|
Works Cited Ahrens, Katherine Luise. The Function of Religious Imagery in the Poetry of Emily Dickinson. Diss. Fordhham U, 1973. Ann Arbor: UMI, 1991. Anderson, Charles R. Emily Dickinson’s Poetry: Stairway of Surprise. N. Y.: Garden City, 1966. Carter, Charles Wesley. In Sumptuous Solitude: A Study of Method and Design in the Love Poems of Emily Dickinson. Diss. North Carolina U, 1972. Ann Arbor: UMI, 1991. Chase, Richard Volney. Emily Dickinson. New York: William Sloane Associates, Inc., 1951. Dickinson, Emily. The Complete Poems of Emily Dickinson. Ed. Thomas H. Johnson. Boston: Little, Brown and Company, 1957. - - -. The Letters of Emily Dickinson. Ed. Thomas H. Johnson. 3 Vols. Cambridge: Harvard UP, 1958. Eberwein, Jane Donahue. Dickinson: Strategies of Limitation. Amherst: Massachusette UP, 1985. Gelpi, Albert. Emily Dickinson: The Mind of the Poet. New York: The Norton Library, 1971. Griffith, Clerk. The Long Shadow: Emily Dickinson’s Tragic Poetry. Princeton: Princeton UP, 1964. Hall, Mary Louise. The Relation of Love and Death in the Poetry of Emily Dickinson. Diss. Loyola U, 1971. Ann Arbor: UMI, 1991. Hardy, Marilyn Claire. A Word Made Flesh: Emily Dickinson’s Poetic Strategies. Diss. Washington U, 1980. Ann Arbor: UMI, 1980. Higgins, David. Portrait of Emily Dickinson: The Poet and Her Prose. Newe Brunswick, N. J.: Rutgers UP, 1967. Johnson, Thomas H. Emily Dickinson: An Interpretive Biography. Cambridge: Harvard UP, 1955. Juhasz, Suzanne. The Undiscovered Continent: Emily Dickinson and the Space of the Mind. Bloomington: Indiana UP, 1983. Marcus, Mordecai. Emily Dickinson: Selected Poems. Lincoln, Neb.: Cliffs Notes, 1982. O’Maley, Carrie. “Dickinson’s I Started Early─Took My Dog.” Explicator 61.2 (2003): 86-88. Academic Search Elite. Online. Ebsco. 2 Jun. 2003. Pearce, Daniel Myers. The Soul’s Superior Instants: The Individual Psychology of Emily Dickinson’s Poetry. Diss. California U, 1988. Ann Arbor: UMI, 1992. Pickard, John B. Emily Dickinson: An Introduction and Interpretation. New York: Holt, Rinehart and Winston, Inc., 1967. Porter, David Tomas. The Art of Emily Dickinson’s Early Poetry. Cambridge: Harvard UP, 1966. Sherwood, William R. Circumference and Circumstances: Stages in the Mind and Art of Emily Dickinson. New York: Columbia UP, 1968. Takacs, K. Linnea. Amatory Strains: Erotic Love in the Poetry of Emily Dickinson and Christina Rossetti. Diss. Fordham U, 1988. Ann Arbor: UMI, 1988. Todd, John Emerson. Emily Dickinson’s Use of the Persona. Diss. Wisconsin U, 1965. Ann Arbor, Michigan: UMI, 1991. Vendler, Helen. “Emily Dickinson Thinking.” Parnassus: Poetry in Review 26.1 (2002): 34-56. Academic search Elite. Online. Ebsco. 5 Jun. 2003. Ward, Theodora. The Capsule of the Mind: Chapters in the Life of Emily Dickinson. Cambridge, Mass.: Belknap Press, 1961. Wardrop, Daneen. “Emily Dickinson’s Gothic Wedding: Dowered Bride and Absent Groom.” ATQ 10.2 (1996): 91-110. Academic Search Elite. Online. Ebsco. 5 Jun. 2003. Whicher, George Frisbie. This Was a Poet: A Critical Biography of Emily Dickinson. Hamden, Conn.: Archon Books, 1980. Wolff, Cynthia Griffin. Emily Dickinson. New York: Alfred. A. Knopf, 1986. Wright, Sue Lanier. The Wife without the Sign: Emily Dickinson’s Love Stories. M. A. Thesis. Ann Arbor, Larmar: UMI, 1985.
|