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研究生:廖美珍
研究生(外文):Liao, Mei-chen
論文名稱:現代才女的舊魂新面貌--論蘇偉貞的小說
論文名稱(外文):The Transfigured Modern Female Novelist-on the Novel of Su Wei- chen
指導教授:李元貞李元貞引用關係
指導教授(外文):Lee Yuan-chen
學位類別:碩士
校院名稱:淡江大學
系所名稱:中國文學系
學門:人文學門
學類:中國語文學類
論文種類:學術論文
論文出版年:1997
畢業學年度:85
語文別:中文
論文頁數:144
中文關鍵詞:現代才女蘇偉貞
外文關鍵詞:The Modern FemaleSu Wei-chen
相關次數:
  • 被引用被引用:17
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本論文以蘇偉貞的小說為研究對象,探討小說家在愛情、婚姻中的情慾處
理方式,如何受到傳統婦德觀的影響及局限,並進一步揭示蘇偉貞的小說
忠實地呈現擁抱婦德的痛苦,所造成的閱讀上的歧義的效果,談她在小說
上的成就。第一章分析婦女德、才、色傳統觀念的形成。從農業生產及性
別分工形成的男尊女卑性別權力關係,探討女四書所奠定的一套重德輕才
的女性才德觀所依據的基礎,及其對女性才、色的限制與婦德的片面發展
。第二章以《紅樓夢》為例,分析林黛玉和薛寶釵所承續的「詠絮才」與
「班昭德」兩種閨閣才女形象。並比較二者在婦才、婦德、婦色等的異同
。第三章探討蘇偉貞筆下的兩種閨閣才女形象。主要論點集中在取形於林
黛玉的現代才女抑慾的愛情觀上以及眷村中薛寶釵似的現代賢婦,以其婦
德的光華,作為眷村桃花源地的精神象徵,用女人的犧牲建造外省族群認
同的光環,顯現作者保守的國家觀。第四章則進入蘇偉貞以愛情為主題的
小說系列。分析其對貞潔的擁抱及永恆情觀的信仰,造成筆下女性在愛情
方面自戀、自虐及至虐他的情欲過敏症。又由於蘇偉貞無法脫離情欲機制
中男尊女卑的社會建構,受困於聖女的情結,導致其名為情慾的寫作,仍
是傾向抽象精神化的文字描寫,另一方面則是神化了男性的力量,呈現出
陽具中心的情慾書寫。而上述結果皆可遠溯自傳統婦德對蘇偉貞的影響。
第五章討論婚姻中的「安定」與「惡聲」,女性或為婦德的理由,或為被
社會所認可,追求婚姻中的安定。而惡聲則是蘇偉貞對婚姻中繁重家務及
愛情荒涸的抗議,抗議的策略包括出走、不婚以及作拒絕婚姻的第三者。
然而,因其壓抑與自虐以及美化第三者的寫法,使得反抗父權的聲音之外
,又有傳統婦德的纏繞,「惡聲」於焉瘖啞。
This thesis aims at studying the novels of Su Wei-chen from the
writer''s handling of the emotional and sexual desires in
romantic and marital settings and of the influence and restrain
of conventional morals imposed on women. This study further
attempts at demonstrating the achievement through unveiling the
writer''s loyal depiction of their pains in creating the bias
reading effects.Chapter I analyses the formation of conventional
concepts of women''s morale code, talent and gender role. The
male dominant society resulted from agricultural productivity
and gender work delegation are used to examine the basis of the
Four Books which stresses female morale virtues over talents as
well as its influence and restrains on the development of women''
s intellectual and sexual aspects.Chapter II cites the Red
Chamber Dream in analyzing the two stereotypes of maiden talents
represented by Lin Dai-yu and Hsueh Pao-tsai for literary and
moral virtues respectively. The two characters are compared in
the aspects of female talent, morals and roles.Chapter III
investigates the two types of maiden talents in the writing of
Su Wei-chen. The main focus is directed at the modern female
talents'' sexual repression in their views of romance and the
virtuous women of military family community inherent in Lin Dai-
yu and Hsueh Pao-tsai respectively. Further delineation is
presented to illustrate how the latter''s virtues are revered as
the symbols of the military family community and how the
sacrifices of these women are used to generate identification
with the groups migrated from China in creating their role as
protectors of the nation.Chapter IV addresses the romance novel
series of Su Wei-chen in analyzing the writer''s embrace of
chaste virtue and the faith in lasting romance which resulted in
the narcissistic, masochistic and sadistic natures of the female
characters in terms of romance. Subject to the social structure
of male dominance and the complex of Joan of Arch, the intended
emotional and sexual writings of Su Wei-chen failed are in fact
descriptions of abstraction. The power of masculinity is also
mystified which is demonstrated through the approach of centring
on male genitals. Such results can be traced back to the
influence of conventional morale codes imposed on women.
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