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研究生:茬家蓉
研究生(外文):Chih, Chia-Jung
論文名稱:葉慈作品中的海倫意象
論文名稱(外文):The Helen Image in W. B. Yeats's Works
指導教授:吳全成吳全成引用關係
指導教授(外文):Wu Chuan-Cheng
學位類別:碩士
校院名稱:淡江大學
系所名稱:西洋語文研究所
學門:人文學門
學類:外國語文學類
論文種類:學術論文
論文出版年:1996
畢業學年度:84
語文別:中文
論文頁數:88
中文關鍵詞:海倫葉慈意象
外文關鍵詞:HelenYeatsImage
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一般而言,在西洋文藝史範籌中,海倫是兼具美與毀滅於一身的原型
人物。海倫意象在許多西方藝術作品中一再直接或間接地出現,在葉慈的
作品中也不例外。然而葉慈作品中的海倫意象不時出現他的情人茉剛的影
子。本文運用原型研究,嘗試將海倫意象的重要性與多面向呈現出來。
本研究第一章概述自古典時期迄今海倫意象的意義。第二章藉由海倫意象
闡述葉慈的歷史文化觀。第三章刻劃海倫意象所蓄含的情色與創作的驅力
。第四章描繪紅顏禍水的悲悽命運,並強調她愛恨交織的性慾毀滅力。第
五章剖析海倫意象對於生命具滋養與毀滅的雙重性。第六章以性別研究的
觀點解構海倫意象。 最後,本論文預期達成下列目標: 探究茉剛對詩
人創作生涯的影響、仔細檢視葉慈作品中海倫意象的不同面向、進一步證
明葉慈的作品不僅賦予海倫意象更豐富的意義內涵,並且成功地塑造了海
倫意象的新典型。

In the context of Western cultural heritage, Helen
generallyappears as an archetypal figure with beauty and
destruction at the same time. A lot of Western artists have
explicitly or implicitly employed the Helen image in their
literary works, paintings or music. The Helen image also
permeates W. B. Yeats's works. InYeats's works, Maud Gonne
always lurks behind his presentation of the Helen image. With a
view to illustrating the dominance and dimensions of the Helen
image in Yeats's works, this thesis employsarchetypal approach.
Chapter One reveals the significance of images of Helen from
classical to modern times. Chapter Two, "Helen as Cause of a
NewCycle," initiates the poet's views of history and
civilization.Chapter Three, "Helen as Mistress and Muse,"
describes the imageof Helen as erotic and creative energy.
Chapter Four, "Helen asFemme Fatale," presents the fate of a
fatal woman and focuses onthe destructive power of her
ambivalent sexuality. Chapter Five,"Helen as Devouring Female,"
suggests her dual aspect of nurturing and destroying life.
Chapter Six, in terms of gender, looks into the Helen image and
provides a deconstructive reading of some ofYeats's works.
Finally, it is hoped that the thesis will achieve the following
objectives: to investigate Maud Gonne's inpact on the poet'
sliterary career, to examine thoroughly the Helen image in
Yeats'sworks and to explore its different dimensions, and to
prove that the Helen image in Yeats's works offers another
paradigm of the Helen archetype.



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