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研究生:周明宏
研究生(外文):Ming-Hong Chou
論文名稱:後現代論述:J.K.Rowling《哈利波特》系列中的拼貼與顛覆
論文名稱(外文):A Postmodern Discourse: Pastiche and Subversion in J.K. Rowling’s Harry Potter series
指導教授:海柏海柏引用關係
指導教授(外文):Patricia Haseltine
學位類別:碩士
校院名稱:靜宜大學
系所名稱:英國語文學系研究所
學門:人文學門
學類:外國語文學類
論文種類:學術論文
論文出版年:2006
畢業學年度:94
語文別:英文
論文頁數:102
中文關鍵詞:後現代主義哈利波特系列顛覆拼貼
外文關鍵詞:PostmodernismHarry Potter seriessubversionpastiche
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隨著《哈利波特》系列急速的在全球竄紅,其特殊的現象在文化方面被廣泛的討論。但是其文學方面的探討仍很稀少。本論文試圖探討《哈利波特》系列在文學上的定位及價值。論文首先指出《哈利波特》系列是一部後現代小說。作者羅琳融合許多不同的文學素材。而這些素材的結合似乎與其受歡迎程度有關。本論文檢驗了《哈利波特》系列中敘事法、引喻及主題。論文中探索敘述法、引喻及主題在文學中的慣例,並將J.K.羅琳所顛覆的文學慣例一一舉例。
本論文共有五章,論文用分析文本的方法列舉《哈利波特》系列中後現代主義的元素。第一章做概略的介紹、方法論及後現代理論。第二章介紹敘事性的拼貼。羅琳將住宿學校小說敘事及偵探小說敘事結合在她的系列裡。而這兩種敘事皆有其獨特的慣例及傳統,但羅琳巧妙的結合兩者。第三章介紹引喻式的拼貼。羅琳實質上使用許多希臘神話及中古主義中引喻、神話生物及神話主題。本章試圖檢驗羅琳如何使用這些引喻,並且指出羅琳引喻中的變化和顛覆。第四章介紹主題式的拼貼。巫術與自由意志是《哈利波特》系列中兩大主題。本章探討羅琳如何描寫巫術與自由意志。第五章總結所有論述及本文的貢獻。
The rapid global success of J.K. Rowling’s Harry Potter series is a unique phenomenon that has been widely discussed from cultural perspectives. Fewer discussions treat the literary perspectives. The thesis aims at defining the position of the series in literature and analyzing the literary perspectives of Rowling’s works. The thesis proves how the Harry Potter series is postmodern by showing how Rowling combines materials in the series; it is mainly the postmodern creative combination of elements that accounts for the popularity. The thesis, thus, traces the conventions of narrations, allusions and themes to illustrate the subversions and pastiche Rowling has created.
The thesis has five chapters, which analyze the texts of the novels to illustrate how the postmodern qualities are used in the Harry potter series. Chapter One gives a general introduction to the text, the methodology used and postmodern theory. Chapter Two introduces the narrative pastiche. It is found that Rowling combines two kinds of narrations, including boarding school narration and detective narration. Each narration, with its own motifs and conventions, is skillfully fused with the other. Chapter Three introduces the allusive pastiche in the series. Rowling uses magical creatures and themes from Greek mythology and is a medievalist, as well. In this chapter, the thesis examines how Rowling uses these allusions with variation and subversion. Chapter Four analyzes the thematic pastiche. Magic and free will/ choice are the two aspects of the thematic pastiche I focus on. Chapter Five is to conclude the thesis and explain the contribution of the thesis to the study of Rowling and postmodern literature.
Chinese Abstract ………………………………………………………………….…i

English Abstract ……………………………………………………………….……ii

Acknowledgements ………………………………………………………………....iv

Chapter One Introduction ………………………………………………….….. 1

Chapter Two Narrative Pastiche ……………………………………….. ……. 15
Boarding School Narration …...……………………………….. 15
Detective Narration ………………………………….. ……….. 27

Chapter Three Allusive Pastiche ……………………………………………….. 40
Medieval Allusions ………………………………………….….. 40
Mythological Allusions ………………………………………... .51

Chapter Four Thematic Pastiche …………………………………………..……64
Magic and Wizardry ………………………………………..……65
Free Will……………………………………………………..….77

Chapter Five Conclusion ……………………………………………….…….89

Bibliography ………………………………………………………………….…….95

Appendixes ………………………………………………………………….……101
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