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Works Cited
Charlie Kaufman’s Works:
Adaptation. Dir. Spike Jonze. Columbia Pictures, 2002. Being John Malkovich. Dir. Spike Jonze. USA Film, 1999. Eternal Sunshine of the Spotless Mind. Dir. Michel Gondry. Universal Studios, 2004. Human Nature. Dir. Michel Gondry. New Line Home Entertainment, 2000.
Maurice Merleau-Ponty’s Works:
Merleau-Ponty, Maurice. Sense and Non- Sense. Trans. Hubert L. Dreyfus & Patricia A. Dreyfus. Evanston: Northwestern UP, 1964. ---. Phenomenology of Perception. Trans. Colin Smith. London: Routledge, 1962. ---. The Primacy of Perception. Ed. James M. Edie. Evanston: Northwestern UP, 1964. ---. The Prose of the World. Ed. Claude Lefort. Trans. John O''Neill. Evanston: Northwestern UP, 1973. ---. The Visible and the Invisible. Ed. Claude Lefort. Trans. Alphonso Lingis. Evanston: Northwestern UP, 1968. ---. Signs. Trans. Hubert L. Dreyfus and Patricia Allen Dreyfus, Evanston: Northwestern UP, 1964. ---. Structure of Behavior. Trans. Alden L. Fisher. Boston: Beacon Press, 1963.
Books:
Blackburn, Simon. The Oxford Dictionary of Philosophy. Oxford: Oxford UP. 1994. Bazin, Andre. What is cinema? Trans. Hugh Gray. Berkeley: University of California Press, 1967. Bordwell, David, and Kristin Thompson. Film Art: An Introduction. New York: The McGraw-Hill, 1996. Caserbier, Allan. Film and Phenomenology: Toward a Realist Theory of Cinematic Representation. Cambridge: Cambridge UP, 1991. Cohen, Richard A. “Merleau-Ponty, the Flesh, and Foucault.” Rereading Merleau-Ponty: Essays Beyond the Continental-Analytic Divide. Ed. Lawrence Hass and Dorothea Olkowski. NY: Humanity Books, 2000. Csordas, Thomas J. Introduction to Embodiment and Experience. Ed. Thomas J. Csordas. Cambridge: Cambridge UP, 1994. Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana University Press, 1976. Feld, Rob. “Q & A with Charlie Kaufman and Spike Jonze.” Adaptation: The Shooting Script. Kaufman, Charlie and Donald Kaufman. NY: Newmarket Press, 2002. ---. “Q & A with Charlie Kaufman.” Eternal Sunshine of the Spotless Mind: The Shooting Script. Charlie Kaufman. NY: Newmarket Press, 2004. Falzon, Christopher. Philosophy Goes to the Movies: An Introduction to Philosophy. London: Routledge, 2002. Husserl, Edmund. The Crisis of European Sciences and Transcendental Phenomenology. Trans. David Carr. Evanston: Northwestern UP, 1970. Ihde, Don. Technology and the Lifeworld: From Garden to Earth. Bloomington: Indiana University Press, 1990. Jones, Amelia. Body Art / Performing the Subject. Minneappolis: U of Minnesota P, 1988. Kaufman, Charlie. Being John Malkovich: Screenplay. London: Faber & Faber, 2000. ---. Eternal Sunshine of the Spotless Mind: The Shooting Script. NY: Newmarket Press, 2004. ---. Human Nature: The Shooting Script. Newmarket. NY: Newmarket Press, 2002. ---. Introduction to Being John Malkovich: Screenplay. Charlie Kaufman. London: Faber & Faber, 2000. Kaufman, Charlie and Donald Kaufman. Adaptation: The Shooting Script. NY: Newmarket Press, 2002. Kundera, Milan. The Unbearable Lightness of Being. Trans. Michael Henry Heim. New York: Perennial Classics, 1999. Lee, Sander H. Woody Allen’s Angst: Philosophical Commentaries on his Serious Films. Jefferson: McFarland & Company, 1997. ---. Eighteen Woody Allen Films Analyzed: Anguish, God and Existentialism. McFarland & Company, 2002. Litch, Mary. Philosophy Through Film. NY: Routledge, 2002. Livingston, Paisley. “Theses on Cinema as Philosophy.” The Journal of Aesthetics and Art Criticism 64.1 (Winter 2006): 11-18. Lyotard, Francis. The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984. Madison, Gary B. “Merleau-Ponty and Postmodernity.” The Hermeneutics of Postmodernity: Figures and Themes. Bloomington: Indiana University Press, 1988. Madison, Gary Brent. The Phenomenology of Merleau-Ponty: A Search for the Limits of Consciousness. Athens: Ohio UP, 1991. McKee, Robert. “Critical Commentary.” Eternal Sunshine of the Spotless Mind: The Shooting Script. Charlie Kaufman. NY: Newmarket Press, 2004. ---. Story: Substance, Structure, Style, and the Principles of Screenwriting. New York: Reganbooks, 2000. Nietzsche, Friedrich. Beyond Good and Evil. Cambridge: Cambridge UP, 2001. Orlean, Susan. The Orchid Thief: A True Story of Beauty and Obsession. NY: Ballantine Books, 2000. ---. “A Reader’s Guide.” The Orchid Thief: A True Story of Beauty and Obsession. Susan Orlean. NY: Ballantine Books, 2000. Priest, Stephen. Merleau-Ponty. NY: Routledge, 1998. Stam, Robert. Film theory: An Introduction. Malden, Mass.: Blackwell, 2000. Stam, Robert and Alessandra Raengo, eds. Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Malden: Blackwell, 2003. Sobchack, Vivian. The Address of the Eye: A Phenomenology of Film Experience. Princeton UP, 1992. ---. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley and Los Angeles, CA: U of California P, 2004. Stein, Gertrude. Geography and Plays. Lincoln: University of Nebraska Press, 1993. Wartenberg, Thomas E. and Cynthia A. Freeland. Film and Philosophy. NY: Routledge, 1995.
Articles:
Bean, Henry. “Self-made Heroes.” Sight & Sound (March 2003): 17-19. Grau, Christopher. “Eternal Sunshine of Spotless Mind and the Morality of Memory.” The Journal of Aesthetics and Art Criticism 64.1 (Winter 2006): 119-133. Johnson, Brian D. “Loving in Oblivion.” Rev. of Eternal Sunshine of the Spotless Mind. Maclean’s 117.12 (March 2004): 43. Kolker, R. P. and J. Douglas, Ousley. “A Phenomenology of Cinematic Time and Space.” British Journal of Aesthetics 13 (1973): 388-96. Muldoon, Marc S. “Ricoeur and Merleau-Ponty on Narrative Identity.” The American Catholic Philosophical Quarterly 71.1 (1997): 1-18. Perez, Gilberto. “Self-Illuminated.” Rev. of Godard: A Portrait of the Artist at 70 Colin. MacCabe. London Review of Books 26.7 (1 April 2004): 3-6. Peterson, Thane. “Moveable Feast: A Memorable Bit of Sunshine.” Business Week Online (March 23), 2004. Prendeville, Brendan. “Merleau-Ponty, Realism and Painting: Psychophysical Space and the space of Exchange.” Art History 22 (1999): 364-388. Repass, Scott. Rev. of Being John Malkovich. By Charlie Kaufman. Film Quarterly 56.1 (December 2002): 29-36. Shaw, Daniel. “On Being Philosophical and Being John Malkovich.” The Journal of Aesthetics and Art Criticism 64.1 (Winter 2006): 111-118. Wartenberg, Thomas E. “Beyond Mere Illustration: How Films Can Be Philosophy.” The Journal of Aesthetics and Art Criticism 64.1 (Winter 2006): 19-32. Whelan, Winifred. “Bodily Knowing: ‘More Ancient Than Thought’.” Religious Education 89.2 (1994): 184-193.
Online Resources:
Being Charlie Kaufman.com. Ed. Michael. May 2003 <http://www.beingcharliekaufman.com> “Cezanne, Paul.” Encyclopdia Britannica. 2006. Encyclopdia Britannica Premium Service. 1 Aug. 2006 <http://www.britannica.com/eb/article-9022192> “Charlie Kaufman’s Biography.” All Movie. 21 Dec. 2005 <http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:271315~T1> Fear, David. “Wanted: Charlie Kaufman, Outlaw Scribe.” Movie Maker. 54.10. Spring 2004 <http://www.moviemaker.com/issues/54/kaufman.html> Nocenti, Annie. “Writing Being John Malkovich.” Interview with Charlie Kaufman, screenwriter of Being John Malkovich. Scenario. 2 Jan. 2006 <http://www.beingcharliekaufman.com/index.htm?articles/writingbjm.htm&2> Overstreet, Jeffery. “Review of Eternal Sunshine of Spotless Mind.” ChristianityToday.Com 19 March 2004 <http://www.christianitytoday.com/movies/reviews/eternalsunshineofthespotlessmind.html> Perez, Gilberto. “Self-Illuminated.” Rev. of Godard: A Portrait of the Artist. Colin MacCabe. NY: Farrar, Straus and Giroux, 2004 <http://www.thirdfactory.net/nb04Mar-June.html> Popen, Shari. “Merleau-Ponty Confronts Postmodernism: A Reply to O’Loughlin.” <http://www.ed.uiuc.edu/EPS/PES-Yearbook/95_docs/popen.html> Sragow, Michael. “Being Charlie Kaufman.” Salon.com 11 Nov. 1999 <http://www.salon.com/ent/col/srag/1999/11/11/kaufman/index.html> Smith, Tom C. “Happiness is a warm portal: On being a tour through the History of Philosophy.” Metaphilm. March 21, 2004 <http://metaphilm.com/philm.php?id=296_0_2_0> Totaro, Donato. “Andr Bazin: Part 2, Style as a Philosophical Idea”. Online journal. Offscreen. July 31, 2003 <http://www.offscreen.com> Xi hau. “Film Review: The Frontal-Lobe Movie House.” Seehow’s Diary. 11 April 2006. <http://www.movie.idv.tw/seehow> retrieved 28 April 2006.
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