臺灣博碩士論文加值系統

傅敖斯的《法國中尉的女人》是否為一女性主義文本一直是批評家爭
議的焦點;絕大多數的女性主義批評家都認為傅氏挑戰父權偏見不成而自
陷 於其迷宮中。本論文旨在探討傅氏小說中女性主義議題,剖析小說人物
的三 角關係與性別政治。

本論文共分四章:首章討論拉岡和李維史托從亂倫禁忌的情慾三角論 述;
藉由女性主義家依希葛萊對拉岡和李維史托的批判和挪用,闡釋父權文
化如何使女性在心裡和社會層面皆化為第二性。 第二章結合李維史托和
依 希葛萊的理論,從查爾斯和提娜的婚盟以及查爾斯的紳士俱樂部集體嫖
妓行 為,討論傅氏小說女性淪為男性的交換物,形成依希葛萊所謂父權社
會的底 層結構--男(同)性(戀)經濟。 第三章融和拉岡和依希葛萊的精
神分析理論 ,討論在查爾斯與提娜, 莎拉的三角戀情呈現的性別政治。
第四章討論激 進女性主義和莎拉,蜜莉,克莉絲迪納三人的同性戀:在簡
述女同志愛與女性 主義之契合後,由依希葛萊,維蒂格等人的分離主義指
出莎柆如何在女人之 間的情慾三角糾葛,逾越父權社會定義下的男女性
別界限,並且建立獨立男 性之外的女性主體。

Fowles's The French Lieutenant's Woman~U1;'s feminism
has been a point of contentions among feminist critics; most
feminist critics argue that Fowles is not a feminist but a
phallocratic wolf clothed in feminist clothes. This thesis
intends to readdress the feminist issues in Fowles's novel by
probing onto the multiple layers of triangular relationships and
sexual politics among the characters.

This thesis consists of four chapters. A theorectical base of
this thesis, Chapter one is a discussion on the "the discourse
of erotic triangle" posited repectively by Lacan and Levi-
Strauss through the idea of incest taboo. Through French
feminist Luce Irigaray's critigue and appropriation of Lacan
and Levi-Strauss, this chapter lays bare the subordination of
women in patriarchal society, psychological or social. Chapter
Two is concentrated on what Irigaray calls the foundational
structure of patriarchal society--"hom(m)osexual economy".
The matrimonial alliance between Ernestina and Charles and
the sexual escapade of Charles' gentlemen club are singled out
to illustrate how women are exchanged as objects between
men. Chapter Three focuses on the sexual politics in Charles'
s love triangle with Ernestaina and Sarah. Chapter Four
deals with radical feminism and Sarah's lesbianism with
Millie and Christina. Irigaray's and Wittig' separatist
politics are deployed to show how Sarah transgresses the
patriarchally-defined boundary between the sexes, destroys
the Victorians' mythologization of women as asexual--yet
produtive--Madonna, and then forges an subjectivity independent
of the male sex.