臺灣博碩士論文加值系統

布拉姆斯是十九世紀著名的德國浪漫派作曲家，一生共創作三十四首女聲合唱曲，大多是為德特摩及漢堡的女聲合唱團所作。作品十七是其中一首，為女聲三部合唱並使用豎琴與法國號為伴奏樂器，歌詞為德文，四首皆蘊含哀歌的意境，曲式清晰，織度多為和聲式，音域適中，節奏型態簡單，各聲部旋律多為級進，樂曲呈現自然流暢的音樂性，相當具有研究價值。
本論文共分為五章。第一章為前言。第二章共分為三節，第一節介紹布拉姆斯的生平，第二節探討布拉姆斯合唱作品的創作時期與特色，第三節則針對布拉姆斯女聲合唱作品的創作背景、樂曲特性作探討。第三章共分為四節，分別就四首樂曲的曲式、段落、歌詞作分析。第四章分為四節，第一節為四首樂曲於教學時所設計的發聲練習，第二節為演出時的注意事項，第三節為德文歌詞發音的教學，第四節為指揮技巧的建議。第五章為本論文的結論。附錄一為作品十七歌詞翻譯及德語發音，附錄二為筆者目前所蒐集到的樂譜版本及有聲資料，提供教學參考。

Brahms is an important German romantic composer.In additional to his outstanding output in orchestral composition, he also finished thirty-four female choral pieces. Most of them were written during 1857-62, when he was still in Hamburg and dirdcting the Hamburg Women''s Chorus. Opus17 belongs to this category. It is for three-part female choir, with harp and horns as the accompaniment. It includes four short pieces, text in German, with the feeling of lament. The form is simple and clear. The texture is mostly choral. The melodies in each vocal part are not difficult; however, it is the harmonic color that gives this work its special taste.
This thesis consists of five chapters. The first chapter is the introduction. The second chapter inclides three parts. Part one introduces the life of Brahms. Part two is the chronological discussion of Brahms choral composing. Part three focuses on the female choral works. The third chapter analyzes the four pieces of Brahms Opus 17. The fourth chapter presents suggestions for teaching Opus 17, including vocalization, interpretation, diction, and conducting technique. The fifth chapter draws conclusion from the study.

第一章前言
第二章布拉姆斯的生平與合唱音樂
第一節 布拉姆斯的生平
第二節 布拉姆斯的合唱音樂
第三節 布拉姆斯女聲合唱作品
第三章作品十七內容分析
第一節 無標題歌曲
第二節 莎士比亞之歌
第三節 園丁
第四節 芬加爾之歌
第四章教學與實施建議
第一節 發聲練習
第二節 演出時的注意事項
第三節 德文歌詞發音的教學
第四節 指揮技巧的建議
第五章結論
參考書目
附錄一 作品十七歌詞翻譯及德語發音
附錄二 樂譜版本及有聲資料

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