|
Abrams, Meyer H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Norton, 1958. ---, ed. English Romantic Poets: Modern Essays in Criticism. New York: Oxford UP, 1974. Bakhtin, Mikhail. Problems of Dostoevsky’s Poetics. Trans. & Ed. Caryl Emerson. Minneapolis: Minnesota UP, 1984. Barton, Anne. Byron: Don Juan. Cambridge: Cambridge UP, 1992. Beauvoir, Simone de. The Second Sex. Ed. and trans. H. M.Parshley. New York: Vintage Books, 1989. Beaty, Frederick L. “The Narrator as Satiric Device in Don Juan.” Byron the Satirist. Ed. Frederick L. Beaty. Dekalb: Northern Illinois UP, 1926. 123-64. Beatty, Bernard. “Aurora Raby.” Byron’s Don Juan. Ed. Bernard Beatty. NSW: Croom Helm, 1985. 137-219. Bloom, Harold. Introduction. George Gordon, Lord Byron. By Harold Bloom. New York: Chelsea, 1986. 1-38. ---. The Visionary Company. Ed. Rev. & enl. Ithaca: Cornell UP, 1971. ---, ed. Lord Byron. Broomall: Chelsea House, 2004. ---, ed. Lord Byron’s Don Juan. New York: Chelsea. 1987. ---, ed. Romanticism and Consciousness: Essays in Criticism. New York: Norton, 1970. Bostetter, Edward E., ed. Don Juan: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1969. Botting, Fred. Gothic. London and New York: Routledge, 1996. Boyd, Elizabeth French. Byron’s Don Juan: A Critical Study. New York: Humanities, 1958. Brecknock Albert. Byron: A Study of the Poet in the Light of New Discoveries. New York: Haskell, 1967. Briscoe, Walter A. Byron: The Poet. New York: Haskell, 1967. Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Ed. Adam Phillips. New York: Oxford UP, 1990. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990. Butler, Marilyn. The Romantics, Rebels & Reactionaries. New York: Oxford UP, 1981. Bygrave, Stephen. “Reading Bryon.” Romantic Writings. Ed. Stephen Bygrave. New York: The Open University, 1996. 161-81. Byron, George Gordon. Don Juan. London: Penguin, 1973. Cardwell, Richard A., ed. Lord Byron the European: Essays from the International Byron Society. Lampeter: Edwin Mellen, 1997. Castle, Terry. “Eros and Liberty at the English Masquerade, 1710-90.” Eighteenth-Century Studies 17 (1983-84): 156-76. ---. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Standford: Standford UP, 1986. Chase, Cynthia. Introduction. Romanticism. By Chase. Ed. Cynthia Chase. London: Longman, 1993. 1-42. Chew, Samuel C. Byron in England. New York: Russell, 1965. Christensen, Jerome. Lord Byron’s Strength. Baltimore & London: The Johns Hopkins UP, 1993. Clubbe, John and Ernest J. Lovell, Jr. “Byron as a Romantic Poet.” English Romanticism. Ed. John Clubbe and Ernest J. Lovell, Jr. London: Macmillan, 1983. 93-114. Cooper, Stephen. “Beyond All Contradiction: Aurora Raby and Containment in Byron’s Don Juan.” Keats-Shelley Journal 38 (1989): 23-25. Coote, Stephen. Byron: The Making of a Myth. London: The Bodley Head, 1988. Creed, Barbara. “Kristeva, Femininity, Abjection.” The Horror Reader. Ed. Ken Gelder. New York: Routledge, 2000. 64-70. Christensen, Jerome. “The Circumstantial Gravity of Don Juan.” Lord Byron’s Strength. Baltimore & London: The Johns Hopkins UP, 1993. Curran, Stuart, ed. The Cambridge Companion to British Romanticism. New York: Cambridge UP, 1993. Donelan, Charles. Romanticism and Male Fantasy in Byron’s Don Juan: A Marketable Vice. New York: St. Martin, 2000. England, A. B. Byron’s Don Juan and Eighteenth-Century Literature. London: Associated UP, 1975. Felski, Rita. Beyond Feminist Aesthetics: Feminist Literature and Social Change. Cambridge: Harvard UP, 1989. Ferber, Michael. A Dictionary of Literary Symbols. London: Cambridge UP, 1999. Foucault, Michel. The History of Sexuality. Volume 1. Trans. Robert Hurley. New York: Vintage, 1990. Franklin, Caroline. “Juan’s Sea Changes: Class, Race and Gender in Byron’s Don Juan.” Don Juan. Ed. Nigel Wood. Buckingham: Open UP, 1993. 56-89. ---. “ ‘Quiet cruising o’er the Ocean Woman’: Byron’s Don Juan and the Woman Question.” Byron. Ed. Jane Stabler. London: Longman, 1998. 79-93. ---. Byron’s Heroines. New York: Oxford UP, 1992. ---. Byron: A Literary Life. New York: St. Martin, 2000. Fuess, Claude Moore. “Don Juan.” Lord Byron as a Satirist in Verse. Ed. Claude M. Fuess. New York: Haskell House, 1973. 163-87. Furniss, Tom. Edmund Burke’s Aesthetic Ideology: Language, Gender, and Political Economy in Revolution. New York: Cambridge UP, 1993. Frye, Northrop. “The Romantic Myth.” A Study of English Romanticism. Ed. Northrop Frye. Chicago: U of Chicago P, 1982. 3-50. Garber, Frederick. “Self and the Language of Satire” Self, Text, and Romantic Irony. Ed. Frederick Garber. Princeton: Princeton UP, 1988. 269-90. Gardner, Helen.“Don Juan.”English Romantic Poets. Ed. M.H. Abrams. New York: Oxford UP, 1975. 303-12. Giddens, Anthony. The Transformation of Intimacy. Cambridge: Polity Press, 1992. Graham, Peter. W. Don Juan and Regency England. Charlottesville and London: UP of Virginia, 1990. Gross, Jonathan David. The Erotic Liberal. New York: Rowman & Littlefield, 2001. Hall, Jean. “Byron: The Surface Self.” A Mind That Feeds Upon Infinity: The Deep Self in English Romantic Poetry. Ed. Jean Hall. Cranbury, NJ: Associated UP, 1991. 110-31. Haslett, Moyra. Byron’s Don Juan and the Don Juan Legend. New York: Oxford UP, 1997. Hoagwood, Terence Allan. “Culture, Convention, and Indeterminacy.” Byron’s Dialectic: Skepticism and the Critique of Culture. Ed. Terence Allan Hoagwood. London: Associated UP, 1993. 34-99. Hofkosh, Sonia. “The Writer’s Ravishment: Byron’s Body Politics.” Sexual Politics and the Romantic Author. Ed. Sonia Hofkosh. New York: Cambridge UP, 1998. 36-64. Irigaray, Luce. “This Sex Which Is Not One.” A Reader in Feminist Knowledge. Ed. Sneja Gunew. New York:Routledge, 1991. 204-11. Jack, Ian. “Byron.” English Literature 1815-1832. Ed. Ian Jack. New York: Oxford UP, 1963. 49-76. Jackson, J. R. de J. “Reappraisals of Society.” Poetry of the Romantic Period. Ed. J. R. de J. Jackson. London: Routledge & Kegan Paul. 154-86. Jump, John, ed. Childe Harold’s Pilgrimage and Don Juan: A Casebook. London: Macmillan, 1973. Kaplan, Cora. Sea Change: Essays on Culture and Feminism. New York: Open UP, 1990. Kristeva, Julia. Strangers to Ourselves. Trans. Leon S. Roudiez. New York: Columbia UP, 1991. ---. “Approaching Abjection.” Powers of Horror: An Essay on Abjection. Ed. and trans. Julia Kristeva and Leon S. Roudiez. New York: Columbia UP, 1982. 1-31. ---. “Suffering and Horror.” Powers of Horror: An Essay on Abjection. Ed. and trans. Julia Kristeva and Leon S. Roudiez. New York: Columbia UP, 1982. 140-56. ---. The Kristeva Reader. Ed. Toril Moi. Oxford: Basil Blackwell, 1986. ---. “Women’s Time.” The Feminist Reader: Essays in Gender and the Politics of Literary Criticsim. Ed. Catherine Belsey and Jane Moore. Cambridge:Blackwell. 197-217. Kroeber, Karl. Romantic Narrative Art. London: U of Wisconsin P, 1966. ---. “Narrative Infolding, Unfolding.” British Romantic Art. Ed. Karl Kroeber. U of California P, 1986. 197-223. Labbe, Jacqueline M. Romantic Visualities: Landscape, Gender and Romanticism. New York: Palgrave, 1998. Lang, Cecil Y. “Narcissus Jilted: Byron, Don Juan, and the biographical Imperative.” Historical Studies and Literary Criticism. Ed. Jerome J. McGann. London: U of Wisconsin P, 1985. 143-79. Lechte, John. “Horror, Love, Melancholy.” Julia Kristeva. Ed. John Lechte. London: Routledge, 1990. 157-98. Leitch, Vincent B, et al. The Norton Anthology of Theory and Criticism. New York: Norton, 2001. Lovell, Earnest J., Jr. His Very Self and Voice: Collected Conversations of Lord Byron. New York: Macmillan, 1954. ---. Byron: The Record of a Quest. Hamden: Archon Books, 1996. Manning, Peter J. “The Byronic Hero as Little Boy.” Lord Byron’s Don Juan. Ed. Harold Bloom. New York: Chelsea, 1987. 43-65. ---. “Don Juan and Byron’s Imperceptiveness to the English Word.” Critical Essays on Lord Byron. Ed. Robert F. Gleckner. New York: G. K., 1991. 109-33. Marchand, Leslie A. Byron: A Portrait. Chicago: U of Chicago P, 1970. ---. Byron’s Poetry: A Critical Introduction. Cambridge: Harvard UP, 1965. Marshall, William H. “Beppo and the Structure of Don Juan.” The Stucture of Byron’s Major Poems. Ed. William H. Marshall. Philadelphia: U of Pennsylvania P, 1962. 167-77. Martin, Philip W. “Reading Don Juan with Bakhtin.” Don Juan. Ed. Nigel Wood. Buckingham: Open UP, 1993. 56-89. Mcconnell, Frank D. Byron’s Poetry. New York: Norton. 1978. Mcgann, Jerome J. Fiery Dust: Byron's Poetic Development. Chicago: U of Chicago P, 1968 ---. Don Juan in Context. London: U of Chicago P, 1976. ---, ed. Romantic Period Verse. Oxford: Oxford UP, 1994. Mellor, Anne K. English Romantic Irony. Cambridge: Harvard UP, 1980. ---. Romanticism and Gender. New York: Routledge, 1993. Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. London and New York: Methuen, 1985. Montag, Linda. “Byron’s Allusions to Shakespeare in Don Juan.” The Byron Journal 30 (2002): 29-37. Oliver, Kelly. Reading Kristeva. Bloomington: Indiana UP, 1993. Page, Norman, ed. Byron: Interviews and Recollections. London: Macmillan, 1985. Paglia, Camille. “Speed and Space: Byron.” Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. Ed. Camille Paglia. New York: Yale UP, 1907. 347-64. Phillipson, Mark. “Byron’s Revisited Haunts.” Studies in Romanticism 39.1 (2000): 303-22. Price, Martin. “The Sublime Poem: Pictures and Powers.” Poets of Sensibility and the Sublime. Ed. Harold Bloom. New York: Chelsea. 1986. 31-47. Quennell Peter. Byron: A Self-Portrait. New York: Humanities, 1967. Reeves, Charles Eric. “Continual Seduction: The Reading of Don Juan.” Studies in Romanticism 17 (1978): 453-63. Richardson, Alan. “Escape from the Seraglio: Cultural Transvestism in Don Juan.” Rereading Byron: Essays Selected from Hofstra University’s Byron Bicentennial Conference. Ed. Alice Levine and Robert N. Keane. New York: Garland, 1993. 175-85. Ridenour, George M. The Style of Don Juan. New Haven: Yale UP, 1960. Robinson, Lilian S. Sex, Class and Culture. New York: Methuen, 1986. Rowley, Hazel and Elizabeth Grosz. “Psychoanalysis and Feminism.” Feminist Knowledge: Critique and Construct. Ed. Sneja Gunew. New York: Routledge, 1990. 175-204. Rutherford, Andrew. Byron: A critical Study. Stanford: Stanford UP, 1961. ---,ed. Byron: The Critical Heritage. London: Routledge & Kegan Paul, 1970. Saglia, Diego. “The Spanish Canto of Don Juan: Writing the Carnival of Culture.” Byron and Spain. Ed. Diego Saglia. New York: Edwin Mellen, 1996. 121-49. Shilstone, Frederick W., ed. Approaches to Teaching Byron’s Poetry. New York: MLAA, 1991. Soderholm, James. Byron and Romanticism. New York: Cambridge UP, 2002. Stabler, Jane, ed. Byron. London: Longman. 1998. ---. “Introduction: Byron and the Poetics of Digression.” Byron, Poetics, and History. Ed. Jane Stabler. New York: Cambridge UP, 2002. 1-17. Storey, Mary. Byron and the Eye of Appetite. London: Macmillan, 1986. Strand, Eric. “Byron’s Don Juan as a Global Allegory.” Studies in Romanticism 43.4 (2004): 503-36. Taylor, Barbara. Eve and the New Jerusalem. New York: Pantheon, 1983. Trueblood, Paul Graham. The Flowering of Byron’s Genius: Studies in Byron’s Don Juan. Standford: Standford UP, 1945. ---. Lord Byron. Boston: Twayne, 1977. ---. Byron’s Political and Cultural Influence in Nineteenth-Century Europe. London: Macmillan, 1981. Tucker, Herbert F. “Recent Studies in the Nineteenth Century.” Studies in English Literature 1500-1900 31 (1991): 793-842. Tzu-yuan, Cheng. Byron’s View of Life Revealed in His Don Juan. Taipei: Chinese Culture UP, 1986. West, Paul, ed. Byron: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1963. White, Stephen K. “The Sublime, the Beautiful, and the Political.” Edmund Burke: Modernity, Politics, and Aesthetics. Ed. Stephen K. White. London: Sage, 1994. 22-39. Wilson, Carol Shiner. “Stuffing the Verdant Goose: Culinary Esthetics in Don Juan.” Mosaic 24/3-4 (1991): 33-51.
|