臺灣博碩士論文加值系統

科幻小說可以被視為是一種批判的文類. 對於此文類能發揮它批判力量的可能性可以在科幻小說的定義中清楚的看見. 也就是說科幻小說必須是一種認知疏離的文類. 認知、疏離和新奇使得科幻小說可以對現在提出批判. 此論文的目的是要討論後現代與烏托邦的議題. 後現代被視為是晚期資本主義的一種文化優勢. 在後現代社會中, 歷史是被遺棄的, 進而造成一種缺乏深度的現象. 然而, 藉由一種收集、撿拾廢棄物的行為, 後現代缺乏深度的現象是可以被消除的. 烏托邦是屬於科幻小說的一種次文類. 也是一種對社會的批判. 烏托邦的成功取決於對他者的渴望.

Science fiction can be said as a kind of critical genre. The potential for the genre to exert its critical power is clearly observed by its definition. Namely, science fiction should be a literary genre of cognitive estrangement. Both cognition and estrangement together with another element, novum, make it possible for SF to make a critique on empirical present. The main purpose of the thesis is to discuss such issues as postmodernism and utopia. Postmodernism is considered as a cultural dominant of late capitalism. History in the postmodern society is rejected. This further contributes to a lack of depth. However, this postmodern depthlessness is negated through the act of collection, an act of gathering waste. Utopia, a subgenre of SF, is also treated as a social critique. The success of utopia depends on the desire for otherness.

Contents

Chinese Abstract ---------------------------------------------------------------------------- i
English Abstract ----------------------------------------------------------------------------- ii
Introduction ---------------------------------------------------------------------------------- 1
Chapter One: The Poetics of Science Fiction ------------------------------------------- 8
Chapter Two: Postmodernism and Its Discontents: The Representation of History in The Gold Coast -------------------------------------------------------- 24
Chapter Three: Pacific Edge as the Utopian Embodiment of Intersubjective Desire-------------------------------------------------------------------- 45
Bibliography --------------------------------------------------------------------------------- 64

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