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研究生:陳慧真
研究生(外文):Hui-chen Chen
論文名稱:撒姆爾•巴伯《那克斯維勒:一九一五年夏天》之研究
論文名稱(外文):A Study of Samuel Barber''s Knoxville: Summer of 1915, op. 24
指導教授:黃子珊黃子珊引用關係
指導教授(外文):Tzu-shan Huang
學位類別:碩士
校院名稱:國立中山大學
系所名稱:音樂學系研究所
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2006
畢業學年度:94
語文別:中文
論文頁數:45
中文關鍵詞:巴伯那克斯維勒:一九一五年夏天管絃樂聲樂作品
外文關鍵詞:Voice and OrchestraBarberKnoxville: Summer of 1915
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  • 下載下載:71
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撒姆爾•巴伯是二十世紀美國重要的歌曲作曲家之一。他一生共創作約一百零三首聲樂獨唱曲,其中《那克斯維勒:一九一五年夏天》是較為獨特的一首,因為它的規模較一般聲樂獨唱曲長,而且它是巴伯唯一一首為女高音與管絃樂所作的聲樂作品。自一九四八年首演以來,這部作品被公認為巴伯最「美國」的作品,因為他成功的表達出歌詞中的意境──美國一零年代鄉間生活點滴。
本文的重點是探討《那克斯維勒:一九一五年夏天》被認為巴伯最「美國」作品的原因。文章中,將簡單提及作曲家巴伯的生平、詩人艾吉的生平以及作品的創作過程。透過分析歌詞、節奏以及旋律,來探討巴伯如何在音樂上表達歌詞中一零年代美國鄉間生活的樣貌。
Samuel Barber is one of the most important American composers in the twentieth century. He wrote 103 solo songs. Among these works, Knoxville: Summer of 1915, op. 24 is unique because its scale is larger than other vocal works and because it is the only piece Barber wrote for soprano and orchestra. Since the premier in 1948, this masterwork is considered the most “American” piece of Barber’s works, for that he successfully sketches the atmosphere described in the lyrics, that is, American country life during the 1910s.
The main issue of this short thesis is to reveal reasons that make the work well-known for its “most American” nature. The musical education of the composer, the short biography of the poet, and the compositional background of Knoxville: Summer of 1915, op. 24 are mentioned. Through the analyses of lyrics, tempo and melody, the discussion focuses on how Barber translates the picture of American country life during the 1910s into musical notes.
前言 1

巴伯生平概述與作曲風格 4

詩人艾吉生平概述 8

《那克斯維勒:一九一五年夏天》之創作過程 11

《那克斯維勒:一九一五年夏天》之分析 19

結語 35

附錄 37

參考書目 40
水啟明。 《美國作曲家山姆爾•巴伯鋼琴奏鳴曲之探究》。國立臺北藝術大學碩士論文,2002年。
詹姆斯•艾吉。 《失親記》。楊耐冬譯。台北:學生英文雜誌社,1979年。
Agee, James. A Death in the Family. New York: Bantam Books, 1985.
Browning, John. CD Booklet Samuel Barber, the Songs Complete. Deutcsche Grammophon, 435 867-2. (1994), 8-14.
Dressler, Jane K. “The ‘Word Music’ of James Agee: Samuel Barber’s Melodic Response.” NATS Journal, Vol. 47, no. 1 (1990): 4-8.
Heyman, Barbara B. Samuel Barber, the Composer and His Music. New York: Oxford University Press, 1992.
Kimball, Carol. Song: A Guide to Style and Literature. Redmond: Pst, 2000.
Lien, Anthony Marcus. “Against the Grain: Modernism and the American Art Song, 1900 to 1950.” Ph.D. diss., University of California, 2002.
Lightner, Helen. Class Voice and the American Art Song: A Source Book and Anthology. London: The Scarecrow Press, 1991.
O’keefe, Marian Bodnar. “A Background Study and Analysis of Text-Setting Techniques Used in Samuel Barber’s ‘Knoxville: Summer in 1915. ’” M.M. Thesis, California State University, 1991.
Pollack, Howard. “Samuel Barber, Jean Sibelius, and the Making of an American Romantic.” The Musical Quarterly, Vol. 84, no. 2 (2000): 175-205.
Satterfield, Jacqueline C. “Samuel Barber, a Study of His Style and Music for Solo Voice and Piano.” M.M. Thesis, University of Houston, 1970.
Seib, Kenneth. James Agee: Promise and Fulfillment. Pittsburgh: University of Pittsburgh Press, 1968.
Stevens, Denis, ed. A History of Song. New York: Norton, 1970.
The New Grove Dictionary of Music and Musicians (2001), S. V. “Lied: The 20th-Century” by Paul Griffiths.
The New Grove Dictionary of Music and Musicians (2001), S. V. “Song: From 1910” by Geoffrey Chew.
The New Grove Dictionary of Music and Musicians (2001), S. V. “United States of America: Art Music 20th Century” by Richard Crawford.
Villamil, Victoria E. A Singer''s Guide to the American Art Song, 1870-1980. New Jersey: Scarecrow Press, 1993.
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