本論文的研究目的在探討布拉姆斯《第一號鋼琴奏鳴曲，作品一》的寫作手法，並提供演奏者一種樂曲詮釋可能的方向。因此本文將由簡述布拉姆斯所處的浪漫樂派時期，以及布拉姆斯的生平與鋼琴音樂談起，接著探討其寫作手法，再以寫作手法為輔助，探究樂曲的整體性，以提供樂曲詮釋的可能方向供演奏者參考。
彭垂沅畢業音樂會
曲目:
巴哈 平均律第二冊d小調，BWV 875
貝多芬 降E大調鋼琴奏鳴曲，作品81a：『告別』
第一樂章 「告別」慢板－快板
第二樂章 「睽離」富有表情的行板
第三樂章 「再會」最急板
亨德密特 第二號鋼琴奏鳴曲
第一樂章 適中的
第二樂章 活潑的
第三樂章 緩慢的─輪旋曲：活躍的
布拉姆斯 C大調第一號鋼琴奏鳴曲，作品1
第一樂章 快板
第二樂章 行板
第三樂章 非常快且熱情的
第四樂章 熱情的快板

The purpose of this thesis is to discuss the techniques Johannes Brahms used in composing the sonata“Piano sonata, no.1, op.1”and to provide a possible way for pianist to perform the work. This thesis briefly describes the romantic ear when Brahms lived, the musician''s life, and his piano works. Then this thesis discusses the techniques Brahms used. With discussion of the musician''s techniques, this thesis analyzes the four movements of the sonata as a whole, to provide a possible way in which a pianist can perform the work.
Chui-yuan, Peng''s Graduate Recital
Program:
J.S. Bach
The Well—Tempered Clavier Vol. II No.6 in d minor BWV 875
L. V. Beethoven
Piano Sonata no.26 in E flat major, op.81a “Les Adieux”
Mov. I Das Lebewohl（Les Adieux）. Adagio－Allegro
Mov. II Abwesenheit（L’Absence）. Andante espressivo
Mov. III Das Wiedersehn（Le Retour）. Vivacissimamente
P. Hindemith
Piano sonata No. 2
Mov. I Mäßig schnell
Mov. II Lebhaft
Mov. III Sehr langsam－Rondo: Bewegt
J. Brahms
Piano sonata No.1 in C major, op.1
Mov. I Allegro
Mov. II Andante
Mov. III Scherzo: Allegro molto e con fuoco
Mov. IV Finale: Allegro con fuoco

目次
第一章 緒論·············································1
第二章 布拉姆斯鋼琴作品之創作背景·······················3
第一節 浪漫樂派·····································3
第二節 布拉姆斯的生平·······························5
第三節 布拉姆斯的鋼琴音樂··························11
第三章 寫作手法的分析··································14
第一節 曲式········································14
第二節 旋律········································20
第三節 和聲········································36
第四節 節奏········································42
第四章 演奏詮釋的探討··································47
第一節 速度標示（Tempo marking）·······················47
第二節 音色的變化······································50
第三節 樂章間的連接與高潮（Climax）····················58
第五章 結語············································69
參考書目···············································70

參考書目
中文參考書目
吳明崢， 布拉姆斯第一號交響曲：作品六十八號，C小調。林智意，古典音樂，
第十五期，民82。
黃采文著，探討布拉姆斯作品＜帕噶尼尼主題變奏曲，作品三十五，第二冊＞鋼琴演奏技巧之運用。碩士論文，台北市：東吳大學，民88。
許郁梅著，布拉姆斯＜韓德爾主題變奏取與賦格＞演奏之探討。碩士論文，台北市：東吳大學，民88。
張忻怡著，李斯特《帕噶尼尼練習曲》：第三首＜鐘＞（La campanella）及第六首＜主題與變奏＞（Theme and variations）演奏技巧之探討。碩士論文，台北市：東吳大學，民91。
簡幸玲著，布拉姆斯鋼琴作品118之詮釋與研究。碩士論文，台北市：東吳大學，民91。
李近朱著，布拉姆斯：德奧古典主義的晚鐘。台北市：世界文物出版社，民90。
楊沛仁著，音樂史與欣賞： A History of Western Classical Music。台北市：美樂出版社，民90。
翻譯參考書目
Matthews, Denis，布拉姆斯鋼琴音樂。于少蔚譯，台北市：世界文物出版社，民86。
Holmes, Paul，偉大作曲家群像－布拉姆斯（BRAHMS）。王婉容譯，台北市：智庫文化，民84。
Schonberg, Harold C.，浪漫樂派。陳琳琳譯，台北市：自華書店，民75。
門馬直美著，名曲解說全集十六─獨奏曲三。衛德全譯，李哲揚主編，台北市：大陸書店，民86。
外文參考書目
Ann, Young-Ho. A Performer’s Analysis of Sonata No.1 in C Major, op.1, by Brahms and Sonata No.2 in D Minor, op.14, by Sergei Prokofiev. D.M.A. diss., MI: Bell & Howell Information and Learning Company, 2000.
Frisch, Walter, ed. Brahms and His world. Princeton, NJ: Princeton University Press, 1990.
Geiringer, Karl. Brahms: His Life and Work. New York: Doubleday & Co., 1961.
Gillespie, John. Five Centuries of Keyboard Music.New York: Dover Publications,
1965.
Gordon, Stewart. A History of Keyboard Literature. New York: Schirmer Books, 1996.
Hu, Peng. The Principles of Brahms’s Early Sonata Form: A Study of Brahms Early Piano Sonatas and Ensemble Sonatas. Ph.D. diss., MI: Bell & Howell Information and Learning Company, 2000.
Lee, E. Markham. Brahms: The Man and his Music. London: Library of Congress Catologing in Publication Data, 1978.
Litzmann, Dr. Berthold, ed. Letters of Clara Schumann and Johannes Brahms 1853-1896. New York: Longmans, Green & Co., 1927.
Longyear, Rey Morgan. Nineteenth- Century Romanticism in Music. Englewwood Cliff, NJ: Prentice Hall, 1973.
Macdonald, Malcolm. Brahms. New York: Schirmer Books, 1990.
Murdoch, William. Brahms with an Analytical Study of the Complete Pianoforte
Works. London: Rich & Cowan, 1978.
Musgrave, Michael. The Music of Brahms. New York: Oxford University Press Inc.,
1985.
Palmieri, Robert, ed. Encyclopedia of the Piano. New York & London:Garland Publishing Inc.,1996.
Plantinga, Leon. Romantic Music. New York: W.W. Norton & Company Inc., 1984.
Sadie, Stanly, ed. The New Grove Dictionary of Music and Musicians. 20 vols. London: Macmillan Publishers, 1980. S.v. “Sonata,” by William S. Newman & Paul Griffiths.
Stolba, K Marie. The Development of Western Music. Iowa: Brown & Benchmark Publishers, 1990.
Todd, Larry, ed. Nineteenth- Century Piano Music. New York: Schirmer Books, 1990.
Witten, David. Nineteenth- Century Piano Music Essays in Performance and Analysis. New York: Garland Publishing, 1997.
譜例來源
Beethoven,Ludwig van. Klaviersonaten Band Ⅱ. München: G. Henle Verlag, 1980.
Brahms, Johannes. Complete Works for Piano Two-Hands Volume Ⅲ. Leipzig: Breitkopf & Härtel. 1989.
Brahms, Johannes. Sonaten Scherzo und Balladen. München: G. Henle Verlag, 1984.
Chopin, Frédéric. Etüden. München: G. Henle Verlag, 1983.