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研究生:陳璧崢
研究生(外文):CHEN, Pi-Cheng
論文名稱:拉赫瑪尼諾夫鋼琴前奏曲Op.3,No.2;Op.23;Op.32的和聲結構研究
論文名稱(外文):The harmonic structure of Sergey Rakhmaninov''s piano preludes in Op.3, No.2; Op.23 and Op.32
指導教授:許明鐘,
指導教授(外文):SHEU, Ming-Chung
學位類別:碩士
校院名稱:中國文化大學
系所名稱:藝術研究所
學門:藝術學門
學類:綜合藝術學類
論文種類:學術論文
論文出版年:1997
畢業學年度:86
語文別:中文
論文頁數:128
中文關鍵詞:拉赫瑪尼諾夫鋼琴前奏曲和聲結構俄羅斯民族音樂
外文關鍵詞:RakhmaninovPianoPreludeHarmonicRussianFolk song
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題目:拉赫瑪尼諾夫鋼琴前奏曲Op.3, No.2; Op.23; Op.32 的和聲結構
研究 十九世紀末俄國音樂學派的發展主導二十世紀西洋音樂的走向.
拉赫瑪尼諾夫(Sergey Rakhmaninov, 1873-1943′O後期浪漫樂派的代表
作曲家之一,他的音樂作品蘊涵俄羅斯民族音樂的素材,並且具有憂傷情
懷的音樂風格.本論文藉由音樂史料的考證與音樂理論的分析,對拉赫瑪
尼諾夫二十四首鋼琴前奏曲的和聲結構進行研究,第一.研究和聲結構的
構成因素;第二.調查和聲結構因素的來源;第三.總結拉赫瑪尼諾夫的
和聲結構特色.  拉赫瑪尼諾夫的二十四首鋼琴前奏曲,以二十四個大
小調式為創作的基礎,其內 容表現諸多俄羅斯民族音樂的特徵,而和聲
的結構包含後期浪漫樂派與俄羅斯音樂的和聲進行特徵.本論文不僅運用
西洋古典音樂理論的分析方法,另一方面亦側重研究二十四首鋼琴前奏曲
與俄羅斯民族音樂之間的聯繫,並從中探索拉赫瑪尼諾夫的和聲結構之構
成原因,以求得精確的分析結果.  研究結果顯示,拉赫瑪尼諾夫的和
聲結構深受俄羅斯民族音樂的影響,譬如下屬和弦組的多樣化使用手法,
保留俄羅斯民族音樂體現人性內在悲傷情感的特殊風格,並且為調式的變
化增加更多的可變性.再者,俄羅斯民謠的多聲部組織,線性曲調,與多
合唱團式風格的和聲結構,不但擴展器樂曲的聲部組合,亦造就多調式的
混合形式.由此可知,俄國音樂學派極盛時期融合俄羅斯民族音樂與西洋
古典音樂基礎而產生的音樂形式,為西洋古典音樂提供多項有利的轉變因
素.
Subject: The harmonic structure of Sergey Rakhmaninov''s piano
preludes in Op.3, No.2; Op.23 and Op.32 Flourishing
development around the end of nineteenth century, Russianmusic
school which based on greater musical system of Western style,
andRussian tradition had a prominent achievement in raising high
class ofRussian music. Until now, to be an outstanding music
group, Russian musicis different from other music. The ways of
melancholy and nostalgiacharacteristics which are under controll
by mode and bitonality. Consequently,natural major and minor
mode constructed Russian music. Sergey Rakhmaninov (1873-1943)
is a member of Russian music school, and is avery famous
composer, conductor, and pianist of the world. His music
isextremely fond to many people. What is the most important
reason to bringsuch attractive music? Chromatic style is the
primary symbolization in Late-Romantic period, and it also
presents the combination of many kinds ofnationality. This
research of the harmonic structure of Rakhmaninov''s 24 preludes
which include Op.3, No.2; Op.23 and Op.32, is to realize
whatmaterials constructed the only characteristic of Russian
harmonic structures. There are some exotic harmonic connections
of Russian music that have been summed up by four Russian music
theorists, I. Dubovsky, S. Gevseyev, I.Sposobin and V. Sokorov.
This reference inspired worker to get into 24 pianopreludes,
more over the logic thinking of Russian harmonic style. To
analyzeRakhmaninov''s works not only use Western theory system,
but also the Russiantraditional music characteristic. In the
process of this research, to insist this point is needed because
the intrinsic musical language of Russian musiccame from
Russian''s heritage. Russian harmonic structure constructed by
varied subdominant chords,numerous polyphonic, and rich
variation of chromatic style. Three of thempreserved the
elements of Russian music, and obtains a greater
achievementwhich influenced the future of music of the twentieth
century. In these years,the growth of Chinese music is in the
same way as Russian music had been before.This dissertation is a
model for the Chinese to see how Russian music integrateswith
Western classic music. It will enlighten one, who is going
enthusistic in development of Chinese music.
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