|
英文資料: Bailey, Kathryn. The Twelve-Note Music of Anton Webern. Cambridge: Cambridge University Press, 1991. Brindle, Reginald Smith. The New Music: The Avant-Garde since 1945. 2nd ed. NY: Oxford University Press, 1987. Cope, David H. New Directions in Music. 5th ed. California: WCB Press, 1989. __________. New Music Composition. NY: Schirmer Books, 1977. Dallapiccola, Luigi. “The Genesis of the Canti di Prigionia and Il Prigioniero.”The Musical Quarterly, vol.xxxix, no.3, ( July 1953 ): 355-72. Diamond, Harold J. Music Analysis: An Annotated Guide to the Literature. NY: Schirmer Books, 1991. Eckert, Michael. “Luigi Dallapiccola: Review of New Recordings”, Perspectives of New Music, vol.xxi, (1982-83 ): 410-16. Eric, Salzman. Twentieth-Century Music. NJ: Prentice Hall, 1988. Ewen, David. ed. Composers Since 1900: First Supplement. NY: The H. W. Wilson com., 1981. Forte, Allen. Contemporary Tone-Structures. NY: Teachers College, Columbia University, 1955. Griffiths, Paul. The Thames and Hudson Encuclopaedia of 20th Century Music. London: Thamesand Hudson Ltd, 1986. Griffiths, Paul. Modern Music: The avant garde since 1945. NY:George Braziller, Inc., 1981. Grout, Donald Jay. A History of Western Music, Rev. ed. NY: W.W Norton & Company Inc., 1973. John, Rahn. Basic Atonal Theory. NY: Schirmer Books, 1980. Kostka, Stefan. Materials and Techniques of Twentieth-Century Music. NJ: Englewood Cliffs Press, 1990. Morgan, Robert P. Twentieth-Century Music. NY: Norton Press, 1991. Nathan, Hans. “The Twelve-Tone Composition of Luigi Dallapiccola.” , The Musical Quarterly, vol.xliv, no.3, (July 1958 ): 289-310. ________. “Luigi Dallapiccola: Fragments from Conversations”, The Music Review, vol.xxvii, ( 1966 ): 294-312. Perkins, John M. “Dallapiccola’s Art of Canon”, Perspectives of New Music, vol.i, no.2, ( 1963 ): 95-106. Sadie, Stanley. ed. The New Grove Dictionary of Music & Musician. NY: Macmillan Publishers, Vol.Ⅴ, pp.157-162, 1980. S. v.“Dallapiccola, Luigi”by John C. G. Salzman, Eric. Twentieth-Century Music. NJ: Englewood Cliffs Press, 1988. Schoenberg, Arnold. Style and Idea. NY: Philosophical Library, 1950. ________. Fundamentals of Musical Composition. NY: St. Martin’s Press, 1967. Schwartz, Elliott and Daniel Godfrey. Music since 1945: Issues, Materials, and Literature. NY: Schirmer Books, 1993. Simms, Bryan R. Music of the Twentieth Century. NY: A Division of Macmillan Press,1986. Straus, Joseph N. Introduction to Post-Tonal Theory. NJ: Englewood Cliffs, 1990. Thomas, Jason Seling. An Analysis with Performance Notes of Luigi Dallapiccola’s “Dialoghi” for Cello and Orchestra (First Movement), DMA diss., Wisconsin University, 1992. Liu, Yu Tung. “Some phenomena of seeing shapes in design.” Design Studies 16 (1995): 367-85. 中文資料: Corey, Gerald著,李茂興譯。諮商與心理治療的理論及實務。 台北市:揚智文化,民國85年。 呂健忠、李奭學編譯。近代西洋文學。 台北市:書林出版有限公司,民國79年。 白安茂著,李蓁蓁譯。西班牙文詩韻法。 台北市:中央圖書出版社,民國75年。 ______著,游淳傑譯。西班牙文學史。 台北市:茂昌圖書有限公司,民國82年。 ______著,葉佳文、許玉燕、陳芳怡譯。西英漢文學暨戲劇詞典。 台北市:文橋出版社,民國83年。 陳佳蕙著。達拉畢柯拉:給安娜里貝拉的音樂小冊 「整體詮釋」之觀察與思考。 國立交通大學應用藝術研究所音樂組碩士論文,民國86年6月。 張春興著。教育心理學。台北市:台灣東華,民國85年。 有聲資料: Abbado, Claudio. Wien Modern Ⅲ. Excerpt read by Paolo Petazzi. CD. 447115-2. Grammophon, 1997.
|