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研究生:黃怡蓁
研究生(外文):Yi-chen Huang
論文名稱:全球化時代的文化揉雜:以李安的《臥虎藏龍》為例
論文名稱(外文):Cultural Hybridity in the Age of Globalization: A Case Study of Ang Lee's "Couching Tiger, Hidden Dragon"
指導教授:李根芳李根芳引用關係
指導教授(外文):Ken-fang Lee
學位類別:碩士
校院名稱:國立中正大學
系所名稱:外國文學所
學門:人文學門
學類:外國語文學類
論文種類:學術論文
論文出版年:2005
畢業學年度:93
語文別:英文
論文頁數:75
中文關鍵詞:李安文化揉雜全球化臥虎藏龍
外文關鍵詞:Ang LeeCultural HybridityCrouching Tiger Hidden DragonGlobalization
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本論文以全球化時代中的文化揉雜為理論架構,並以華裔名導李安的武俠片《臥虎藏龍》為文本,辯證其之為揉雜的文化產物,如何在全球化時代中呈現並促進東西世界的文化交流;而在全球文化揉雜的過程中,文化異質化或同質化的權力關係爭辯亦為本論文關注焦點,藉著分析《臥虎藏龍》一片所帶來的文化效應,期盼一窺全球化時代中,文化流動的風貌與走向。
本論文第一章以理論架構為主,分別探討全球化理論的進程、全球化時代中的文化交流、以及文化揉雜理論在全球化範疇中的應用。第二章則以文本分析為主,藉由探討《臥虎藏龍》一片中的東西文化交錯影響,以辯證其為文化揉雜現象之產物。第三章著重於全球化時代中,《臥虎藏龍》一片對於東西文化交流所扮演的角色及其作用。結論則試圖定義在全球化時代,文化揉雜過程中的權力關係。
Abstract
In this thesis, cultural hybridity is used as the main theoretical concept to analyze Ang Lee’s martial art film—“Crouching Tiger, Hidden Dragon”. As a cultural hybridity that is produced in the age of globalization, the film’s role of interconnecting and interacting Western and Eastern cultures is discussed in the thesis. Another concern in the thesis is about the debate between cultural homogenization and heterogenization in the process of cultural hybridization in the age of globalization; therefore, by analyzing the cultural impacts brought by “Crouching Tiger, Hidden Dragon” in both the West and the East, the power relations operated within are also discussed.
Chapter one deals with theories that are related to globalization, cultural globalization, and cultural hybridity in the age of globalization. Chapter two argues Ang Lee’s “Crouching Tiger, Hidden Dragon” as a cultural hybridity by examining the cultural interactions that are displayed in the film. Chapter three discusses the cultural impacts brought by this film in the global market. In the conclusion, the direction of cultural flows in the age of globalization is discussed.
Table of Contents
Introduction...........................................................................................................1

Chapter One: Cultural Globalization and Cultural Hybridization..7
I. Globalization: A Newly-Stressed But Never New Phenomenon.....................7
II. What is globalization? Tracing back its history and its contemporary definitions……………………………….....................................................11
III. Define Hybridity in the Field of Cultural Globalization.............................17

Chapter Two: Cultural Hybridization in Ang Lee’s Film—“Crouching Tiger, Hidden Dragon”...............22
I. The Movie’s Huge Success …………………………….............................22
II. “Crouching Tiger, Hidden Dragon” as a cultural hybridity………………24
A. Ang Lee as A Cultural –Hybrid Movie Director…………………….24
B. The Adaptation Of The Film’s Screenplay As A Cultural-Hybrid Process……………………………………………………………….29
1. The Western Part: Feminist Concern of the Adaptation………...33
2. The Chinese Part: Giving Wu Xia Genre a New Definition.........37
(1). Philosophical theme: The Daoist Hero…………………..39
(2). Emotional Theme: Struggle Between Freedom and Responsibility…………………………………………....42

Chapter Three: Responses to the Cultural hybridization of Ang Lee’
“Crouching Tiger, Hidden Dragon” from Global Film Market……………………………………………….51
I. Western Side: Politics of Representation…………………………………..52
II. The Dialectics between the East and the West in “Crouching Tiger, Hidden Dragon”……………………………………………………………………58

Conclusion………………………………………………………………………63

Bibliography…………………………………………………………………....66
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