臺灣博碩士論文加值系統

本文首先從作家的寫作特色與終極關懷、評論界對文本的反應等方面形成問題意識，討論《在我墳上起舞》一書中的形式策略問題。本文將《在》書的形式表現區分為「自白形式」與「後現代形式」兩大概念來進行討論，最後將分析成果置於「青少年文學與閱讀」的脈絡下進行再審視。
第二章關注於書中自白形式的援用，討論文本如何架構出雙重敘事、將書寫行為問題化，表現出青少年主角透過書寫詮釋過去經驗的歷程；另外也分析了自白形式如何造成人物心理的突出，對表現青少年主角的形象提供了一條迂迴而有力的途徑，並且展現了主角的自覺意識，賦予了主角主體性。
　　在第三章中著重於觀察《在》書形式策略中的後現代特徵，分析多重文類的並置如何造成多聲敘述的現象，進而映射出交互主觀建構的現實觀；此外，形式如何具現出後設敘述的特徵，突出了小說的自我意識，呈現出文學小說的自我反觀性。
　　在第四章中，檢視《在》書形式策略如何反映出其作為青少年文本的身分；討論《在》書的形式策略如何影響讀者建構意義的方式，促進讀者從事不斷反思的、積極建構的閱讀。最後，從錢伯斯的創作觀檢討《在》書的形式策略，並針對評論界對於形式實驗的懷疑，提出了回應與建議。
　　第五章為本文結論，歸納論文要點並針對本文的分析成果提出進一部的研究建議。

Form is a writer’s strategy to express, explore, and develop his subjects; under the progress of development of novel art, the transformation or creation of form also becomes a chance to create new works. Since form and content can’t be separated, investigating the strategy of a novel’s form can show how a writer expresses his sensibility to subjects or presents the particular kind of aesthetic effects through some delicate arrangement of the order or style.
A British young adults’ novelist, Aidan Cambers, is conscious of dealing with various experiments on form in his creative writing and causes critics’ attentions. This essay will analyze the significances of formal device utilized in Dance on My Grave.
At first, this essay will abstractly synthesize variously vigorous characteristics of form in this work with confessional narrative and postmodern approach as two dominant ideas to be discussed distinguishably. The analysis of this essay points out that confessional narrative constructs double narratives, makes the act of writing become problematic, and presents the process of a protagonist’s narrative construction; in addition, confessional narrative also leads to a plot’s decrease and a character’s prominent mental state, offers a discursive but vivid way to express teen protagonist’s image, reveals his self-awareness, and gives him subjectivity. On the other hand, the experiments of formal device embodies postmodern aesthetic effects─the multi-genred forms polyphonic narrative in the text and reflects a kind of intersubjective and constructivist viewpoint of reality; The metafictional narrative extends a novel’s self-consiousness and presents self-reflexitivity of literature.
Continuously, the result of the above is located in the context of “Young Adult literature and reading” to reconsider, examine how formal device in Dance on My Grave reflects its identity of YA novel, and discuss how formal strategy influences a reader’s way to construct the significances of the text and to prompt reflexive and active reading. Eventually, I will consider the formal strategy for Dance on My Grave in Chambers’ viewpoint of creative writing and literary reading and then offer reflections and responses for critics’ doubts.

第一章　緒論 ………………………………………………………… 1 　
　　第一節　作家寫作特色與終極關懷…………………………………2
　　第二節　作品反應與評論……………………………………………6
　　第三節　小說形式概念辨析…………………………………………8
第四節　研究問題與章節配置………………………………………11
第二章 自白形式………………………………………………………13
第一節　呈現書寫建構的歷程…………………………………… 14
　　第二節　對人物的突出與主體性的建立……………………………25
　　第三節　小結…………………………………………………………35
第三章 後現代形式……………………………………………………36
第一節　交互主觀建構的現實觀……………………………………37
　 第二節　文學自我反觀性的呈現……………………………… …48
　 第三節　小結…………………………………………………………57
第四章 形式策略與青少年閱讀………………………………………58
第一節　作為青少年文本……………………………………………59
　　第二節　形式策略與閱讀…………………………………………63
　　第三節　形式實驗的爭議與回應…………………………………70
　　第四節　小結………………………………………………………74
第五章 結論：反省與建議……………………………………………75
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參考網址：
作者艾登錢伯斯官方網站：http：//www.aidanchambers.co.uk