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研究生:黃佳華
研究生(外文):Chia-Hua Huang
論文名稱:德布西鋼琴曲集"映像"
論文名稱(外文):Debussy piano works "Image"
指導教授:周婉容
指導教授(外文):Wan-Jong Chou
學位類別:碩士
校院名稱:國立中山大學
系所名稱:音樂學系研究所
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2002
畢業學年度:90
語文別:中文
論文頁數:37
中文關鍵詞:德布西
外文關鍵詞:Debussy
相關次數:
  • 被引用被引用:5
  • 點閱點閱:793
  • 評分評分:
  • 下載下載:242
  • 收藏至我的研究室書目清單書目收藏:1
摘 要
德布西是代表印象樂派的重要作曲家,在二十世紀初的鋼琴音樂佔有一席之地。整個創作生涯裡不斷地寫作鋼琴音樂作品,從這些作品中,可以深刻的感受他對鋼琴音響的試驗,並以自由創新的手法在音色上調以濃淡色彩。聽覺上製造出多層次的音樂世界。兩集《映像》寫作於1905至1907年間,是屬於德布西第二時期的作品,此時期的音樂風格是他探索鋼琴音響的顛峰期,作品深具想像力。第一集《映像》共包含三首樂曲,分別是《水的反光》、《拉摩讚歌》及《運動》,第二集亦是由三首作品組成:《葉之鐘聲》、《月下荒廟》及《金魚》。本文一共分為五個部份作論述:第一、是德布西的生平及創作生涯,第二、是印象主義與象徵主義對其創作風格的影響,第三、關於《映像》曲集的創作背景,第四、就《映像》的樂曲結構作探討,並分為曲式結構與創作素材、調式與旋律、和聲語法及特殊節奏作為分述,第五部份;就筆者彈奏《映像》一些技巧練習和詮釋作分析。彈奏德布西的作品,先是對於聲音的掌握與想像的結合,進而表現出作品的完整性與內涵,期待在技巧練習之餘,想法上能有更大的幫助與了解。
Abstract
As a leading composer of Impressionism, Debussy constantly wrote works of piano music over his whole creative life and held an influential position in piano music of the early twentieth century. In his works, we can easily recognize his experiments on pianistic sounds as well as his liberally innovative techniques, which add dense and light colors in timbre and invent a multilayerd musical world in audition. Images I and II, written between 1905 and 1907, are works of Debussy''s second period. This period is the zenith of Debussy''s exploration in pianistic sounds, and furthermore works of this period are rich in imagination. Images I include three musical pieces “Reflect dans l’Eau” 、“Hommage a Rameau” and “Mouvement”, So do Images II “Cloches a travers les Feuilles” 、 “Et la Lune descend sur le Temple qui fut” and “Poissons d’Or”. This thesis comprises five sections. The first is about Debussy''s life and his creative career; the second about influences from Impressionism and Symbolism on Debussy''s styles; the third about the background of Images; the fourth about the structures of Images, which will be discussed respectively according to the following categories: structures of musical forms and raw materials, modes and melody, harmonies, and special rhythms; the fifth about analyses, based on my own experiences in playing Images, of some technical practices and interpretations. Playing Debussy''s works first necessitates imagination of the player and a good command of sounds so that the works are able to display their spirits completely. I also expect for a further understanding about Debussy''s music through technically practicing.
目 錄
一、德布西的生平…………………………………………………………1
二、印象主義與象徵主義對其創作風格的影響…………………………4
三、德布西鋼琴曲集《映像》創作背景……………………………………5
四、鋼琴曲集《映像》之結構………………………………………………7
1.曲式結構與創作素材
2.調式與旋律
3.和聲語法
4.節奏
五、鋼琴曲集《映像》之彈奏技巧和詮釋…………………………………29
六、結語………………………………………………………………………34
參考書目
外文部分Burge, David. Twentieth-Century Piano Music. New York: Maxwell Macmillan International, 1990. Briscoe, James R. Debussy in Performance. New Haven and London: Yale University Press, 1999.Cortot, Alfred. French piano music. New York: Da Capo Press, 1977.Cooper, Martin. The New Oxford History of Music X:The Modern Age 1890-1960. New York: Oxford University Press, 1974.Dietschy, Marcel. A Portrait of Claude Debussy. New York: Oxford University Press Inc., 1990.Howat, Roy. Debussy in Proportion. Cambridge: Cambridge University Press, 1983.Nichols, Roger. Debussy Remembered. North America: Amadeus Press. 1996.Park, Richard S. The Music of Claude Debussy. New Haven and London: Yale University Press, 1989.Robert, Paul. Image: The Piano Music of Claude Debussy. North America: Amadeus Press, 1992.Rowland, David. The Cambridge companion to the piano. New York: Cambridge University Press, 1998. Raad, Virginia. "The Cathedrals of Monet and Debussy." Clavier (March 1986): 11-14Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 6th ed., S. V. "Claude Debussy", by Roger Nichols. London: Mcmillan Publishers Limited, 1980.Sabaneer, Leonid. "Claude Debussy." Music and Letters (January 1929): 1-34Schmitz, Robert E. The Piano Works of Claude Debussy. New York:Dover Publications, Inc., 1996.Seaton, Doiglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield Publishing Company, 1991.Stolba, K. Marie. The Development of Western Music: A History. Wisconsin: Brown & Benchmark, 1990.Trezise, Simon. La Mer. Cambridge University Press, 1994.Vallas, Léon. Claude Debussy: His Life and Works. New York:Dover Publications, Inc., 1973.Wenk, Arthur B. Debussy and the Poets. Berkeley: University of California Press, 1976. 中文部分艾嘉蕙著。 《鋼琴水曲之研究─美學觀點與創作技巧之探討》。初版。台北市:捷太出版社。民國八十二年。林勝儀譯,道斯(F. Dawes)著。 《德布希鋼琴曲》。三版。台北市:全音樂譜出版社。民國八十二年。陳琳琳譯,荀伯克(Horold C. Schonberg)著。 《音樂瘋系列四:國民樂派》。初版。台北市:萬象出版社。民國八十二年。葉松田發行。 《大英視覺藝術百科全書 第五卷藝術史:寫實主義─南非藝術》。初版。台北市:台灣大英百科股份有限公司。民國七十七年。潘皇龍譯,黎翁斯坦(Leon Stein)著。 《音樂的結構與風格》。初版。台北市:全音樂譜出版社。民國六十四年。 樂譜Debussy, Claude. Image I、II. New York: Dover Publications, Inc., 1992.《德布西鋼琴曲集III》。 安川加壽子校訂。台北市:全音樂譜出版社。參考書目外文部分Eisen, Cliff. Mozart Studies. New York: Oxford University Press, 1991.Heartz, Daniel. Haydn, Mozart and the Viennese School 1740~1780. New York: W. W. Norton & Company. 1995.Krehbiel, Henny. Mozart: The Man and the Artist Revealed in his Own Words. New York: Dover Publications, Inc. 1965.Knepler, Geoge. Wolfgang Amade Mozart. Cambridge University Press. 1994.London, H. C. Robbins. Mozart: The Golden Years 1781-1791. London: Thames and Hudson, 1990.London, H. C. Robbins. The Mozart Compendium. New York: A Division of Macmillam, Inc. 1990.Marshall, Robert L. Mozart Speaks: View on Music, Musicians, and the World. New York: A Division of Macmillam, Inc. 1991.Rosselli, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Norton, 1972.Rosselli, John. The Life of Mozart. Cambridge University Press. 1998.Sadie, Stanley. Wolfgang Amade Mozart: Essays on His Life and His Music. New York: Press Oxford University. 1996.Rowland, David. The Cambridge companion to the piano. New York: Cambridge University Press, 1998. Raad, Virginia. "The Cathedrals of Monet and Debussy." Clavier (March 1986): 11-14Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 6th ed., S. V. "Claude Debussy", by Roger Nichols. London: Mcmillan Publishers Limited, 1980.Sabaneer, Leonid. "Claude Debussy." Music and Letters (January 1929): 1-34Schmitz, Robert E. The Piano Works of Claude Debussy. New York:Dover Publications, Inc., 1996.Seaton, Doiglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield Publishing Company, 1991.Stolba, K. Marie. The Development of Western Music: A History. Wisconsin: Brown & Benchmark, 1990.Trezise, Simon. La Mer. Cambridge University Press, 1994.Vallas, Léon. Claude Debussy: His Life and Works. New York:Dover Publications, Inc., 1973.Wenk, Arthur B. Debussy and the Poets. Berkeley: University of California Press, 1976. 中文部分艾嘉蕙著。 《鋼琴水曲之研究─美學觀點與創作技巧之探討》。初版。台北市:捷太出版社。民國八十二年。林勝儀譯,道斯(F. Dawes)著。 《德布希鋼琴曲》。三版。台北市:全音樂譜出版社。民國八十二年。陳琳琳譯,荀伯克(Harold C. Schonberg)著。 《音樂瘋系列四:國民樂派》。初版。台北市:萬象出版社。民國八十二年。葉松田發行。 《大英視覺藝術百科全書 第五卷藝術史:寫實主義─南非藝術》。初版。台北市:台灣大英百科股份有限公司。民國七十七年。潘皇龍譯,黎翁斯坦(Leon Stein)著。 《音樂的結構與風格》。初版。台北市:全音樂譜出版社。民國六十四年。 樂譜Debussy, Claude. Image I、II. New York: Dover Publications, Inc., 1992.《德布西鋼琴曲集III》。 安川加壽子校訂。台北市:全音樂譜出版社。
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