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研究生:唐嘉悅
研究生(外文):Thonh Cheah Yueh
論文名稱:It'sallaboutbeingfoolish:ReadingHenryFool
論文名稱(外文):It's all about being foolish: Reading Henry Fool
指導教授:白大維白大維引用關係
指導教授(外文):David Barton
學位類別:碩士
校院名稱:國立中央大學
系所名稱:英美語文研究所
學門:人文學門
學類:外國語文學類
論文出版年:2001
畢業學年度:89
語文別:英文
論文頁數:64
中文關鍵詞:pharmakonpharmakosabjectionabject body
外文關鍵詞:pharmakonpharmakosabjectionabject body
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In It's all about being foolish: Reading Henry Fool, I attempt to explore the questions of constructing a subjectivity through both a philosophical and a psychoanalytical aspects. Henry Fool is an ironic comedy, which tells the story about a young garbage man, Simon, transforms into an extraordinary talented great poet of the world. Interestingly, his incredible genius on poetry is first inspired and later discovered by a nomadic ex-con accused of child molesting, Henry Fool. By borrowing the term pharmakon from Jacques Derrida, the first part of this study examines the power of writing versus speech as well as the controversial effects of Simon's artistic work; whereas the second part draws a picture on how Julia Kristeva's concept of abjection and abject best explain the grotesque scenes represented on screen.

In It's all about being foolish: Reading Henry Fool, I attempt to explore the questions of constructing a subjectivity through both a philosophical and a psychoanalytical aspects. Henry Fool is an ironic comedy, which tells the story about a young garbage man, Simon, transforms into an extraordinary talented great poet of the world. Interestingly, his incredible genius on poetry is first inspired and later discovered by a nomadic ex-con accused of child molesting, Henry Fool. By borrowing the term pharmakon from Jacques Derrida, the first part of this study examines the power of writing versus speech as well as the controversial effects of Simon's artistic work; whereas the second part draws a picture on how Julia Kristeva's concept of abjection and abject best explain the grotesque scenes represented on screen.

Contents
Abstract……………………………………………………………....i
Chapter 1. Introduction…………………..………….………………..1
Chapter 2.The Force of Writing……………..……….……………….7
Chapter 3. Crossing the Borderline……………..….…………………32
Chapter 4. Conclusion……………………………..…………………53
Bibliography………………………………………………………….59

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