臺灣博碩士論文加值系統

本文內容主要是以庫塞維茲基（Sergey Alexandrovitch Koussevitzky, 1874-1951）的作品第三號低音提琴協奏曲為研究對象，全文共有五個章節，包含序論、作曲家的生平與作品介紹、協奏曲的樂曲分析、作品特色與演奏詮釋探討和最後的結論。
筆者認為庫塞維茲基的低音提琴作品其突出的音樂風格，及精彩的演奏技巧是他曲子能夠廣為流傳的原因，但是由於國內外關於庫塞維茲基的論文研究資料不多，因此藉由參考文獻的方法，來了解作曲家在低音提琴演奏方面的相關成就及貢獻。
另外再針對樂曲作深入的研究與分析，並藉由樂曲分析的結果探討出這部作品的音樂特色，進而幫助筆者在實際演奏上更能符合原曲的風貌，達到最佳的詮釋效果。

音樂會曲目：
1. 凱佩 (1756-1815)：羅曼史與迴旋曲
2. 巴赫 (1685-1750)：大提琴無伴奏組曲，第二號之前奏曲﹙由羅白華教授改編給低音提琴﹚
3. 葛利耶爾 (1874-1956)：作品第32號之1前奏曲、作品第9號之2塔朗泰拉舞曲
4. 亨德密斯 (1895-1963)：給低音提琴與鋼琴的奏鳴曲
5. 庫塞維兹基 (1874-1951)：作品第三號協奏曲

The object of study in this paper is the Double Bass Concerto Op. 3 of Sergey Alexandrovitch Koussevitzky (1874-1951). This paper consists of five chapters: a preface, an introduction to the composer's life and works, an analysis of the concerto, a review of the stylistic features of the work with a study of interpretation in performance, and a conclusion.
In this study, I think two reasons why the compositions of Koussevitzky are popular among double bassists are, first, that these works have a clearly romantic musical style, and second, this concerto offers excellent techniques for the instrument. However, there are few research papers relative to Koussevitzky in the literature. Therefore, by referring to Koussevitzky's two biographies, it has been possible to follow the composer's related achievements and contributions to playing the double bass.
Furthermore, looking into research and analysis in depth, certain musical features of this work have been emphasized according to conclusions of music analysis. This has helped me to confirm the original lyric qualities more in performance and achieve the best interpretation.

Recital Program:
1. Franz A. L. J. Keÿper (1756-1815): Romance and Rondo
2. J. S. Bach (1685-1750): Cello Suite No. 2, BWV 1008 Prelude (Transcribed for Double Bass by Christopher Roberts, after David Walter)
3. Reinhold Glière (1874-1956): Prelude, Op. 32, No.1; Tarantella, Op. 9, No. 2
4. Paul Hindemith (1895-1963): Sonata for Double Bass and Piano
5. Sergey Koussevitzky (1874-1951): Concerto for Double Bass, Op.3

第一章、緒論 9
第一節、研究動機與目的 9
第二節、研究範圍與方法 10
第三節、文獻探討 10
第二章、庫塞維茲基的生平與作品 14
第一節、關於作曲家 14
第二節、庫塞維茲基的作品 19
第三章、庫塞維茲基低音提琴協奏曲Op. 3分析 22
第一節、快板的第一樂章 23
第二節、行板的第二樂章 31
第三節、快板的第三樂章 35
第四章、作品特色與詮釋探討 40
第一節、作品特色 40
第二節、詮釋探討 47
第五章、結論 57
參考書目 58

一、專書期刊
Bowen, José (2001). Koussevitzky, Serge. Grove Music Online ed. L. Macy. Retrieved January 26, 2005, http://www.grovemusic.com.
Foundation, Koussevitzky Music (2001-2006). Koussevitzky Music Foundations. Retrieved January 26, 2005, from http://www.koussevitzky.org/index.html.
Godell, Thomas (1995-2000). Koussevitzky Recording Society. Classical Net. Retrieved January 26, 2005, from http://www.classical.net/music/guide/society/ krs/index.html.
Hatch, Christopher & David W. Bernstein (Ed.) (1993). Music Theory And The Exploration Of The Past. USA: The University of Chicago.
Koussevitzky Recordings Society Inc., (Ed. ) (1987-1998). Koussevitzky Recordings Society (Vol. I-XI). (Available from "Koussevitzky Recordings Society, Inc.", send your check ($55 for the complete set or $7.50 for each individual volume) to Tom Godell, 205 Albany Road, Lexington KY 40503).
Koussevitzky, Mrs. Serge (1976). Letters. High Fidelity, 26(8), 9.
Lourié, Arthur (1931). Sergei Koussevitzky and His Epoch. New York: Alfred A. Knopf. (Reprinted 1969, Books for Libraries Press).
Rosen, Charles (1980). Sonata Forms. USA: W. W. Norton & Company, Inc..(Revised 1988)
Schenker, Heinrich (1935). Neue Musikalische Theorien und Phantasien III Der Freieastz. Wien: Universal Edition (Revised Edition 1956).
Slatford, Rodney (2001). Double Bass. Grove Music Online ed. L. Macy. Retrieved January 26, 2005, http://www.grovemusic.com.
Slonimsky, Nicolas (1976). 1951: A Classical Scrapbook. High Fidelity, 26(4), 43-48.
Smith, Moses (1947). Serge Koussevitzky. New York: Allen, Towne and Heath.
Talbot, Michael (2001). Ritornello. Grove Music Online ed. L. Macy. Retrieved March 5, 2006, http://www.grovemusic.com.
Tyler, James (2001). Scordatura. Grove Music Online ed. L. Macy. Retrieved January 26, 2005, http://www.grovemusic.com.
Webster, James (2001). Sonata Form. Grove Music Online ed. L. Macy. Retrieved March 5, 2006, http://www.grovemusic.com.
Webster, James (2001). Transition. Grove Music Online ed. L. Macy. Retrieved March 5, 2006, http://www.grovemusic.com.
卓曉瑋（2000）。〈庫瑟維茲基低音提琴協奏曲：樂曲解說〉。《卓曉瑋低音提琴獨奏會》。台北市：國家音樂廳演奏廳。
周春祥（2004）。〈庫瑟威茲基：樂曲解說〉。《俄羅斯炫風―周春祥低音提琴獨奏會》。台北市：國家音樂廳演奏廳。
國立藝術學院管弦樂團（2001）。〈庫塞維斯基第三號低音提琴協奏曲樂曲解說〉。《關渡樂集系列樂展》。台北市：國家音樂廳。
傅永和（1991）。〈庫塞維斯基第三號低音大提琴協奏曲：樂曲解說〉。《卡若宏與聯合實驗樂團》。台北市：國家音樂廳。

二、有聲資料
Goilav, Yoan (Double Bass) (1996). The Virtuoso Romantic Double Bass. Swiss: Tuxedo (TUXCD 1090, Recorded 1972).
Karr, Gary (Double Bass) (1980). Virtuoso double-bass concertos. Berlin: KOCH International GmbH Schwann (361 332 H1, Recorded 1979).
Karr, Gary (Double Bass) (1989). The Spirit of Koussevitzky. Japan: King Record Co., Ltd. (KICC 111, Recorded 1988).
Koussevitzky, Serge (Double Bass) (1994). Serge Koussevitzky the complete double-bass recordings. London: Biddulph Records (WHL 019, Recorded 1929).
Koussevitzky, Serge (Double Bass) (1996). Serge Koussevitzky Conducts Russian Music. London: Biddulph Records (WHL 045, Recorded 1928).
Morton, Mark (Double Bass) (2005). Russian Rendezvous. Ohio: Basso Profondo Records (BPR-102).
Roelofsen, Hans (Double Bass) (1999). Russian And French Music. Netherlands: Ottavo Recordings (OTR C69865).
Rollez, Jean-Marc (Double Bass) (1988). Koussevitzky-Bottesini-Bogateriev. France: REM (REM 311073).
Sztankov, Ivan (Double Bass) (1993). The Virtuoso Double-Bass. Budapest: Hungaroton (HCD 31518).

三、譜源
Walter, David (Ed.) (2000). Koussevitzky Concerto for Double Bass and Piano (Full score and part). U.S.: Liben Music Publisher.
Zimmermann, Fred (1948). Koussevitzky, Serge Concerto Opus 3 for String Bass and Piano (Full score and part). New York: International Music Company.