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Works Cited Primary Sources: Kundera, Milan. The Art of the Novel. Trans. Linda Asher. London: Faber and Faber, 1988. ---. The Unbearable Lightness of Being. Trans. Michael Henry Heim. London: Faber and Faber, 1987. ---. “The Making of a Writer.” New York Times Book Review 24 October 1982: 37. Secondary Sources: Ash, Timothy Garton. “Reform or Revolution?” The New York Review of Books 27 (1988): 47—56. Aji, Aron. Self in “The Last Act of the Modern Era”: A Study of the Terminal Paradoxes of Existence in Milan Kundera’s Fiction. Diss. Southern Illinois University, 1989. Ann Arbor: MI, 48106. ---, ed. Milan Kundera and the Art of Fiction: Critical Essays. New York: Garland, 1992. Altizer, Thomas J. J. “Eternal Recurrence and Kingdom of God.” The New Nietzsche. Ed. Allison David B. New York: Stony Brook, 1977. 232—46. Banerjee, Maria Nemcova. Terminal Paradox: The Novels of Milan Kundera. New York: Grove Weidenfeld, 1990. Baugh, Bruce. “Making the Difference: Deleuze’s Difference and Derrida’s Differance.” Social Semiotics 7.2 (1997): 127—46. Bayley, John. “Fictive Lightness, Fictive Weight.” Salmagundi 73 (1987): 84—92. Bedient, Calvin. “On Milan Kundera.” Salmagundi 73 (1978): 93—108. Bogue, Ronald. “Difference and Repetition in Deleuze’s Proustian Sign and Time Machine.” Concentric: Studies in English Literature and Linguistics 27.1 (2001): 1—28. Boundas, Constantin V. The Deleuze Reader. New York: Columbia UP, 1993. Boundas, Constantin V. and dorothea Olkowski, eds. Gilles Deleuze and the Theater of Philosophy. New York: Routledge, 1994. Caldwell, Ann Stewart. “The Intrusive Narrative Voice of Milan Kundera.” The Review of Contemporary Fiction 9.2 (1989): 46-52. Calinescu, Matie. Five Faces of Modernity: Modernism, Avantgarde, Decadence, Kitsch, Postmodernism. Durham: Duke UP, 1988. Calvino, Italo. “On Kundera.” Trans. Oppenheim, Lois and Masciangelo, Nicola. The Review of Contemporary Fiction 9.2 (1989): 53—57. Colie, Rosalie L. Paradoxia Epidemica: The Renaissance Tradition of Paradox. Princeton: Princeton UP, 1966. Culler, Jonathan. On Deconstruction: Theory and Criticism after Structuralism. Ithaca: Cornell UP, 1982. Deleuze, Gilles. Difference and Repetition. Trans. Paul Patton. New York: Columbia UP, 1994. ---. “Nomad Thought.” Trans. David B. Allison. The New Nietzsche: Contemporary Styles of Interpretation. Ed. David B. Allison. New York: Delta Books, 1977. ---. Nietzsche and Philosophy. Trans. Hugh Tomlinson. New York: Columbia UP, 1983. ---. Proust And Signs. Trans. Richard Howard. New York: George Braziller, 1972. ---. What Is Philosophy? Trans. Hugh Tomlinson and Graham Burchell. New York: Columbia UP, 1994. Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia, Vo. 2. Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987. Derrida, Jacques. Of Grammatology. Trans. G. C. Spivak. Baltimore: Johns Hopkins UP, 1976. ---. Writing and Difference. Trans. Alan Bass. Chicago: The University of Chicago, 1978. ---. Speech and Phenomena: And Other Essays on Husserl’s Theory of Signs. Trans. David B. Allison. and N Garver. Evanston: Northwestern UP, 1973. Descombes, Vincent. Modern French Philosophy. Trans. L. Scott-Fox and J. M. Harding. Cambridge: Cambridge UP, 1980. Elgrably, Jordan. “Conversation with Milan Kundera.” The New Criterion 4.5 (1986): 3—24. Kimball, Roger. “The Ambiguities of Milan Kundera.” The New Criterion 4.5 (1986): 5—13. Klossowski, Pierre. Nietzsche and the Vicious Circle. Trans. Daniel W. Smith. Chicago: U of Chicago P, 1997. ---. “Nietzsche’s Experience of the Eternal Return.” The New Nietzsche. Ed. David B. Allison. New York: Stony Brook, 1977. 107—20. Leitch, B. Vincent. Deconstructive Criticism: An Advanced Introduction. New York: Columbia UP, 1983. Liehm, Antonin J. “Milan Kundera: Czech Writer.” Czech Literature since 1955: A Symposium. Eds. William E. Harkins and Paul I. Trensky. New York: Bohemica, 1980. Lodge, David. “Milan Kundera and the Idea of the Author in Modern Criticism.” Critical Quarterly 26.1—2 (1984): 105—21. McEwan, Ian. “An Interview with Milan Kundera.” Granta 11 (1984): 34—35. Molesworth, Charles. “ Kundera and the Book: The Unsaid and the Unsayable.” Salmagundi 73 (1987): 65—83. Moore, Susan. “Kundera: The Massacre of Culture.” Quadrant April (1987): 63—66. Morstein, Petra von. “Eternal Return and The Unbearable Lightness of Being.” The Review of Contemporary Fiction 9.2 (1989): 65—78. Nealon, Jeffrey T. “Refraining, Becoming-Black: Repetition and Difference in Amiri Baraka’s Blues People.” Symploke 6 (1998): 83—95. Nietzsche, Friedrich. The Birth of Tragedy. Trans. Walter Kaufmann. New York: Vintage, 1967. ---. The Gay Science. Trans. Walter Kaufmann. New York: Vintage, 1974. ---. Thus Spoke Zarathustra. Trans. R. J. Hollingdale. Harmondsworth: Penguin, 1961. ---. The Will to Power. Trans. Walter Kaufmann and R. J. Hollingdale. Ed. Walter Kaufmann. New York: Random House, 1968. ---. On the Genealogy of Morals and Ecce Homo. Trans. Walter Kaufmann. and R. J. Hollingdale. Ed. Walter Kaufmann. New York: Random House, 1989. Oppenheim, Lois. Clarifications, Elucidations: An Interview with Milan Kundera.” The Review of Contemporary Fiction 9.2 (1989): 7—11. Pearson, Keith Ansell, ed. Deleuze and Philosophy: the Difference Engineer. New York: Routledge, 1997. Pichova, Hana. “The Bowler Hat as a Monument to Time Past in Milan Kundera’s The Unbearable Lightness of Being.” European Studies Journal 14.2 (1997): 5—19. ---. “The Narrator in Milan Kundera’s The Unbearable Lightness of Being.” Slavic and East European Journal 36.2 (1992): 217—26 Salmon, Christian. Trans. Asher, Linda. “Conversation with Milan Kundera On the Art of the Novel.” Salmagundi 73 (1987): 119—35. Scarpetta, Guy and Anzalone, John. “Kundera’s Quartet (On the Unbearable Lightness of Being ).” Salmagundi 73 (1987): 109—18. Stavans, Ilan. “Jacques and His Master: Kundera and His Precursors.” The Review of Contemporary Fiction 9.2 (1989): 88—96. Very, Bertrand and Gounelle, Jean. “Milan Kundera or the Hazards of Subjectivity.” The Review of Contemporary Fiction 9.2 (1989): 79—87. Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. New York: Routledge, 1984. Yen, Shu-chin. “Heavy and Light in The Unbearable Lightness of Being.” Thesis Taipei: Tamkang University, 1992.
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