，希望能更深入探討蕭斯塔科維奇《第一號大提琴協奏曲》作品，從了解蕭斯塔科維奇的音樂風格，進而樂曲分析與詮釋，並且從實際演奏此曲，來找出如何解決困難的演奏技巧，讓欲演奏此曲目的學習者有所助益。

Dmitry Shostakovich is a Russian musician from the twentieth century. In 1959, he has been inspired by the other famous Russian composer, Sergey Prokofiev, for the serious same style of composition including “Cello Concerto No. 1, Op.107”. “Cello Concerto No. 1, Op.107”is one of the most well-known cello compositions in the cello repertoire. It was premiered by the well-known cellist, Mstislav Rostropovich, at the Large Hall of the Leningrad Conservatory.

The report focuses on Shostakovich’s “Cello Concerto No. 1, Op.107”which briefly discusses about his life, his musical style and the analysis and interpretation of this composition. The discussion will be demonstrating on how Shostakovich used special techniques to write the cadenza from his cello concerto and will discusses on how to practice the difficult passages incorporated in the cadenza. By doing indepth research on Shostakovich’s “Cello Concerto No. 1, Op.107”from his musical style to the analysis and interpretation of the piece, as well as finding out the resolution to the challenging passages and technique when practicing； I hope it will strongly benefit future cellists who will be playing this particular piece.

前言 ------------------------------------------------------------------------------------------------------------- 1

第一章 蕭斯塔科維奇《第一號大提琴協奏曲》創作背景

第一節 蕭斯塔科維奇生平 ---------------------------------------------------------------------- 3
第二節 蕭斯塔科維奇音樂風格 ---------------------------------------------------------------- 8
第三節 蕭斯塔科維奇《第一號大提琴協奏曲》創作背景 ----------------------------- 10

第二章 蕭斯塔科維奇《第一號大提琴協奏曲》之樂曲分析與詮釋

第一節 第一樂章 ---------------------------------------------------------------------------------- 11
第二節 第二樂章 ---------------------------------------------------------------------------------- 20
第三節 第三樂章 ---------------------------------------------------------------------------------- 26
第四節 第四樂章 ---------------------------------------------------------------------------------- 30

第三章 探討蕭斯塔科維奇如何處理大提琴協奏曲中的裝飾奏 -------------------------- 40

第四章 探討蕭斯塔科維奇《第一號大提琴協奏曲》演奏技巧 ------------------------- 46

結語 ---------------------------------------------------------------------------------------------------------- 65

參考文獻 --------------------------------------------------------------------------------------------------- 66

西文書目

Abraham, Gerald. The New Grove Russian Masters 2: Rimsky-Korsakov, Skryabin, Rakhmaninov, Prokofiev, Shostakovich . London: paperback, 1986.
Anthony, L. Richard. A History of Russian Music. New York: Macmillan, 1957.
Brown, M. Hamrick. A Shostakovich Casebook. Bloomington: Indiana University Press, c2004.
Bunting, Christopher. Essay on the Craft of Cello-Playing. Cambridge University Press, 1988.
Carpenter, D. Ellon. Russia theorists on modality in Shostakovich’s music. Fanning David ed. Cambridge University Press, 1995.
Carlos, Prieto. The Adventures of a Cello. Austin: University of Texas Press, c2006.
David, Fanning. Shostakovich Studies. NY: Cambridge University Press, 1995.
Duport, J. Louis. Essay on Fingering the Violoncello and the Conduct of the Bow. Cambridge University Press, 1983.
Elizabeth, Wilson. Shostakovich－A Life Remember. N.J.: Princeton University Press , 1994.
Eric, Roseberry. Ideology, Style, Content, and Thematic Process in the Symphonies, Cello Concertos, and String Quartets of Shostakovich. New York: Garland Publishing, 1989.
Fairclough, Pauline and Fanning, David. The Cambridge Companion to Shostakovich. New York: Cambridge University Press, 2008.
Fay, E. Laurel. Shostakovich : A Life. New York: Oxford University Press, 2000.
Michael, Mishra. A Shostakovich Companion. Westport, Conn.: Praeger, 2008.
MacDonald, Ian. The New Shostakovich. London: Fourth Estate Ltd, 1990.
Stowell, Robin. The Cambridge Companion to the CELLO. New York: Cambridge University Press, 1999.




中文書目

陳藍谷《小提琴演奏統合技術》（Interated Technique of Violin Playing）
台北：美樂出版社，2005。
音樂之友社編《作曲家別 名曲解說珍藏版 蕭斯塔可維奇》，林勝儀譯
台北：美樂出版社，2000。

學位論文

錢慧倫。（蕭斯塔科維奇第一號大提琴協奏曲 作品107 樂曲研究與分析）。台灣：台北實踐大學音樂系碩士論文，2012。
樂譜

Dmitry Shostakovich. “Cello Concerto No.1, Op.107”. International Music Company, New York City, 1999.
Dmitry Shostakovich. “Cello Concerto No.1, Op.107”. Boosey &; Hawkes, United Kingdom, 1960.
Dmitry Shostakovich. “Cello Concerto No.1, Op.107”. Kalmus, Printed in U.S.A,1970.
Dmitry Shostakovich. “Cello Concerto No.2, Op.126”. Boosey &; Hawkes, United Kingdom, 1960.
Dmitry Shostakovich. “Moderato”. Boosey &; Hawkes, United Kingdom, 1986.
Sergey Prokofiev. “Sinfonia Concertante Op.125”. Boosey &; Hawkes, United Kingdom, 1951.
Zoltan Kodaly. “Cello Sonata op.8 for violoncello solo”. Property of Universal Edition London, 1952.

網路資料
《國家教育研究院 雙語詞彙、學術名詞暨詞書資訊網》
（http://terms.naer.edu.tw/）
Oxford Music Online, Grove Music Online.
（http://www.oxfordmusiconline.com/public/;jsessionid=471AAA6C58941D3E6F24D69F333C639C）

有聲資料（CD）

Dmitry Shostakovich. Shostakovich Cello Concerto No.1 Op.107. Ussr State Symphony Orchestra, Gennady Rozhdestvensky. Mstislav Rostropovich. Pipeline Music, Inc, Recording in 1961.

Sergey Prokofiev. Prokofiev SYMPHONY-CONCERTO for Cello &; Orchestra in E minor Op.125. Moscow Philharmonic Orchestra, Kyrill Kondrashin. Mstislav Rostropovich. Pipeline Music, Inc, Recording in 1972.