(100.24.122.117) 您好!臺灣時間:2021/04/12 06:29
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果

詳目顯示:::

我願授權國圖
: 
twitterline
研究生:朱玫勳
研究生(外文):Mei-Hsun Chu
論文名稱:蕭邦馬厝卡舞曲之探討/朱玫勳鋼琴獨奏會
論文名稱(外文):A study on F. Chopin''s Mazurkas/ Mei-Hsun Chu piano Recital
指導教授:諸大明
指導教授(外文):Da-Ming Zhu
學位類別:碩士
校院名稱:東吳大學
系所名稱:音樂學系
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2004
畢業學年度:92
語文別:中文
論文頁數:140
中文關鍵詞:蕭邦馬厝卡舞曲
外文關鍵詞:F. ChopinMazurkas
相關次數:
  • 被引用被引用:3
  • 點閱點閱:1959
  • 評分評分:系統版面圖檔系統版面圖檔系統版面圖檔系統版面圖檔系統版面圖檔
  • 下載下載:302
  • 收藏至我的研究室書目清單書目收藏:1
鋼琴作品的形式與體裁中,蕭邦 (Frédéric Chopin, 1810-1849) 的馬厝卡舞曲將波蘭的民族色彩表現得最明顯而突出。
蕭邦創作的馬厝卡舞曲包含:在世時出版附作品編號的十一組共四十一首,未附作品編號的四首;逝世後出版附作品編號的二組共八首,以及身後被人所發現的四首,共五十七首。為其所創作的重要舞曲形式中數量最多者(圓舞曲十七首,波蘭舞曲十六首)。筆者欲探討蕭邦如何將波蘭的民俗與舞蹈特點,巧妙地移植到他為音樂會演奏而創作的馬厝卡舞曲中。
本論文研究目的為藉由蕭邦馬厝卡舞曲的創作技巧--調式音階、節奏、和聲、曲式與結構等,掌握蕭邦創作馬厝卡舞曲之音樂元素。綜觀蕭邦如何設計與架構馬厝卡舞曲,進一步作演奏上的探討及詮釋,並連結樂譜 (視覺) 與演奏 (聽覺) 的關係。
與蕭邦的馬厝卡舞曲相關的研究中,多以蕭邦與馬厝卡舞曲的歷史背景為主軸探究,或將關聯的數首作品做比較與討論。本論文試圖將研究範圍擴及蕭邦的全部馬厝卡舞曲,並且集中於蕭邦所運用的音樂元素層面。首先,討論馬厝卡舞曲的起源以及其音樂特色。包括:
 馬厝卡舞曲所包含的三種舞蹈音樂:馬厝爾舞曲 (Mazur或Mazurka)、庫亞維克舞曲 (Kujawiak)、奧伯塔斯舞曲 (Obertas 或Oberek)。
 典型及基本節奏與重音位置之移轉。
第二,蒐集並歸納蕭邦馬厝卡舞曲的音樂語法與風格。如下列各項:
 教會調式、匈牙利調式音階與五聲音階的運用
 旋律化的裝飾音型
 節奏的舞蹈特點
 和聲技法的特色
 半音主義 (Chromaticism) 的色彩效果
 樂句與曲式的架構
最後,逐一分析蕭邦的五十七首馬厝卡舞曲並做演奏上之綜合討論。
朱玫勳鋼琴獨奏會演出曲目
巴 赫:c小調組曲,作品826
序曲
阿勒曼舞曲
庫朗舞曲
薩拉邦舞曲
迴旋曲
奇想曲
蕭 邦:馬厝卡舞曲,作品17
Ⅰ 生動且有力地
Ⅱ 緩板,但不太過
Ⅲ 十分緩慢
Ⅳ 緩板,但不太過
蕭 邦:馬厝卡舞曲,作品59
Ⅰ 中板
Ⅱ 稍快板
Ⅲ 甚快板
貝多芬:第十六號G大調鋼琴奏鳴曲,作品31之1
第一樂章 活潑的快板
第二樂章 優雅的慢板
第三樂章 輪旋曲-稍快板
琴納斯特拉:第一號鋼琴奏鳴曲,作品22
第一樂章 果斷有力的快板
第二樂章 神秘玄妙的急板
第三樂章 非常有感情的慢板
第四樂章 魯莽而固執的
In the piano works’ forms and types, Frédéric Chopin’s (1810-1849) Mazurkas are the most outstanding and expressive of the distinctive cultural features of Poland. F. Chopin’s Mazurkas includes eleven sets published during his lifetime which are forty-one works with Opus numbers, four works published posthumously without Opus numbers, two sets published with Opus numbers which are eight works, and four works which were discovered by other <a href="http://www.ntsearch.com/search.php?q=people&v=56">people</a> after his lifetime; a total pf fifty-seven Mazurkas. I would like to discuss how F. Chopin translated the characteristics of the Polish folk dances into Mazurkas which he composed for <a href="http://www.ntsearch.com/search.php?q=music&v=56">music</a> concerts.
The purpose of this study is to understand the composition skills in F. Chopin’s Mazurkas, such as, ecclesiastical mode, rhythm, harmony, musical forms, and structures. After studying these skills, we will grasp the musical elements which F. Chopin used in Mazurkas. The study also discusses how F. Chopin designed and framed Mazurkas, interpreted the Mazurkas’ performance, and connected <a href="http://www.ntsearch.com/search.php?q=music&v=56">music</a> scores (vision) to the playing (hearing) of Mazurkas.
Most studies about F. Chopin’s Mazurkas often focused on the history of Mazurkas and the background of F. Chopin, or compared F. Chopin’s Mazurkas with the other F. Chopin’s related works. I expand the scope of the study to all of F. Chopin’s Mazurkas, and pays attention to the musical elements which F. Chopin used.
The first topic is the origin of F. Chopin’s Mazurkas and the musical characteristics in F. Chopin’s Mazurkas, including:
‧ The three kinds of dance music: Mazur or Mazurka, Kujawiak, Obertas or Oberek, which are involved in Mazurkas.
‧ The variation between the typical and basic rhythm and accent.
Second, I collect and conclude the musical grammar and style in F. Chopin’s Mazurkas with the following items:
‧ Application of the ecclesiastical mode and Hungarian mode scale and the pentatonic scale.
‧ The melodic grace note.
‧ The characteristics of the dance.
‧ The characteristics of the harmony.
‧ The color of Chromaticism
‧ The structure and form in works.
My final and concluding topic is a discussion of the fifty-seven works of F. Chopin’s Mazurkas, one by one, and then has a discussion of the performance practice.
Mei-Hsun Chu Piano Recital
Program
J. S. Bach(1685-1750): Partita 2 in c minor, BWV 826
Sinfonia
Allemande
Courante
Sarabande
Rondeaux
Capriccio
F. Chopin(1810-1849): Mazurkas, Op. 17
Ⅰ Vivo e risoluto
Ⅱ Lento, ma non troppo
Ⅲ Legato assai
Ⅳ Lento, ma non troppo
F. Chopin(1810-1849): Mazurkas, Op. 59
Ⅰ Moderato
Ⅱ Allegretto
Ⅲ Vivace
L. Van Beethoven(1770-1825): Sonata No. 16 in G major, Op.31 Nr. 1
1st mov. Allegro vivace
2nd mov. Adgio grazioso
3rd mov. Rondo-Allegretto
A. Ginastera(1916-1983): Sonata No. 1, Op.22
1st mov. Allegro marcato
2nd mov. Presto misterioso
3rd mov. Adagio molto appassionato
4th mov. Puvido ed ostinato
目 次
第一章 緒論
第二章 馬厝卡舞曲的歷史背景與界定
第一節 馬厝卡舞曲的起源與發展
第二節 器樂形式表現的馬厝卡舞曲
第三章 蕭邦馬厝卡舞曲的創作手法
第一節 調式的運用
第二節 和聲與調性
第三節 半音主義
第四節 曲式與樂句
第五節 節奏的型態
第六節 旋律裝飾音型
第四章 蕭邦馬厝卡舞曲的音樂分析與詮釋
第一節 前期作品
第二節 後期作品
第三節 遺作
第五章 結語
附錄一 屬和絃開始的作品
附錄二 節奏的型態
參考文獻
西文部份
A. Biographical Writing
Abraham, Gerald. Chopin’s Musical Style, 3rd ad. London: Oxford University Press, 1946.
Atwood, William G. The Parisian Worlds of Frédéric Chopin. New Haven: Yale University Press, 1999.
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, 1965.
Hedley, Arthur. The Master Musicians: Chopin. London: J. M. Dent and Sons, 1947.
Hipkins, Edith J. How Chopin Played. London: J. M. Dent and Sons, 1937.
Huneker, James. Chopin: The Man and his Music. New York: Dover Publications, 1966.
Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Cambridge: Harvard University Press, 1996.
Porte, John. F. Chopin the Composer and his Music. London: Willliam Reeves, 1935.
Samson, Jim, ed. The Cambridge Companion to Chopin. Cambridge: Cambridge University Press, 1992.
Samson, Jim, ed. Chopin Studies. Cambridge: Cambridge University Press, 1988.
Siepmann, Jeremy. Chopin: The Reluctant Romantic. Boston: Northeastern University Press, 1995.
Walker, Alan, ed. Frédéric Chopin. London: Barrie &Jenkins, 1966.
B. Analyses of the Music
Eigeldinger, Jean-Jacqes. Chopin: Pianist and Teacher as seen by his pupil, trans. by Maomi Shohet and ed. by Roy Howat. Cambridge: Cambridge University Press, 1986.
Kresky, Jeffrey. A Reader’s Guide to the Chopin Preludes. London: Greenwood Press, 1994.
Jonson, G. C. Ashton. A Handbook to Chopin’s Work.2nd ed. London: Lowe and Brydone, 1908.
C. Thesis and Dissertations
Friedman, Michael. Sorrow as a Reflection of Chopin’s Onto-historical World in the Structure of his Melodies. Analysis and Performance Guide. Ph. D. diss., University of New York University, 1999.
Gibeau, Peter William. Chromaticism as a Middleground Phenomenon in Selected Mazurkas of Chopin. Ph. D. diss., University of Wisconsin-Madison, 1992.
Meniker, Zvi. Aspect of Performance Practice in Chopin’s Piano Work: slurs, Pedalling, Mazurka Rhythm. M. A. D. diss., Cornell University, 2001.
Shim, Elizabeth. Schenkerian analyses of Frederic Chopin’s Mazurkas, Opuses 6, 7, and 17. Vol.2. M. A. D. diss., University of Southern California, 1997.
D. Dictionary and Encyclopedia
Macy, Laura ed.“Mazurka.” The New Grove Dictionary of Music Online. ,〈http://www.grovemusic.com〉
Randel, Don Michael.“Mazurka.” The New Harvard Dictionary of Music. Cambridge: Harvard University Press, 1986.
Slonimsky, Nicolas.“Mazurka.” Baker’s Dictionary of Music. New York: Schirmer Books, 1997.
E. Music Score
Chopin, Frédéric. Mazurkas. ed. by Alfred Cortot. France: Aux Éditions Salabert.
Chopin, Frédéric. Mazurken. ed. by Ewald Zimmermann. Germany: G. Henle Verlag München.
Chopin, Fryderyk. Mazurkas. ed. by Paderewski. Warsaw: The Fryderyk Chopin Institute Polish Music Publications.
Chopin, Frédéric. Mazurkas. ed. by Carl Mikuli. New York: Dover Publications.
F. Discography
Chopin, Frédéric. Mazurkas, Alexander Brailowsky, piano. Sony Classical, CD 1963.
Chopin, Frédéric. Mazurkas, Alexander Uninsky, piano. EMI Classics, CD 1998.
Chopin, Frédéric. Mazurkas, Arthur Rubinstein, piano. Philips, CD 1993.
Chopin, Frédéric. Mazurkas, Lilya Zilberstein, piano. Deutsche Grammophon, CD 1999.
Chopin, Frédéric. The Complete Piano Music, Nikita Magaloff, piano. Philips, CD 1997.
Chopin, Frédéric. The Piano Works, Vladimir Ashkenazy, piano. The Decca Record Company, CD 1995.
中文部分
康謳主編。《大陸音樂辭典》。七版。台北:大陸書店,民79。
簡明仁編。《新訂標準音樂辭典》。台北:美樂,民80。
QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top
系統版面圖檔 系統版面圖檔