|
Works Cited
Abrams, M. H. “Renaissance.” A Glossary of Literary
Terms. 6th ed. Fort Worth, Tex.: Harcourt, Braace,
Jovanovich College, 1993. 176-79.
Adams, Robert M. The Seventeenth Century. The Norton
Anthology of English Literature. Ed. M. H. Abrams et
al. 3rd ed. Vol. 1A. New York: W. W. Notron &
Company Inc., 1974. 1089-98.
Adler, Doris. Philip Massiger. Boston, Mass: Twayne
Publishers, a Division of D.K.
Hall & Co., 1987.
Amussen, Susan Dwyer. An Ordered Society: Gender and Class
in Early Modern England. Oxford: Blackwell, 1988.
Aughterson, Kate, ed. Renaissance Woman: A Source Book /
Constructions of Femininity in England. London and
New York: Routledge, 1995.
Barry, Kathleen L. “Women’s Rights.” Encyclopedia
Americana Online. 5 April, 2006.
http://ea.glorier.com>.
Bartels, Emily C. “Strategies of Submission: Desdemona,
the Duchess, and the Assertion of Desire.” Studies
in English Literature 36.2 (1996): 417-33.
Belsey, Catherine. Subject of Tragedy: Identity and
Difference in Renaissance Drama. London: Routledge,
1991.
Berry, Philippa. “Three-Personed Queen: The Courtly Cult
of Elizabeth I and its Subjects.” Of Chastity and
Power. London and New York: Routledge, 1989. 61-82.
Boethius. The Consolation of Philosophy. Indianapolis:
Bobbs-Merrill, 1962.
Bradshaw, David J. “ Bosola: A Perspective That Shows Us
Tragedy.” The Work of Dissimilitude: Essays from the
Sixth Citadel Conference on Medieval and
Renaissance Literature. Ed. David G. Allen and Robert
A. White. Newark, Del.: U of Delaware P; London:
Associated UP, 1992. 243-56.
Cadden, Joan. Meanings of Sex Difference in the Middle
Ages: Medicine, Science, and Culture. Cambridge:
Cambridge UP, 1993.
Callghan, Dympna. Women and Gender in Renaissance Tragedy:
A Study of King Lear, Othello, The Duchess of Malfi,
and The White Devil. Atlantic Highlands, New Jersey:
Humanities P, 1989.
Chamberlain, John. Letters. Ed. N. E. McClure, 2 vols.
Philadelphia: American Philosophical Society, 1939.
Clark, Ira. The Moral Art of Philip Massinger. Lewisburg:
Bucknell UP, 1992.
Clark, Peter, and Paul Slack, eds. Crisis and Order in
English Towns, 1500-1700. London: Routledge, 1972.
Clay, William Keatinge, ed. Liturgical Services: Liturgies
and Occasional Forms of Prayer Set Forth in the Reign
of Queen Elizabeth. Cambridge, 1847.
Cohen, Walter. “Prerevolutionary Drama.” The Politics of
Tragicomedy. Eds. Gordon McMullan and Jonathan Hope.
London: Routledge, 1992. 122-50.
Comensoli, Viviana. “Play Making, Domestic Conduct, and
the Multiple Plot in The Roaring Girl.” Studies in
English Literature 27.2 (1987): 249-66.
Cook, Ann Jennalie. Making a Match / Courtship in
Shakespeare and His Society. Princeton, NJ: Princeton
UP, 1991.
Cook, Elizabeth, ed. Introduction. The Roaring Girl. By
Thomas Middleton & Thomas Dekker. London: A & C
Black, 1997. xiii-xxxix.
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology
and Power in the Drama of Shakespeare and His
Contemporaries. 3rd ed. Basingstoke: Palgrave
Macmillan, 2004.
---. “Subjectivity, Sexuality, and Transgression: The
Jacobean Connection.” Renaissance Drama 17 (1986):
53-81.
---. Sexual Dissidence. Oxford: Oxford UP, 1991.
Eccle, Audrey. Obstetrics and Gynaecology in Tudor and
Stuart England. Kent: Kent State UP, 1982.
Edwards, Philip. “Massinger the Censor.” Essays on
Shakespeare and Elizabethan Drama in Honor of Hardin
Craig. Ed. R. Hosley and Mo Columbia. Columbia: U of
Missouri P, 1962. 341-50.
Faubion, James D., ed. Power / Michel Foucault. Trans.
Robert Hurley and Others. New York: New P, 1994.
Fletcher, Anthony, and John Stevenson, eds. Order and
Disorder in Early Modern England. Cambridge:
Cambridge UP, 1985.
Foucault, Michel. Madness and Civilization. Trans. Richard
Howard. New York: Vintage Books, 1973.
---. The Birth of the Clinic. Trans. A. M. Sheridan Smith.
New York: Vintage Books, 1994.
---. The Order of Things. New York: Vintage Books, 1994.
---. Discipline and Punish. Trans. Alan Sheridan. New
York: Vintage Books, 1979.
---. The Use of Pleasure / Volume 2 of The History of
Sexuality. Trans. Robert Hurley. New York: Pantheon
Books, 1985.
---. The Care of the Self / Volume 3 of the History of
Sexuality. Trans. Robert Hurley. New York: Vintage
Books, 1986.
---. Fearless Speech. Ed. Joseph Pearson. Los Angeles, Ca:
Semiotext(e), 2001.
---. The Hermeneutics of the Subject. Ed. Frederic Gros.
Trans. Graham Burchell. New York, NY: Picador, 2006.
---. “Technologies of the Self.” Technologies of the
Self / A Seminar with Michel Foucault. Ed. Luther H.
Martin, Huck Gutman, and Patrick H. Hutton. London:
Tavistock Publications, 1988. 16-49.
---. “Subjectivity and Truth.” The Politics of Truth.
Ed. Sylvere Lotringer & Lysa Hochroth. New York, NY:
Semiotext(e), 1997. 171-98.
---. “On the Genealogy of Ethics: An Overview of Work in
Progress.” Rabinow 253-80.
---. “What Is Enlightenment?” Rabinow 303-20.
---. “The Return of Morality.” Foucault Live / Michel
Foucault / Collected Interviews 1961-1984. Trans.
Lysa Hochroth and John Johnson. Ed. Sylvere
Lotringer. New York, NY: Semiotext(e), 1996. 465-76.
---. “ The Ethics of the Concern for Self as a Practice
of Freedom.” Faubion 281-302.
---. “Governmentality.” Faubion 201-22.
---. “So Is It Important to Think?” Faubion 454-8.
---. Afterword: The Subject and Power. Michel Foucault:
Beyond Structuralism and Hermeneutics. By Hubert L.
Dreyfus and Paul Rabinow. New York: Harvester
Wheatsheaf, 1982. 208-25.
---. “What Is Critique?” What Is Enlightenment?
Eighteenth-Century Answer and Twentieth-Century
Question. Ed. James Schmidt. Trans. Paul Kevin
Geiman. Berkeley: U of California P, 1996. 382-98.
---. “The History of Sexuality.” Gordon 183-93.
---. “Power and Strategies.” Gordon 134-45.
---. “Truth and Power.” Gordon 109-34.
---. “Two Lectures.” Gordon 78-108.
---. “Foucault.” Aesthetics, Method, and Epistemology.
Ed. James. D. Faubion. Trans. Robert Hurley and
Others. New York: New P, 1998. 459-63.
Gaby, Rosemary. “Of Vagabonds and Commonwealths:
Beggers’ Bush, A Jovial Crew, and The Sisters.”
Studies in English Literature 34.2 (1994): 401-24.
George, Charles H. and Katherine George. The Protestant
Mind of the English Reformation 1570-1640. Princeton,
NJ: Princeton UP, 1961.
Gordon, Colin, ed. Power / Knowledge -- Selected
Interviews and Other Writings 1972-1977 / Michel
Foucault. Trans. Colin Gordon, Leo Marshall, John
Mepham, and Kate Soper. Brighton, Sussex: The
Harvester P, 1980.
Greenblatt, Steephen. Renaissance Self-Fashioning / From
More to Shakespeare. Chicago and London: The U of
Chicago P, 1980.
---. Shakespearean Negotiations: The Circulation of Social
Energy in Renaissance England. Berkeley: U. of
California P, 1988.
Harber, Judith. “‘My Body Bestow upon My Women’: The
Space of the Feminine in The Duchess of Malfi.”
Renaissance Drama 28 (1997): 133-59.
Harman, Thomas. “A Caveat or Warning for Common
Cursitors, Vulgarly Called Vagabonds.” The
Elizabethan Underworld. Ed. A. V. Judges. London:
Routledge, 1930. 61-118.
Hendricks, Margo. “A Painter’s Eye: Gender and Middleton
and Dekker’s The Roaring Girl.” Women’s Studies
18.2/3 (1990): 191-203.
Heubel, Fabian. “On Bio-Aesthetics and the Critical
Transvaluation of Self-cultivation.” The Late
Foucault / After Foucault: Proceedings of the
Conference of The Institute of Chinese Literature and
Philosophy, Academia Sinica, 16-7 February, 2006.
Taipei: n.p., 2006. 183-200.
Hic Mulier: Or, the Man-Woman and Haec-Vir: Or, the
Womanish-Man [1620]. Facsimile. The Rota at the
University of Essex, 1973.
Hill, Christopher. Society and Puritanism in Pre-
Revolutionary England. 1st St. Martin’s ed. New
York: St. Martin’s P, 1997.
Hillerbrand, Hans J. “The European Dimension of the
Reformation.” Encyclopedia Americana Online. 30
Aug., 2005. <http://ea,grolier.com>
Hopko, Thomas. “Patriarch.” Encyclopedia Americana
Online. 5 April, 2006. <http://ea.glorier.com>.
Howard Jean E. “Crossdressing, The Theatre, and Gender
Struggle in Early Modern England.” Shakespeare
Quarterly 39 (1988): 418-40.
---. “Sex and Social Conflict / The Erotics of The
Roaring Girl.” Erotic Politics: Desire on the
Renaissance Stage. Ed. Susan Zimmerman. New York:
Routledge, 1992. 170-90.
Jacobs, Deborah. “Critical Imperialism and Renaissance
Drama.” Feminism, Bakhtin, and the Dialogic. Ed.
Dale M. Bauer and Susan Janet McKinstry. New York:
State U of New York, 1991. 73-84.
James I, King of England. “The True Law of Free
Monarchies.” The Political Works of James I.
Cambridge: Harvard UP, 1918. 53-70.
---. Basilicon Doron. Ed. James Cragie. Edinburgh: William
Blackwood and Sons, 1944.
Jankowski, Theodora. A. “Defining / Confining the
Duchess: Negotiating the Female Body in John
Webster''s The Duchess of Malfi.” Studies in
Philology 87 (1990): 221-45.
Jardine, Lisa. Still Harping on Daughters. New York:
Columbia UP, 1989.
Jones, Richard. The Passionate Morrice. Ed. F. J.
Furnivall. New Shakespeare Society, ser. 6, no. 2.
London: N. Trubner, 1876.
Jordan, Constance. Renaissance Feminism: Literary Texts
and Political Models. Ithaca: Cornell UP, 1990.
Kelly-Gadol, Joan. “Did Women Have a Renaissance?”
Becoming Visible: Women in European History. Ed.
Renate Bridenthal and Claudia Koonz. Boston:
Houghton Mifflin, 1977. 137-64.
Kermode, Lloyd Edward. “Destination Doomsday: Desires for
Change and Changeable Desires in The Roaring Girl.”
English Literary Renaissance 27.3 (1997): 421-42.
Knox, John. “The First Blast of the Trumpet Against the
Monstrous Regiment of Women.” On Rebellion. Ed. Roger A. Mason. Cambridge & New York: Cambridge UP, 1994.
Krantz, Susan E. “The Sexual Identities of Moll Cutpurse
in Dekker and Middleton’s The Roaring Girl and in
London.” Renaissance and Reformation 19.1 (1995):
5-20.
Laqueur, Thomas. Making Sex: Body and Gender from the
Greeks to Freud. Cambridge: Harvard UP, 1990.
Leech, Clifford. “Three Times Ho and a Brace of Widows:
Some Plays or the Private Theatre”. The Elizabethan
Theatre. Vol. III. Ed. David Galloway. Hamden,
Conn.; Toronto: Shoestring P; Macmillan, 1973. 14-32.
Lerner, Gerda. The Creation of Patriarchy. New York &
Oxford: Oxford UP, 1986.
Luckyj, Christina. A Winter’s Snake: Dramatic Form in the
Tragedies of John Webster. Athens: U of Georgia P,
1989.
MacDonald, Russ. “High Seriousness and Popular Form: The
Case of The Maid of Honor.” Philip Massinger / A
Critical Reassessment. Ed. Douglas Howard.
London and New York: Cambridge UP, 1985. 83-116.
Mansfield, Nick. Subjectivity / Theories of the Self from
Freud to Haraway. New York: New York UP, 2000.
Marinoff, Isabella B. “The Dramatic Art of Philip
Massinger: The Moral and Spiritual Quest.” Diss.
Yale U, 1980.
Massinger, Philip. The Maid of Honor. Ed. Lucisu A.
Sherman. New York: American Book Company, 1912. 117-
208.
Middleton, Thomas, and Thomas Dekker. The Roaring Girl.
Ed. Elizabeth Cook. 2nd ed. 1976. W. W. Norton;
London: A & C Black, 1997.
Mikalachki, Jodi. “Gender, Cant, and Cross-talking in The
Roaring Girl.” Renaissance Drama 25 (1994): 119-43.
Mikesell, Margaret. “Catholic and Protestant Widows in
The Duchess of Malfi.” Renaissance and Reformation /
Renaissance et Reforme 7 (1983): 265-79.
Mullany, Peter F. “Religion in Massinger’s The Maid of
Honor.” Renaissance Drama 2 (1969): 143-56.
Orgel, Stephen. “The Subtexts of The Roaring Girl.”
Erotic Politics: Desire on the Renaissance Stage. Ed.
Susan Zimmerman. New York and London: Routledge,
1992. 12-26.
Orlin, Lena C. “Familial Transgressions, Societal
Rransition on the Elizabethan Stage.” Sexuality and
Politics in Renaissance Drama. Eds. Carole Levin and
Karen Robertson. Lewiston: Edwin Mellen P, 1991. 27-
55.
Pechter, Edward. What Was Shakespeare? Renaissance Plays
and Changing Critical Practice. Ithaca: Cornell UP,
1995.
Rabinow, Paul, ed. Ethics / Subjectivities and Truth.
Trans. Robert Hurley and Others. New York: The New P,
1994
Ransom, John S. Foucault’s Discipline / The Politics of
Subjectivity. Durham and London: Duke UP, 1997.
Rose, Mary Beth. “Women in Men’s Clothing: Apparel and
Social Stability in The Roaring Girl.” English
Literary Renaissance 14 (1984): 367-91. 122-43.
---. “The Heroics of Marriage in Renaissance Tragedy.”
The Duchess of Malfi. Ed. Dympna Callaghan. London:
Macmillan Press, Ltd., 2000.
Rustici, Craig. “The Smoking Girl: Tobacco and the
Representation of Mary Frith.” Studies in Philology
96.2 (1999): 159-79.
Schochet, Gordon J. Patriarchalism in Political Thought.
New York: Basic Books, 1975.
Sharp, J.A. Early Modern England / A Social History 1550-
1760. London: Arnold, A Member of the Hodder Headline
Group, 1987.
Sherman, Lucius A., ed. Masterpieces of the English
Drama / Philip Massinger. New York: American Book
Company, 1912.
Sinfield, Alan. Literature in Protestant England, 1560-
1660. Totowa, NJ: Barens and Noble, 1983.
Sticpewich, Margaret M. “Sexual Discourse in Jacobean
Theatre of Social Mobility.” Diss. Rice U, 1997.
Stone, Lawrence. The Family, Sex and Marriage in England
1500-1800. New York: Harper & Row, 1977.
---. The Crisis of the Aristocracy 1558-1641. New York:
Oxford UP, 1979.
---. Rev. of The Charities of London, 1480-1660. By W. K.
Jordon. The English Historical Review 77 (1962): 327-
9 .
Sugden, Edward H. A Topographical Dictionary to the Works
of Shakespeare and His Fellow Dramatists. London:
Longmans, 1925.
The Bible. Revised Standard Version.
Trumbach, Randolph. “London’s Sapphists: From Three
Sexes to Four Genders in the Making of Modern
Culture.” Body Guards: The Cultural Politics of
Gender Ambiguity. Ed. Julia Epstein ad Kristina
Staub. New York and London: Routledge, 1991. 112-41.
Tuner, Robert Y. “Giving and Taking in Massinger’s
Tragicomedies.” SEL 35.2 (1995): 361-81.
Underdown, David. Revel, Riot and Rebellion: Popular
Politics and Culture in England, 1603-1660. Oxford:
Oxford UP, 1987.
Wadsworth, Frank W. “Webster’s Duchess of Malfi in the
Light of Some Contemporary Ideas on Marriage and
Remarriage.” Philological Quarterly 35 (1956): 394-
407.
Webster, John. The Duchess of Malfi. Ed. Elizabeth M.
Brennan. 3rd ed. 1964. W. W. Norton; London: A & C
Black, 1993.
Wells, Susan. “Dominance of the Typical and The Duchess
of Malfi.” The Duchess of Malf. Ed. Dympna
Gallaghan. London: Macmillan Press Ltd., 2000. 144-66.
Whigham, Frank. “Sexual and Social Mobility in The
Duchess of Malfi.” The Duchess of Malfi. New York:
St. Martin’s P, 2000. 167-200.
Wiltenburg, Joy. Disorderly Women and Female Power in the
Street Literature of Early Modern England and
Germany. Charlottesville: UP of Virginia, 1992.
Woodbridge, Linda. Woman and the English Renaissance:
Literature and the Nature of Womankind. Brighton:
Harvester, 1984.
---. “Queen of Apricots.” The Female Tragic Hero in
English Renaissance Drama. Ed. Naomi Conn Liebler.
New York, NY: Palgrave, 2002. 161-84.
|