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Ⅰ. 專論及主要資料
1.Andral, Jean-Louis & Krebs, S., L’École de Paris: l’atelier cosmopolite 1904-1929 (Paris: Gallimard/ Paris-Musées, 2000)
2.Bougault, V., Paris Montparnass: À l’Heure de l’Art Moderne, 1910-1940 (Paris: Éditions Pierre Terrail, 1996)
3.Buisson, S. and Parisot, C., Paris Montmartre: A Mecca of Modern Art, 1860-1920 (Paris: Éditions Pierre Terrail, 1996)
4.Courthion, P., Soutine. Peintre du déchirant (Lausanne: Edita, 1972)
5.Cowan, P., An Orphan in History: Retrieving a Jewish Legacy（Garden City: Doubleday, 1982）
6.Dorival, B., L’École de Paris: au Musée National d’Art Moderne (Paris: Éditions Aimery Somogy, 1961)
7.Dunow, E., Chaim Soutine, 1893-1943, Ph. D. disseration (New York University: Institute of Fine Arts, 1981)
8.Gay, P., Freud, Jews and Other Germans; Masters and Victims in Modernist Culture（New York: Oxford University Press, 1978）
9.Gross, Eva E., The Judaic Heritage: A Key to Understanding the Works of Marc Chagall and Chaim Soutine (Washington: The American University, 1993)
10.Israel, I., Rifts in the Visible/ Fêlures Dans Le Visible: Chaim Soutine, Painter/ Peintre (1893-1943) (Paris: Ronsdale Press, 1997)
11.Kampf, A., Jewish Experience in the Art of the Twentieth Century (South Hadley, Mass: Bergin & Garvey Publishers. Inc., 1984)
12.Klébaner, D., Soutine: Le tourment flamboyant (Paris: Somogy Éditions d’art, 2000)
13.Kleeblatt, Norman L. & Silver, Kenneth E., An expressionist in Paris: the Paintings of Chaim Soutine (Munich; New York: Jewish Museum, 1998)
14.Knopf, A. A., Great French Painting from The Barnes Foundation: Impressionist, Post Impressionist, and Early Modern (New York: Lincoln University Press, 1993)
15.Leymaire, J., Soutine, exhibition catalogue (Paris: Orangerie des Tuileries, April 27-September 17, 1973)
16.Musée d’Art moderne de Céret, Soutine: Céret 1919-1922（24 juin-15 Octobre 2000, exhibition catalogue (Paris: Adagp)
17.Nacenta, R., School of Paris (London: Oldbourne Book Co. Ltd., 1960)
18.Posèq, A. W. G., Soutine: His Jewish Modality (Great Britain: The Book Guided Ltd., 2001)
19.Raynal, M., Modern French Painters (New York: Brentano’s, Inc., 1928)
20.Tuchman, M., Dunow, E. and Perls, K., Chaim Soutine (1893-1943): Catalogue Raisonné = Werkverzeichnis (Cologne: Benedikt Taschen Verlag, 1996)
21.Werner, A., Chaim Soutine (Masters of Art) / Text by Alfred Werner (New York: Harry N. Abrams, 1985)
22.Wheeler, M., Soutine, exhibition catalogue (New York: The Museum of Modern Art, Arno Press, 1969)
23.帝門基金會，《巴黎畫派（Ecole de Paris）’90台北帝門大展》，展覽圖錄（中華民國七十九年三月十日至二十六日）（台北：帝門基金會，1990）
Ⅱ. 相關論著
1.Alexandre, N., The Unknown Modigliani: Drawings From The Collection of Paul Alexandre (New York: Harry N. Abrams, 1993)
2.Alpers, S., The Art of Describing: Dutch Art in the 17th (Chicago: The University of Chicago Press, 1983)
3.Arnason, H. H., A History of Modern Art: Painting, Sculpture, Architecture, Photography (London: Thames and Hudson, Third edition, 1986)
4.Arnheim, R., Entropy and Art: An Essay on Order and Disorder（Berkeley: University of California Press, 1971）
5.Bnchan J. and Baker, J., Still Life (London: Hamlyn, 1993)
6.Boudaille, G., Expressionists (New York: Tabard Press, 1976)
7.Bowness, A., Modern European Art (Great Britain: Thames and Hudson, 1972)
8.Clark, K., An Introduction to Rembrandt (New York: Harper & Row, c. 1978)
9.Dube, Wolf-Dieter, The Expressionist（London: Thames and Hudson Ltd, 1992）
10.Elger, D., Expressionism,（Germany: Benedikt Taschen Verlag Gmbh, 1991）
11.Fleming, W., Arts and Ideas（N. Y. Holt: Rinehart and Winston, Inc., 1974, 1st. ed.）
12.Franits, Wayne E., Looking at Seventeenth-Century Dutch Art: Realism reconsidered (Cambridge University Press, 1997)
13.Fuchs, R. H., Dutch Painting (London: Thames and Hudson, 1978)
14.Gordon, Donald E., Expressionism Art and Idea（New Haven and London: Yale University Press, 1987）
15.Gowing, L. ed., A Biographical Dictionary of Artists (London: Grange Books, 1994)
16.Greenberg, C., Art and Culture (Boston: Beacon Press, 1961)
17.Greenfeld, H., Marc Chagall (New York: Abrams, 1989)
18.Griselda, P., Vision and Difference (London; New York: Routledge, 1988)
19.Hughes, R., The Shock of the New: Art and the Century of Change (London: Thames & Hudson, c.1991)
20.Kamenskii, A., Chagall: the Russian years, 1907-1922 (London: Thames and Hudson, 1989)
21.Kleinbauer, W. E., and Slavens, T. P., Research Guide to the History of Western Art (Chicago: American Library Association, 1982)
22.Luice-Smith, E., Art Today (London: Phaidon, 1995)
23.Munz, L. ed., Rembrandt (London: Thames and Hudson, 1967)
24.Nash, John M., The Age of Rembrandt and Vermeer: Dutch Painting in the Seventeenth Century (Oxford: Phaidon, 1972)
25.Pfister, O., Expressionism in Art: Its Psychological and Biological Basis [1920]. （New York: Dutton, 1923）
26.Pincus-Witten, R., Eye to Eye: Twenty Years of Art Criticism (Ann Arbor: U. M. I. Research Press. 1984)
27.Prosyniuk, J. ed., Modern Arts Criticism: A Biographical and Critical Guide to Painters, Sculptors, Photographers, and Architects from the Beginning of the Modern Era to the Present (Detroit, New York, and London: Gale Research Inc., 1992)
28.Read, H., The Meaning of Art（Baltimore: Penguin, 1967）
29.Rosenberg, P., Chardin: 1699-1779 (Cleveland: The Cleveland Museum of Art, 1979)
30.Rosenblum, R., Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (New York: Harper & Row, 1975)
31.Roth, C., Jewish Art: An Illustrated History (Greenwich. Conn: New York Graphic Society Ltd., 1971)
32.Schapiro, M., Modern Art, 19th & 20th Centuries: Selected Papers（N. Y. 1978）
33.Schapiro, M., Theory and Philosophy of Art: Style, Artist, and Society (Selected papers) (New York: George Braziller, 1994)
34.Schenkeveld, Maria A., Dutch Literature in the Age of Rembrandt: Themes and Ideas (Amsterdam; Phildelphia: J. Benjamins, 1991)
35.Selz, P., Beyond the Mainstream (Cambridge University Press, 1997)
36.Stoichita, Victor I., The Self-Aware Image: An Insight into Early Modern Meta-Painting, translated by Glasheen, Anne-Marie (London: Cambridge University Press, 1997)
37.Vinson, J. ed., International Dictionary of Art and Artists (Chicago and London: St James Press, 1990)
38.Wallace, R. and the editors of Time-Life Books, The World of Rembrandt, 1606-1669 (New York; Alexandria, Va.: Time-Life Books, c. 1968)
39.Werner, A., Amedeo Modigliani / text by Alfred Werner (New York: Abrams, 1985)
40.Whitford, F., Expressionism（London, N. Y.: The Hamlyn Publishing Group, 1970）
41.Whitford, F., Expressionist Portraits (New York: Abbeville Press, 1987)
42.Zborowski, M. and Herzog, E., Life Is With People (New York: International Universities Press, Inc., 1952)
Ⅲ. 期刊文章
1.Arnheim, R., “The artist conscious and subconscious” Art News (Summer 1956, Volume 56, No. 4)
2.Arnheim, R., “The artist conscious and subconscious” Art News (Summer 1956, Volume 56, No. 4)
3.Benfey, C., “Wandering Jew”. 轉載自網址http://slate.msn.com/Art/98-05-05/Art.asp
4.Findsen, O., “Chaim Soutine painting given to Cincinnati Art Museum”, 轉載自網址http://enquirer.com/editions/1999/03/11/loc_chaim_sotine.html
5.Greene, B., “Surprises from the European season-The fourth illusion, or hunger for genius” Art News (September 1957, Volume 56, No. 5)
6.Hess, Thomas B., “Younger artists and the unforgivable crime” Art News (April 1957, Volume 56, No. 12)
7.Hoffmann, E., “Expressionism: not a German but an international style” Art News (November 1957, Volume 56, No. 7)
8.Martin, R., “Chaim Soutine: Marlborough Gallery.” Arts 48, no.1 (September-October 1973): 51-52.
9.Schapiro, M., “The liberating quality of avant-garde art” Art News(Summer 1956, Volume 56, No. 4)
10.Schjeldahl, P., “The Jazz Painter” Village Voice, 轉載自網址http://www.artnet.com/Magazine/features/schjeldahl/schjeldahl5-7-98.asp
11.Schwabsky, B., “Chaim Soutine” Art Forum (Sept 1998).
12.Symaniec, Ul., “Artists from Belarus: The School of Paris” Binim (1983, No.17)
13.Tworkov, J., “The Wandering Soutine,” Art News, vol. 49, no. 7, Part I, November 1950, pp. 30-33, 62.
14.Valintiner, Wilhelm R., “Expressionism and Abstract Painting.” Art Quarterly 4 (1941): 210-39.
15.Wiegand, Charmion von., “Expressionism and Social Change.” Art Front 2 (November 1936): 10-13.
16.Wittkower, R., “El Greco’s language of gestures” Art News (March 1957, Volume 56, No. 1)
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