臺灣博碩士論文加值系統

摘 要
德布西是代表印象樂派的重要作曲家，在二十世紀初的鋼琴音樂佔有一席之地。整個創作生涯裡不斷地寫作鋼琴音樂作品，從這些作品中，可以深刻的感受他對鋼琴音響的試驗，並以自由創新的手法在音色上調以濃淡色彩。聽覺上製造出多層次的音樂世界。兩集《映像》寫作於1905至1907年間，是屬於德布西第二時期的作品，此時期的音樂風格是他探索鋼琴音響的顛峰期，作品深具想像力。第一集《映像》共包含三首樂曲，分別是《水的反光》、《拉摩讚歌》及《運動》，第二集亦是由三首作品組成：《葉之鐘聲》、《月下荒廟》及《金魚》。本文一共分為五個部份作論述：第一、是德布西的生平及創作生涯，第二、是印象主義與象徵主義對其創作風格的影響，第三、關於《映像》曲集的創作背景，第四、就《映像》的樂曲結構作探討，並分為曲式結構與創作素材、調式與旋律、和聲語法及特殊節奏作為分述，第五部份；就筆者彈奏《映像》一些技巧練習和詮釋作分析。彈奏德布西的作品，先是對於聲音的掌握與想像的結合，進而表現出作品的完整性與內涵，期待在技巧練習之餘，想法上能有更大的幫助與了解。

Abstract
As a leading composer of Impressionism, Debussy constantly wrote works of piano music over his whole creative life and held an influential position in piano music of the early twentieth century. In his works, we can easily recognize his experiments on pianistic sounds as well as his liberally innovative techniques, which add dense and light colors in timbre and invent a multilayerd musical world in audition. Images I and II, written between 1905 and 1907, are works of Debussy''s second period. This period is the zenith of Debussy''s exploration in pianistic sounds, and furthermore works of this period are rich in imagination. Images I include three musical pieces “Reflect dans l’Eau” 、“Hommage a Rameau” and “Mouvement”, So do Images II “Cloches a travers les Feuilles” 、 “Et la Lune descend sur le Temple qui fut” and “Poissons d’Or”. This thesis comprises five sections. The first is about Debussy''s life and his creative career; the second about influences from Impressionism and Symbolism on Debussy''s styles; the third about the background of Images; the fourth about the structures of Images, which will be discussed respectively according to the following categories: structures of musical forms and raw materials, modes and melody, harmonies, and special rhythms; the fifth about analyses, based on my own experiences in playing Images, of some technical practices and interpretations. Playing Debussy''s works first necessitates imagination of the player and a good command of sounds so that the works are able to display their spirits completely. I also expect for a further understanding about Debussy''s music through technically practicing.

目 錄
一、德布西的生平…………………………………………………………1
二、印象主義與象徵主義對其創作風格的影響…………………………4
三、德布西鋼琴曲集《映像》創作背景……………………………………5
四、鋼琴曲集《映像》之結構………………………………………………7
1.曲式結構與創作素材
2.調式與旋律
3.和聲語法
4.節奏
五、鋼琴曲集《映像》之彈奏技巧和詮釋…………………………………29
六、結語………………………………………………………………………34
參考書目

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