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研究生:林因欣
研究生(外文):Yin-Hsin Lin
論文名稱:莫札特第四號D大調小提琴協奏曲(K.218)之研究探討
論文名稱(外文):The Study of Mozart''s Concerto in D Major for Violin and Orchestra No.4 (K.218)
指導教授:沈克恕
指導教授(外文):Keh-Shu Shen
學位類別:碩士
校院名稱:國立中山大學
系所名稱:音樂學系研究所
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2003
畢業學年度:91
語文別:中文
論文頁數:83
中文關鍵詞:小提琴莫札特協奏曲
外文關鍵詞:MozartViolinConcerto
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   代表古典時期重要作曲家之一的沃夫岡•阿瑪迪斯•莫札特(Wolfgang Amadeus Mozart, 1756~1791)其早年多以演奏家身分在歐洲各地表演,其中包括英國、法國、義大利等地,莫札特也因此接觸到各種不同風格之音樂,並融合各種不同的音樂風格,將其精煉成一種具多元風貌之音樂風格。而莫札特對音樂的重要貢獻,除了歌劇方面外,還包括他所建立具「複呈示部」奏鳴曲式之協奏曲,從其一生所創作的鋼琴協奏曲中,可窺見整個協奏曲曲式的發展過程。莫札特的小提琴協奏曲,雖是屬於莫札特早期的創作,而其樂曲曲式卻是巴洛克時期盛行的「合頭曲式」之協奏曲和古典時期「複呈示部」奏鳴曲式之協奏曲間的橋樑。
  本文除前言外,共有三章。第一章主要概述莫札特之
生平,共可分成三個時期—早年時期(1756~1773)、薩爾茲
堡時期(1773~1782)、維也納時期(1782~1791)。而第二章
則針對莫札特第四號小提琴協奏曲之創作背景提出探討,
其中包括莫札特的小提琴家身分,以及莫札特和當時一些
小提琴家之間的互動,並說明此樂曲所運用之曲式和「合
頭曲式」、具「複呈示部」之奏鳴曲式之異同。第三章則
主要探究此樂曲之創作手法、以及一些演奏上速度、表情、指法和技巧等,以及裝飾音方面的探究﹔而樂曲中的裝飾奏則採用姚阿幸的版本,希冀本文能對莫札特音樂之愛好者以及莫札特小提琴協奏曲之演奏家有所貢獻。
Wolfgang Amadeus Mozart (1756~1791) is one of the most important composers in the Classic period. In his early age, he used to be a virtuoso, played across Europe such as England, France, and Italy, etc. Therefore Mozart was influenced by different styles of music. He then took these different music styles into a refined and harmonious integration. Mozart not only had great dedication in operas, but also in the sonata form with “double exposition” which he used in the concertos. We can see this progressing from the piano concertos that Mozart composed through his whole life. Although Mozart’s violin concertos belong to his early work, they are the bridge between the concertos with ritornello form in the Baroque period and the sonata form with double exposition in the Classic period.
In addition to the preface, this thesis consists of three chapters. The First Chapter mainly summarizes the life of Mozart, dividing into three periods—the early period (1756~1779), Salzburg period (1773~1782), and Vienna period (1782~1791). The Second Chapter discusses the background of the Mozart’s Violin Concerto No. 4, including the Mozart as a violinist, the interaction between Mozart and other violinists in his time , and the differences between the form of this violin concerto, ritornello form and the sonata form with ”double exposition”. The Third Chapter concentrates on the analysis of the concerto, and the tempo, dynamics, fingerings, and bowings, and the way of playing the decorative notes. In this article, the cadenza written by Joachim was adopted. The writer of this thesis sincerely hopes this article can make some attribution to the persons who are interested in Mozart’s music and play the Mozart’s violin concertos.
前言
第一章   莫札特之生平概述--------------------------------------1
第二章   樂曲背景探討-------------------------------------------13
第三章   創作手法、演奏技巧與詮釋
第一節 莫札特第四號小提琴協奏曲之樂曲寫作手法-----34
第二節 演奏詮釋及技巧探討-------------------------------59
第三節 裝飾音演奏法之探討-------------------------------70
  結論-------------------------------------------------------------- ----74
附錄一  莫札特弦樂協奏曲之作品表----------------------------76
附錄二  姚阿幸《莫札特第四號D大調小提琴協奏曲》(K. 218)
       之裝飾奏-------------------------------------------------77
參考書目--------------------------------------------------------------81
參考書目
(一)外文資料
Atlas, Allan W. Music in the Classic Period--Essays in honor of Barry S. Brook New York: Pendragon, 1985.

Clive, Peter. Mozart and His Circle: A Biographical Dictionary. New Haven: Yale University Press, 1993.

Cole, Malcolm S. “The Vogue of Instrumental Rondo in the Late Eighteenth Century.” Journal of American Musical Society XXII (1969): 423-455.

Cunningham, Lawrence S. and John J. Reich. Culture and Values Vol.Ⅱ, 3rd ed. New Haven: Harcourt Brace College Publishers, 1994.

Downs, Philip G. Classical Music—The Era of Haydn, Mozart, and Beethoven. New York: W. W. Norton Company, 1992.

Einstein, Alfred. Mozart—His Character, His Work. Trans. Arthur Mendel and Nathan Broder. New York: Oxford University Press, 1945.

Flesch, Carl. Violin Fingering—Its Thoery and Practice. London: Barrie and Rockliff, 1966.

Galamian, Ivan. Principles of Violin Playing and Teaching, 2nd ed. New Jersey: Prentice-Hall, 1985.

Kolneder, Walter. The Amadeus Book of the Violin—Construction, History, and Music . Trans. and ed. by Reinhard G. Pauly. Portland: Amadeus Press, 2001.

Marty, Jean-Pierre. The Tempo Indications of Mozart. New York: Yale University Press, 1988.

Mersmann, Hans ed. Letters of Wolfgang Amadeus Mozart. Trans. from the German by M. M. Bozman. New York: Dover Publications, 1972.

Neumann, Frederick. Ornamentation and Improvisation in Mozart. New Jersey: Princeton University, 1986.

Sadie, Stanley ed. The New Grove Dictionary of Music and Musicians. (1980) S.v. “Gaviniés, Pierre”, by J. Cooper and A. Ginter; s.v. “Mozart, Leopold”; s.v. “Mozart, Wolfgang”.

Sadie, Stanley ed. The New Grove Dictionary of Music and Musicians. (2001) S.v. “Haydn, Michael”, by D. Wight Blazin; s.v. “Mysliveček, Joseph”, by David Dichiera; s.v. “Rondo”.

Simon, Edwin J. “The Double Exposition in the Classic Concerto.” Journal of the American Musicological Society. X(1957): 111- 118.

Stowell, Robin. The Early Violin and Viola. Cambridge: Cambridge University Press, 2001.

Szabolcsi, Bence. “Exoticism in Mozart.” Music and Letters 37 (1956): 323-332.

Tovey, Donald Francis. Essays in Musical Analysis. London: Oxford University Press, 1944.

Veinus, Abraham. The Concerto. Garden City: The Country Life Press, 1944.

Zaslaw, Neal and William Cowdery, eds. The Compleat Mozart— A Guide to the Musical Works of W. A. Mozart. New York: Mozart Bicentennial at Lincoln Center, 1990.

(二)中文資料
Campell, Margaret著。 《不朽的小提琴家》。 張世祥譯。 台北市: 世界文物出版社,民國八十六年。

Parouty, Michel著。 《莫札特—樂神的愛子》。 張容譯。 台北市: 時報文化,民國八十三年。

王玉桓著。 《世界著名弦樂藝術家》。 台北市: 揚智文化,民國九十年。

吳祖強編著。 《曲式與作品分析》。 台北市: 世界文物出版社,民國八十三年。

康謳主編。 《大陸音樂辭典》。 第十四版。台北市: 大陸書店,民國八十九年。

(三)有聲資料
Francescatti, Zino. Mozart’s Violin Concerto No.4 in D major, K.218. Columbia Symphony Orchestra, cond. by Bruno Walter. Sony Classical, SMK 64 468, 1958.

Grumiaux, Arthur. Mozart’s Violin Concerto No.4 in D major, K.218. London Symphony Orchestra, cond. by Sir Colon Davis. Philips Classics, 416 632-2, 1962.


Heifetz, Jascha. Mozart’s Violin Concerto No.4 in D major, K.218. New Symphony Orchestra of London, cond. by Sir Malcolm Sargent. BMG RCA Red Seal, BVCC-37212, 1962.

Kremer, Gidon. Mozart’s Violin Concerto No.4 in D major, K.218. Wiener Phiharmoniker, cond. by Nicolaus Harnoncourt. DG, 453 043-2, 1987.


Mutter, Anne-Sophie. Mozart’s Violin Concerto No.4 in D major, K.218. Phiharmonia Orchestra. cond. by Riccardo Muti. EMI Classics, 7243 5 69865 2 7, 1982.

Oistrach, David. Mozart’s Violin Concerto No.4 in D major, K.218. Berlin Phiharmonic Orchestra, cond. by David Oistrach. EMI Classics, 7243 5 74744 2 9, 1972.
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