一、中文部分
何進財(2000)。社團指導老師的角色。訓育研究,39(1),1-3。宜蘭國小(1996)。宜蘭國小弦樂團成立計畫。未出版。
宜蘭國小(1996)。宜蘭國小弦樂團家長後援會章程,未出版。
林佳蓉(2004)。學琴、規訓、資本--台南市立人弦樂團的群體展現研究。台灣大學社 會學研究所碩士論文。未出版,台北。施珊佑(2003)。台灣地區國民小學弦樂團組訓之探究。國立台北師範學院國民教育研究所碩士論文。未出版,台北。
張大勝(1998)。合唱指揮法。台北:全音。
教育部(2005)。九十四學年度全國學生音樂比賽實施要點。教育部94年8月9日台社(四)字第0940108283號書函。
陳炎墀(1994)。學校樂隊-組織行政與訓練。香港:慈幼出版社。
楊淑媚(1999)。合奏之詮釋-「邁向二十一世紀音樂教學之藝術¾合唱與合奏教學研討會論文集」。台北市立師範學院音樂教育學系編輯,台北。
詹子杰、吳宏仁(2002)。給國小兒童樂隊指導老師一些練習上的建議。南投文教,16,39-42。廖耿志(2004)。西元1975-2000年台北地區~西式室內管樂團的發展研究。國立台灣師範大學音樂研究所碩士論文。未出版,台北。
蕭炬明(1992)。指揮官念之成長與確立。省交樂訊,10,11-14。
蕭炬明(1992)。指揮觀念、理論與實務之研究。台中:澤偉。
魏佳瑩(2005)。台北地區國民小學弦樂團指揮之指導意見。國立台灣師範大學音樂研究所碩士論文。未出版,台北。二、英文部分
Barnes, G.. (2002). A validation of string and orchestra teachers’skills. American String Teacher. 52(3), 70-75.
Blatter, A. (1997). Instrumentation and orchestration (2nd ed), New York: Schirmer Books.
Dillon-Krass, J. (2000). Productive orchestra rehearsals guarantee high-quality performances. American String Teacher, 50(4), 29-30.
Gillespie, R.(2001). Selecting music for your orchestra. In D. Littrell & L. R. Racin, (Eds.), Teaching Music Through Performance in Orchestra (pp.15) Chicago: GIA Publications, Inc..
Green, E. A. H. (1987). The modern conductor (5th Ed), New Jersey: Prentice-Hall, Inc..A Simon & Schuster Company.
Herkstroeter, K. (2004). Choosing music for your string orchestra. American String Teacher, 54(3), 40-42.
Kennedy, M. (Ed.). (1994). The oxford dictionary of music (2nd ed), London: Oxford University Press.
Kjelland, J.(2000). Warm-ups to improve string playing. The Instrumentalist, 55(2), 50-58.
Lewis, J. (1942). Conducting without fears: A helpful handbook for the beginner, London: Ascherberg, Hopwood & Crew.
MacNair, A. (1990). The complete four-minute warm-up. American String Teacher, 40(1), 76-78.
Maddy J. E. (2002). Rehearsals should be fun. The Instrumentalist, 57(4), 50.
Menghini, C. T. (1999). Music as the curriculum: An Approach to score selection and preparation, The Instrumentalist,53(10), 28-32.
Meyerdierks, B. (2002). Rehearsals should be fun. The Instrumentalist, 57(4), 17-22.
Mixon, K. (2004). More efficient rehearsals. The Instrumentalist, 58(12), 38-61.
Musco, A. M. (2005). Just watch the baton during these warm-ups. The Instrumentalist, 59(6), 12-14.
Needham, B. (2001). Preparing string players to play in an orchestra. The Instrumentalist, 56(1), 42-46.
Press, D. (1997). Full orchestra in elementary school. Teaching Music. 5(1), 33-40 .
Reed, R. (1991). Winning. American String Teacher, 41(1), 61-62.
Rudolf, M. (1993). The grammar of conducting: a comprehensive guide to baton technique and interpretation. (3rd ed), New York: Simon & Schuster Macmillan.
Ruzicka, C. L, (1991). Inspiring scale practice through group instruction. American String Teacher, 41(3), 41-43.
Sullivan, G. (2002). Rehearsal thoughts for all players:Look and listen. Teaching Music, 10(1), 28-32.
Thomson, J. (1999). Developing musicians, step by step and piece by piece: An interview with Robert Garofalo. The Instrumentalist, 53(10), 21-22.
Vallo Jr.,V. (1999). Qualities of success for string teachers and orchestra conductor-educators. American String Teacher, 49(3), 29-34.
Williams, D. A. (2002). Easy rehearsal techniques for new teachers. Teaching Music, 9(5). 29-32.
Woody Ⅱ, R. H. (2000). Effective string instruction: Five fundamentals. American String Teacher, 50(4), 56-61.
三、網站
行政院(2005)。挑戰2008:國家發展重點計畫。2006年3月25日,取自
http://www.cepd.gov.tw/business/business_sec2.jsp?linkid=146&parentLinkID=7
新竹社教館(2006)。全國學生音樂比賽賽程表。2006年1月20日,取自
http://www.nhcsec.gov.tw/