論述摘要
古人用草去病，今人以草養心。神農嚐百草，而形成中國藥學的「本草學」。自漢魏始、經唐宋之盛、元明之變、至明清迄今，成為東方藥學主流。而此一傳承著重在身體生命的修護養成，可謂為功甚偉。然而生命的修護養成除了身體，更有性靈。以文藝的養成與修為，即是對整體生命的修護養成的「補不足，以損有餘，有餘以奉天下（整體生命之謂也）」。所以，創作＜＜草＞＞便是想暫棄物自體的功能或功利的作用，以物自性娛人或自怡的觀點，在精神性靈的生命上的做一種修為與呈現。
再則，於古今的繪畫形式的表現上，「草」似乎只是點景配角，或有以此表現者，也不以此命名，或將之歸類於「花卉」或「寫生」冊頁。而去確立「草」之特有的本性精神價值的，似未有所聞。「石濤畫語錄」有言：『「……想大滌子性分太高，世外立法，不屑從淺近處下手耶？」異哉斯言也！受之於遠，得之最近；識之於近，役之於遠。一畫者，字畫下手之淺近功夫也；……』一草、一木、一石、一山、一水…….等，皆是下手之淺近功夫也。「石濤畫語錄」的一字一語，正點滴的潤養著我，所以，依此著手，也正是個人在水墨創作上的一個基石點與新里程的開端。
第一章 旨在論述我的題目來源，創作動機與目的及研究的方法
第二章 從史學的積澱與鴻蒙的觀點及個體個性的時代來臨，探索水墨畫非偶然性的發展與演變，而歸於「一」的看法
第三章 陳述「石濤畫語錄」對個人的影響及相關的心得，由物、我的觀照審美法則，啟開物自性與物自體的水墨精神表現的創作實踐。展現以「草」作為主題，而表現物我互為觀照之水墨精神的可能
第四章 簡述個人對水墨畫創作的心得

Abstract of the thesis
The ancient people use grass to get rid of the disease while the modern people use them to delight their souls.The famous named Sheng-Nong tasteed for hundreds of grass that forms the " herbal medicine "of Chinese medicine. It became the main stream of the medicine for the Orient the many dinasties. It focus on the protect and maintance of the body. And it has been created lots of benefit for the people. Neverless, the protect and maintance of the body is not enough. The souls is quite important, too. There is a great way to meet the goal , that is, through art. My thesis attempts to present the souls for the life through the original work of grass.
Further more, the roles of grass in some works before are only in the secondary place. people set the role of grass under the name of flowers. They never mention the valus of the grass at all. It has been mention in Abstract of the thesis
Neverless, the protect and maintance of the body is not enough. The souls is quite important, too. There is a great way to meet the goal , that is, through art. My thesis attempts to present the souls for the life through the original work of grass.
It has been mention in " The Words by Shee-Tow" that" My intellect is quite high, it is totally different in the world. I never deal the skill of my painting through the easy way like others do. that" My intellect is quite high, it is totally different in the world. I never deal the skill of my painting through the easy way like others do. The most touching parts always from the ordanary things around you. The easier thing is , on the countrary the diffecult. A brush is the basic skill. a grass, a tree, a stone, a mountain, water, ect. All of them are the basic skill of painting. Every singal words of " The Words by Shee-Tow" affectm me a lot. Therefore, I use the ways to creat my works. This the basic way of my creation and also the milestone of the progress of my works.
Chapter one : The resource of the topic of my thesis, the motive of my works, and the method of my study.
Chapter two: To discuss the topic from the macroscope and historical perspective . To prove that the Chinese painting is not by chance, it's belong to one union.
Chapter three : Describing the influence from " The Words by Shee-Tow" . Use my ways of beauty to describe the characteristics of the objects through my thesis. Use the topic of grass to present the spirit of my work.
Chapter four: My perspective of the Chinese painting.

目錄

摘要………………………………………………………………………….02
目錄………………………………………………………………………….06
第一章 緒論
第一節 題目來源………………………………………………………….07
第二節 創作動機與目的………………………………………………….09
第三節 研究方法………………………………………………………….10

第二章 不是偶然，也不必必然
第一節 歷史的鴻蒙……………………………………………………….12
第二節 個性的時代……………………………………………………….13
第三節 歸於一…………………………………………………………….14

第三章 創作自述
第一節 「石濤畫語錄」的啟示………………………………………….17
第二節 物、我的觀照…………………………………………………….19
第三節 作為開啟的實踐………………………………………………….21

第四章 結論……………………………………………………………….32

參考書目…………………………………………………………………….38

【參考書目】
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