Baker, James M. (1986 ) , The Music of Alexander Scriabin . Yale Unviersity.
Carpenter, E. (1972 ) , Thematic Development of Continuity in the Ten Piano Sonatas of Alexander Scriabin , Kent State Uni.
Forte , Allen(1973), The Structure Of Atonal Music , Yale Uni. Press , New Haver and London.
Garcia, Susanna (2000 ) , ‘ Scriabin’s Symbolist Plot Archetype in the Late Piano Sonatas ’ , 19th Century Music ,xxiii (3) 236-273.N.Y.
Kaufman, E. (1972 ) , The Evolution of Form and Technique in the Late Works of Scriabin ,Yale Uni.
Leonard, Richard A.(1957),A History Of Russian Music. Macmillan Company, New York.
Lim, Seong-Ae (2002) , The Influence of Chopin in Piano music on the Twenty-four Preludes for Piano opus11 of Alexander Scriabin . Ohio State University.
Macdonald, Hugh(1978), Skryabin. Oxford University Press,London.
Messiaen , Olivier(1990),The Technique Of My Musical Language , Translate by John Satterfield , Paris. p.125-126.
Pople, Anthony & John Caldwell (1989 ) , Skryabin and Stravinsky , 1908-1914 studies in theory and analysis . Taylor &Francis Co.
Pople, Anthony(1989), Skryabin and Stravinsky:Studies in Theory and Analysis .Garland Publicaton, New York.
Powell, Jonathan ‘Alexander Skryabin ’ , The New Grove Dictionary of Music and Musicians Online ed. L. Macy(Accessed 2 Feb. 2004) , http://www.grovemusic.com
Reise, Jay (1983 ) ,‘Late Skriabin : Some Principles Behind the Style ’ ,19th Century Music ,iv (3) 220-231.N.Y.
Sabaneyeff, Leonid(1927),Modern Russian Composers. International Publishers, New York.
Salbagh, Peter (2003 ) , Development of Harmony in Scriabin’s Works. Upublish.
Schloeser, Boris de & Nicolas Slonimsky (1990 ) , Scriabin : Artist and Mystic. University of California.
Schonberg, Harold C.(1986)。(史克里亞賓與拉赫曼尼諾夫-神秘主義與憂愁)。《全音音樂文摘》,(李鴛英譯),10(9),頁76-89。
Solomon, Larry(1984), ‘Scriabin’s Prelude , Op74 No.3 , A Model for Recurring Chords and Nonharmonic Tones in Nontonal Music’, Solomon's World Wide Web Publications Online(Accessed 24 July 2004 )http://music.theory.home.att.net/larry.htm
Tomás, Lai(1994) , ‘The Mythical time in Scriabin’Fifth Congress of the International Association for Semiotic Studies, Berkeley.(Accessed 27 Jun. 2004)http://users.unimi.it/~gpiana/dm4/dm4scrlt.htm
中文部分:
工藤綏夫(1986)。《尼采的思想》,(李永識譯)。台灣:水牛出版社。
佐野光司(1986)。(陶然詩人史克里亞賓-神與性的合一)。《全音音樂文摘》,(盧昌生譯),10(9),頁102-105。
吳雅婷(1994)。(俄國樂壇兩大巨擘(一)-史克里亞賓(下))。《古典音樂》,台北,第32期,頁98-104。吳雅婷(1994)。(俄國樂壇兩大巨擘(一)-史克里亞賓(上))。《古典音樂》,台北,第31期,頁96-101。岡田敦子(1986)。(史克里亞賓的手法)。《全音音樂文摘》,(李宇光譯),10(9),頁106-120。
岡田敦子(1999)。(Skryabin)。《新訂標準音樂辭典》(林勝儀譯)台北:美樂。頁1733-1734。
顏心童(1996)。(神秘主義者與色彩幻化家-史克里亞賓)。《古典音樂》,台北,第49期,頁32-35。
關根敏子(1999)。(Mystic chord)。《新訂標準音樂辭典》(林勝儀譯)台北:美樂。頁1283-1284。
參考樂譜:
Scriabin, Alwxander (1967)Skryabin Piano WorksΠPreludes, Poemes.New York, C. F. Peters Inc.