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The culture was accumulation of living experience and the formal was accrued with person conventional concept. Before the authority of Taiwan returned to china, the rural architecture was constructed altogether among geography master, mud master and carpenter. The study belongs to investigation method. I calculated to move study both person and object. In this respect of person, to investigate mud master and resident. On the other respect of object, to investigate object that is an integral rural architecture. I hope to cascade the solidarity between formal and culture by living deck. Therefore to decide following destination of study: 1. Analyze the cultural connotation in the plane and the vertical plane of rural architecture. 2. Analyze the furniture layout and disposal in the diary and ceremonial life of rural parlor. Realizing to hold a memorial ceremony for ancestor or god and belief. 3. Analyze the connotation meaning in parlor space formation. The process of this study will attain following conclusion thorough literature analysis and live talk investigation. 1. The meaning of plane formal in rural architecture comprehend universal ideology, the personification design, beauty thinking and both polarization ideology. 2. The belief range include three boundaries [sky (god), land(dragon divinity), person(ancestor divinity)].The behavior of hold a memorial ceremony for ancestor hold consecutively according to reverence grade. The disposal principle of furniture use a symmetrical way by means of different function including live and dead, majesty and ignoble, usual and consecration. The layout principle of furniture discriminated between main god and secondary god. Containing following meaning about praying for blesses, having descendant, longevity and life solidarity. 3. The space of parlor contain meaning of emblematic which is to birth boy, descendant and having host, praying for blesses and a house which is lived by alive person.
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