跳到主要內容

臺灣博碩士論文加值系統

(44.200.194.255) 您好!臺灣時間:2024/07/22 02:08
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果 :::

詳目顯示

我願授權國圖
: 
twitterline
研究生:李淑娟
研究生(外文):Li Shwu-Chuang
論文名稱:巴比倫式的語言寓言
論文名稱(外文):The Babellian Allegory of Language: A Study of Pirandello's Theater Trilogy
指導教授:董崇選董崇選引用關係
指導教授(外文):Tung Chung-Hsuan
學位類別:碩士
校院名稱:靜宜大學
系所名稱:外國語文學系
學門:人文學門
學類:外國語文學類
論文種類:學術論文
論文出版年:1994
畢業學年度:82
語文別:英文
論文頁數:101
中文關鍵詞:分裂解構主義倒轉作用階層秩序延異補遺
外文關鍵詞:disintegrationdeconstructionreversibilityhierarchydifferancesupplement
相關次數:
  • 被引用被引用:0
  • 點閱點閱:276
  • 評分評分:
  • 下載下載:0
  • 收藏至我的研究室書目清單書目收藏:0
寫實主義的成規到二次世界大戰一直在劇本寫作上扮演重要的角色。劇場
似乎是劇作家用以反映真實的機器。對皮藍德羅而言,真實像不斷變化的
生命形式﹔而由於談話的虛無抽象,語言只能造出多重幻境而非反映真實
。皮藍德羅劇場三部曲最能說明他對語言的迷惑。故本文擬藉德希達之解
構觀點,探討其劇場三部曲中自我在創作時所之呈現之分裂狀態。第一章
介紹劇作家生平、他的劇場美學以及與其主要思想有關之解構主義。第二
章討論三部曲之首《六個角司色尋找作者》中劇場『階層秩序』的倒轉作
用,並分析混合雜交之文本﹔自我即陷在語言不斷『延異』的現象當中。
第三章從話語的『補遺』作用去闡釋《各說各話》中尋找絕對定義之徒然
。在此,個人只是一個有許多自我來來去去的符號位置。第四章說明《今
晚我們即興演出》中,語言不是為了溝通而是權力鬥爭的工具﹔劇中人則
分裂於作者的絕對權威與爭取個人創作自由的矛盾情境。第五章總結皮藍
德羅劇場三部曲呈現語言之變亂,解構自我之概念,乃一巴比倫式的語言
寓言。

Realistic conventions have been playing an important role in
play-writing up to the Second World War. Theater seems the
mechanism by which the playwright relfects reality. For Luigi
Pirandello, reality is like an ever-changing living form;
language just creates illusions rather than reality for the
empty abstraction of the words. Pirandello's theater trilogy
best accounts for his obsession with language. Hence, this
thesis is to investigate, from Derridean perspective,the
disintegration of the self in the act of creation in Luigi
Pirandello's theater trilogy. In Chapter One, I introduce
Pirandello's life,his theatric aesthetics, and deconstruction
related to Pirandello's main ideas. Chapter Two is a study of
<Six Characters in Search of an Author>.I examine the
reversibility of the "violent hierarchy" in the theater and the
hybrid nature of the text. In this play the self is distrupted
in the differance of language. Chapter Three centers on <Each
in His Own Way> . By inves- tigating "the dangerous supplement"
of speech, I want to show the futility of searching for the
absolute. I observe that in the uncertainty of words the
individual has become the location of a sign where many selves
come and go. Chapter Four is an analysis of <Tonight We
Improvise>. Now language is used not for communication but for
power struggle. The players are torn between the absolute
authority of the author and the freedom of creation. This
thesis concludes that Pirandello's theater trilogy presents the
chaos of language; it is a Babellian allegory of language in
which the concept of the self is deconstructed.

QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top