〈中文部份〉
于中蓮(2001):〈王家衛生平及創作年表〉,《當代電影》,第一0二期。
于麗娜(2002):〈迷惘與冷酷的都市寓言 ─ 王家衛與楊德昌電影對比〉,《電影藝術》,第二八二期。
王海洲(2002):〈後現代主義與王家衛電影〉,《影視藝術》,第一期。
王志弘(1998):《流動、空間與社會:1991-1997論文集》,台北:田園城市。
───(1994):〈城市的身世〉,《聯合文學》,第113期。
王志成(1995):〈燈火闌珊、情感輝煌〉,《影響雜誌》,第六十八期。。
司徒健恩(1998):〈王家衛電影劇作的敘事策略〉,《當代電影》,第八期。
朱元鴻(1992):〈布希亞科幻劇場〉,《當代》,七十五期。頁12-28。李詠青(2001):《村上春樹研究》,輔仁大學日本語文學系碩士學位論文。李道新(2001):〈王家衛電影的精神走向及其文化意涵〉,《當代電影》,第一0二期。
何建平(1998):〈飄零與復舊:現代人的精神之旅 ─ 析王家衛電影《春光乍洩》〉,《電影藝術》,第二六二期。
呂艷(1997):〈絕望中的救贖〉,《當代電影》,第八十期。
林燿德(1997):《鋼鐵蝴蝶》,台北:聯合文學。
───(1994):〈凱悅森林的北丐南帝 ─ 與王家衛對話〉,《聯合文學》,第十卷第二期。
───(1994):〈王家衛與他的四部電影〉,《聯合文學》,第十卷第二期。
周華山(1990):《解構香港電影》,香港:青文。
侯季然(1995):〈王家衛影片中的空間典型〉,《影響雜誌》,第六十八期。
陳旭光(2001):〈一種現代寫意電影 ─ 論王家衛的寫意性兼及中國電影民族化與現代化等問題〉,《當代電影》,第一0二期。
陳墨(2001):〈生命的呢喃 ─ 王家衛電影閱讀闡釋〉,《當代電影》,第一0二期。
曹大維(1999):《影像經驗中的都市性 ─ 以八0年代以降的台北為例》,東海大學建築系碩士班建築碩士學位論文。黃怡(1999):〈王家衛的抽象寫實 ─ 在時間之進行式中,情慾已灰飛煙滅〉,《人本教育札記》,三月號。黃瑞祺(2000):《現代與後現代》,台北:巨流。
黃建宏(1999):〈沙漠‧春╱秋:記王家衛的武俠世界〉,《電影欣賞》,第一0二期。───(1998):〈磨損的殘影:當刻與過去的視覺世界 ─ 記王家衛之《春光乍洩》〉,《電影欣賞》。第九十四期。
齊隆壬(1984):〈「卡里加利博士的小屋」其言談與拉崗精神分析釋夢〉,《電影欣賞》,第七期。楊凱麟(1999):〈北野武與王家衛:觀看「事件」的兩種方法〉,《電影欣賞》,第一0二期。黎至笑(1994):〈王家衛電影的時間與空間意識〉,《影響雜誌》,第五十五期。
簡妙如(1998):〈將布希亞佔為己用 ─ 擬象論的解讀與媒體分析的再延伸〉,《哲學雜誌》,第二十四期。〈中文譯著〉
王永年等譯,Jorge Luis Borges著(2002):《波赫士全集》,台北:商務。
王祖旺、張田英譯(1999),Helmut Schoeck著:《嫉妒與社會》(Envy: A Theory of Social Behavior.),北京:社會科學文獻出版社。
王志弘譯,Italo Calvino著(1993):《看不見的城市》(Invisible Cities, 1972),台北:時報。
吳昌杰譯,Jean Baudrillard著(1999):《美國》(Amérique),台北:時報。
吳珮慈譯,Jacques Aumont & Michel Marie著(1996):《當代電影分析方法論》(L’Analyse des Films.),台北:遠流。
李顯立譯,Tim Bywater & Thomas Sobchack著(1997):《電影批評面面觀》(An Introduction to Film Criticism.),台北:遠流。
宋碧雲譯,Gabriel García Márquez著(1994):《異鄉客》(Doce cuentos peregrinos),台北:時報。
余鴻榮譯,F. W. Nietzsche著(1983):《查拉圖斯特拉如是說》(Also sprach Zarathustra.),台北:志文出版社。
林家沂譯,Jean Baudrillard著(1995):〈通訊狂歡〉(the Ecstasy of Communication),《中外文學》,第二十四卷第七期。
林淑琴譯,Michelangelo Antonioni著(1991):《一個導演的故事》(Quel Bowling sul Tevere.),台北:遠流。
洪佩郁、藺月峰譯,Max Horkheimer & Theodor W. Adorno著(1990):《啟蒙辯證法》(The Dialectic of Enlightment.),重慶:重慶出版社。
馬新林譯,James Joyce著(1999):《都柏林人》(Dubliners),台北:貓頭鷹。
符平譯,Abbas, Ackber著 (1999):〈新香港電影與城市體驗 ─ 王家衛電影的失望影像〉,《明報月刊》,第三八八期。
張君玫譯,Zygmunt Bauman著(2001):《全球化:對人類深遠的影響》(Globalization: The Human Consequences.),台北:群學。
張伯權譯,Franz Kafka著(1975):《卡夫卡的寓言與格言》(Franz Kafka: Parables and aphorisms.),新竹:楓城。
童元方譯,Alan Lightman著(1996):《愛因斯坦的夢》(Einstein’s Dreams.),台北:爾雅。
劉森堯等譯,Peter Wollen著(1991):《電影記號學導論》(Signs and Meaning in the Cinema.),台北:志文。
歐陽景根譯,Zygmunt Bauman著(2001):《流動的現代性》(Liquid Modernity.),上海:上海三聯書店。
賴明珠譯,村上春樹著(1986):《失落的彈珠玩具》,台北:時報。
───,川本三郎著(1986):〈村上春樹的世界〉,《失落的彈珠玩具》,台北,時報。
〈英文部份〉
Abbas, Ackbar. (1997). Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University of Minnesota Press.
Allen, John. (2000). “On Georg Simmel: Proximity, distance and Movement.” In Thinking Space. Eds. by Mike Crang & Nigel Thrift. London: Routledge.
Barker, Chris. (2000). “Cultural Space and Urban Place.” In Cultural Studies: Theory and Practice. London: Sage.
Baykan, Aysegul. (1992). “Women between Fundamentalism and Modernity.” In Theories of Modernity and Postmodernity Ed. By Bryan S. Turner. London:Sage.
Berman, Marshall. (1982). All that is Solid Melt into Air: The Experience of Modernity. New York: Penguin.
Bridge, Gary & Watson Sophie. (2000). “City Imaginaries.” In A Companion to the City. Eds. by Gary Bridge & Sophie Waston. Malden: Blackwell.
Calinescu, Matei. (1996[1987]). “The Idea of Modernity.” In Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism. Duke University Pres.
Crang, Mike. (1999). “Image-Reality.” In Introducing Human Geographies. Eds. by Paul Cloke, Philip Crang & Mark Good Win. London: Arnold.
de Certeau, Michel. (1984). The Practice of Everyday Life. Berkeley: University of California Press.
Donald, James. (2000). “Immaterial City: Representation, Imagination, and Media Technologies.” In A Companion to the City. Eds. by Gary Bridge & Sophie Waston. Malden: Blackwell.
─── (1999). Imagining the Modern City. Minneapolis: University of Minnesota Press.
─── (1992). “Metropolis: the City as Text.” In Social and Cultural Forms of Modernity. Eds. by Robert Bocock & Kenneth Thompson. Cambridge: The Open University.
Driver, Felix. (1999). “Imaginative Geographies.” In Introducing Human Geographies. Ed. By Paul Clock, Philip Crang & Mark Goodwin. London: Arnold .
Friedberg, Anne. (1993). Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press.
Gilloch, Graeme. (1997[1996]). Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity Press.
Harvey, David. (1989). The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Oxford: Blackwell.
Jencks, Chris. (1995). “The Centrality of the Eye in Western Culture: An Introduction.” In Visual Culture. Ed. by Chris Jencks. London: Routledge.
Lalanne, Jean-marc. (1997). ”Images from Inside.” In Wong Kar Wai. Ed. By Argillet, Stéphane. Trans. By Wright, Stephen. Paris: Dis Voir.
McQuire, Scott. (1998). Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. London: Sage.
Mumford, Lewis. (1961). The City in History: its origins, its transformations, and its prospects. London: Secker &Warburg.
Ngai, Jimmy. (1997). ”A Dialogue with Wong Kar-Wai.” In Wong Kar Wai. Ed. By Argillet, Stéphane. Trans. By Wright, Stephen. Paris: Dis Voir.
Nowell-Smith, Geoffrey. (2001). “Cities: Real and Imagined.” In Cimema and the City. Eds. by Mark Shiel & Tony Fitzmaurice. Malden: Blackwell.
Rayns, Tony. (2000). “The Innovators 1990-2000: Tony Rayns Examines the careeres so far of Wong Kar-wai, director of Ashes of Time, Chungking Express and Happy Together, Whose much imitated style reshaped 90s cinema.” In Sight and Sound. No.1, pp.34-6.
─── (1995). “Poet of Time.” In Sight and Sound. 5, No. 9, pp.12-4.
Robins, Kevin. (1993). “Prisoners of the City: Whatever Could a Postmodern City Be? ” in Space and Place: Theories of Identity and Location. Eds. by Erica Carter, James Donald and Judith Squires. London: Lawrence & Wishart.
Simmel, Georg. (1999). “The Metropolis and Mental Life.” In Modernity: Critical Concepts. Ed. By Malcolm Waters. London: Routledge.
─── (1990). The Philosophy of Money. Trans. by Tom Bottomore & David Frisby ed. By David Frisby. London: Routledge.
Stein, Jeremy. (2001). “Reflections on Time, Time-Space Compression and Thchnology in the Nineteenth Century.” In Timespace: Geographies of Temporality. Eds. by John May & Nigel Thrift. London: Routledge.
Tsui, Curtis. (1995). “Subjective Culture and History: The Ethnographic Cinema of Wong Kar-wai.” In Asia Cinema. No.72. pp.93-124.
Urry, John. (1995). “Tourism, Travel and the Modern Subject.” In Consuming Places. London: Routledge.
Wilson, Elizabeth. (2001). The Contradictions of Culture: Cities: Culture: Women. London: Sage.
Wolff, Kurt. Ed. (1964). The Sociology of Georg Simmel. New York: The Free Press.
〈圖片來源〉
王家衛(1988):《旺角卡門》(熱血男兒)。
───(1990):《阿飛正傳》。
───(1994):《重慶森林》。
───(1994):《東邪西毒》。
───(1995):《墮落天使》。
───(1997):《春光乍洩》。
───(2000):《花樣年華》。